 All righty, let's watch it in full here. There is sound I Gotta please do the house salad. Yeah, you got it And then I do a piece of bread on the bottom and on the top, please Okay, maybe maybe just throw in a piece of meat in the middle with with a piece with some cheese on it Yeah, why not? So cheeseburger. No, I said how solid? Okay, hold on I said how solid oh I if you are already throwing it away Instead of hiding it there, you might as well do an arc that comes out Salad like that So I and then like wait did you throw it yet? He did so you can kind of see it here So you might as well make a deal out of it. That's okay now in your email. You're saying here Let's just check body first before details and facial expressions later. So I think body wise. It's pretty good. I really like Over there ever so slight annoyance how solid. Oh, that's great. Let's go back down since Actually, we turn off the sounds we can just focus on Movement the thing that I like in terms of progression is that he is a bit faster at the beginning and as he gains Confidence he gets slower and slower, you know with those type of moves and especially this one I think that is a great contrast for you have. Yeah Okay, I ordered this compared to Those moves and the fast moves here. I think It doesn't really bother me You might argue because I read your mail first and then I watch it and I felt like oh, okay Maybe this is a bit fast, but then I'm watching it again. I think it's fine. I know that seems fine Maybe you know you go up and that like you're going all the way up And it's if you're really picky Which I am you're tracking The fingers going over here and then whoa changes direction and also goes back the same way I think this you know to give weight with all that momentum and going up You can go here, but then imagine that the tip would do something more like that So you give it a bit more time to round out that arc and then come back Which means that you're gonna take frames away From that hold maybe right so you're gonna have to add Because if you're adding more frames to finish that then this drop is going to be even faster So you're gonna have to steal some frames somewhere Let's see. Hold on. I'm gonna put the back to sound just in case I can please do the house salad Yeah, you got it and then I do a piece of bread on the bottom and on the top, please Okay, maybe just throw in a piece of meat in the middle with Yeah, it's tricky. I do a piece of bread on the bottom and on the top, please. I mean what you could do Turn the sound off again Because we are fairly clear in terms of negative space So if he's going like this right and he's this high What if you only bring it this high just throwing it out there, right? It's maybe it's a bit lower and then Because it's the same timing but different height It's going to be slower and then that gives you just enough time to finish that arc And it would be something more like that into that And I think that's fine That's fine Silhouettes nice here. We understand the structure of the arm to have a bit close almost tangent here And it's a bit tricky maybe you can cheat by pulling out that shoulder Or I mean you can see how That neck This may be a bit like this so maybe you can pull that head Over so just give this a little bit more room It's not crazy. It's kind of like So close so close. I'll probably go a bit more to the right But I already have some good stuff in there Before we're getting into details, you know, like detail stuff like offsetting fingers Uh for our movement that needs to influence the wrist So it's not just Uh broken IK I love how it's that deflated slide down. It's great Oh, I feel so defeated at the end Is it too much is it too much of a life it's just That's the only thing maybe again being super picky and that's extremely subjective here With all the energy and the humor in the in the shot To then end on a slow move like that This is almost like this like super tragic at the end. So we're gonna go out there If that might be too much, but maybe not All right, can I please do the house sale? And I think uh, you also mentioned here that I think something about timing He feels fast. I don't think it's okay You don't see it here. I think it's just you have to go as you go into the lip sync some areas feel late All right, can I please do the house sale House sale. Yeah, so the lip sync just kind of bring that a couple firms earlier and then When you hear is can I please I would have a little bit of up and down in the head Can I please because again, it's kind like that overall feeling of he's going to be more active I think he's going to have your head accents with the jaw going up and down just as he talks He's more skittish and and nervous and then as we get to here with a bit with some cheese on it You know, why not like then that feels fine With a bit with some cheese on it. You know, why not even the head accents that they can stay So uh cheese bigger No, I said how solid Yeah, that's that was my no for still lip sync just watch out obviously for the timing But then give it some more head accents and more energy in the head All right, could I please do the house sale? Yeah, it's some really nice stuff already. You like the rhythm in your finger All right, could I please do the house sale An extension. Yeah, you got it. And um, can I do a piece of bread on the bottom and on the top, please? Okay, maybe maybe just throw and then as for polish, you know, once you get into a pose like this Okay You have a little relaxation in the thumb here, but you can start earlier so that tension could then release a bit Okay Okay, because the moment he hears the okay He's like, oh, he can relax a bit so the shoulders can go down a little bit fingers can relax a bit And then he gets into that maybe maybe just throw in uh Maybe maybe just throw in uh Bread on the bottom and on the top, please Okay, maybe maybe just throw it Maybe now that i'm watching this maybe this is fast. I think the only thing is when I was looking at this you have a You're beginning to turn but then it's a linear key in terms of your translates So it ease into that a bit more so you might have to get Maybe start that sooner or again not go as high so you can be here So that the distance is shorter. So it's going to be slower But also careful that it's not too straight It feels a bit straight arc wise I think the rest is okay because it gets to the the armrest You have a bit of ease in and rotation. I think that should be okay Okay, maybe maybe just throw in a piece of meat in the middle. Maybe maybe just throw in a Maybe just throw in a piece of meat the Throw in a Throw in uh, so you're gonna have a little throw in uh, like a little bit of change in that arc going up Uh, when he says that that has to have a little bit of an accent because he's still a little bit nervous Piece of meat in the middle with uh with a piece of cheese He's on it. It's a meat in the middle with uh with a piece of cheese on it And I think here you can hear in the voice middle with uh with a piece of cheese on it He's still kind of fumbling the words So then here you can still have a little bit of a dirty arc and a little bit of head accents So it's kind of it's almost moppity where the head accents go Every time up and down when he says a word just to give this a bit Because he's very smooth at this point with a piece of cheese So I think that can reflect the voice a bit more Put some cheese on it. You know might not So uh cheese bigger No, and now watch out here mechanically it gets a bit Locked in terms of an ik arm as you go up and again watch out It's fairly straight and because we don't change the rotation that risk that much either in terms of that angle It gets a bit straight ik looking and then we get to this I'm framing through here. Here you can see how it's locked fairly and then it just rotates clockwise See that and then your stomach Goes down everything goes down. So you're gonna have to bring that arm down as well To really rest on that stomach and here again. It feels like real lock. We're just kind of rotating this way It's better there and that's fine And the rest is fine It's really cool. It's a really good update I'm looking at this which is leaning over and it's leaning over to his butt cheek On stuff like this, this is again super picky if you're leaning on this like the way you're pivoting over this feels Right there feels a bit much like we're pivoting right off the middle as opposed to shifting weight from one butt cheek to the other That's super picky, but Again, it feels like that line stays here. He just rotates over instead of pivoting and leaning on this so that His line here will be here. I know it's hidden behind the chair But you don't want to have that feeling of just we're pivoting off in the middle and just go up and down Whoa, that was me shifting the frame See with uh with a bit with some cheese on it. Yeah, why not? So uh, but that is great. I really like the shifts there. That's really cool cheese burger No, I said how solid And then you're bringing the knees together Yeah, yeah, it's really cool. There's so much great detail stuff that you've added here. It's really nice All right, that's it. Thanks All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you