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Published on Mar 12, 2013
Ellen Fullman and the Long String Instrument in performance on March 9, 2013. With area musicians Abby Alwin (cello) and James Cornish (trumpet), and visiting musician Theresa Wong (cello).
Ellen Fullman's work resides between the fields of sound art and music. Since 1981 Fullman has developed the Long String Instrument, an installation of dozens of wires 50 feet or more in length, tuned in Just Intonation and "bowed" with rosin-coated fingers, producing a chorus of minimal organ-like overtones. The instrument combines Fullman's artistic expressions of everyday activities, such as walking, with a unique performance art sensibility. Fullman has developed a specialized notation system to choreograph the performer's movements, exploring sonic events that occur at specific nodal point locations along the string-length of the instrument. She has recorded extensively with this unusual instrument and has collaborated with such other luminary figures as composer Pauline Oliveros, choreographer Deborah Hay, the Kronos Quartet and Keiji Haino.
Fullman has been the recipient of numerous awards, commissions and residencies. Her music was represented in The American Century; Art and Culture, 1950-2000 at The Whitney Museum, and she has performed in venues and festivals in Europe, Japan, and the Americas including: Instal, Lincoln Center Out-of-Doors, Other Minds, the Walker Art Center and Donaueschinger Musiktage. Her release Ort, with Berlin-based collaborator Jörg Hiller, was selected in the top 50 recordings of 2004 by The Wire (London) , and Fluctuations (with trombonist Monique Buzzarté) on Deep Listening was included in The Wire top 50 of 2008.