 All righty, there's sound here. Let's watch as a full Okay, so it's cute. I like that rig. I Would say before we get into the lip sync There are some moments where I would I would clear up the silhouette of it given that we have a color silhouette This reads nicely But then we get into this where we are overlapping a lot You know the lines and the colors that we kind of lose what's going on So either you would keep that in front of the dark color here or open it up to having it out there And then this especially starts overlap for arm and upper arm into just one line So if you would silhouette this you would just have this shape here, and we don't quite understand that structure even here We're flattening this a lot where we could have that elbow out and the hand here and all of this again a bit higher in the hand here It gets better through there But then even then I would bring it out so that you don't have in-betweens where the fingers are forming a tension with that line here Or this is right there Me mean Then we're getting into this W pose where I would Tweak some of these either both or one depends on what you want to do I think you're also dragging this wrist a bit much. Hold on. How fast is this wrist? It's kind of interesting to how it slides up here and has that Pressure points of cool fingers. I think it's okay. Hold on. Let me watch this without talking. I Think it was really fast. It should be okay. The only thing I'm feeling is that we are visually You know if you look at where this is headed and some onion skinning here Like we're getting into an outer arc like this ish Right in my horrible arc, but then we're suddenly going in set up out and then we're going out Into this that makes sense. We're starting but then we go in and then out visually It's very fast, but it could also be Cleaning up a little bit and watch out. We're getting very close to that edge here Having some tangents and then it's a farmer that this is here like we don't really need to cover the fingers there It's almost like you want to bring this higher, but again, you want also avoid the W so you have to look at like what is your your Your accent point and what do you need? Like what's the most important like right now? It's a bit With all of this am I supposed to look here, but it's kind of hidden again because it's still wet But as pretend you're cleaning this up and keeping it here or here The eye is really going to be here and we're following in there and the rotation of the head everything points to go this way And then suddenly wait am I supposed to look here and then we go back together to me It's almost like you would keep this hand here. I like this But what if she does all all of the rest while that hand is still there and It's more something within this finger in and kind of holding down there I know it's very destructive note But just getting out of that W pose then you can get into this but even then we feel very mirrored I know there's an offset of some cool stuff in here But it still has these both together and then they're both together again and Especially here. We're getting into really twin stuff Where I feel like I don't know could we just do something else with those nice long fingers where? You could push that feeling a bit more Like that's fun and you get into this we're all right that that's a bit more interesting That'd be my my bigger subjective Point in terms of your your arms and how are you using them? And even then here if we can't starting to get to lose a silhouette a bit here cut off a lot of you know There are a lot of lines and things Where we have this here, but then you have the costume we have this here. I feel it's just busy I feel like this could be cleaned up a bit more and Then the lip sync. Let's see. All right, bring up to audio again. I think listening to this She says that is correct. The only thing I'm missing here is a bit more like that It's like you have a on the mouth. It's that is cool Rect just a lot of in and out in and out in terms of contrasting shapes and Here just feels more like blah blah blah. I know how much you know you have to work with with this rig but that It's almost to me. It's a bigger contrast of home. I can scrub here It's almost like I will I will bring those corners in For that is so we just have a bit of a that is and I would almost show more of the teeth So if you that is it's kind of like a this imagine yet normal teeth here, and you could see yes correct And again the egg correct Bring those like that that lip line down to see teeth you're correct Correct, because it is fast, you know, it's all definitely stylized here. Yeah, to me. Just seems like it's just we're stuck in this same width Where I'm missing that that is correct that is cool Opening up, you know, I thought that that those changes rest is cool Oh, I love this the whole into that and maybe it's because we are going so fast here Correct, this could be something where what if you keep this and then it's just bigger open here to see the teeth Correct close, but that's one mouth corner open Correct into that that's me like to that's growing off here That's where it feels like we're missing something But the rhythm is fun if you don't have the audio on here All that is cool, there's cool Irrigation in it. It's nice. I like that. She's moving Right to left It's good rhythm in the body in the in the hands, you know in terms of just Disregard everything I said before just generally I think there's a nice feel of how long the head is held here Moving over going into down hop up up up up and then that little first accent into this Feels like there's good weight to it too right into that So yeah, I think there's a lot that works really well So these are just the as always subjective notes. Hopefully it is helpful and that's it for me. Thanks All right, there's an email you can sign up You can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome All right. Thank you