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  • Anish Kapoor protest poster at Union Station, LA supported by Art Below

    1,711 views 1 year ago
    For two weeks in February 2017 a piece of protest artwork by the artist Anish Kapoor in response to the actions of new US President Donald Trump has been on display in Grand Union Station, Los Angeles.

    The work inspired by the great Joseph Beuys' 'I Like America and America Likes Me' (1974). It features a photograph of Kapoor with the title 'I Like America and America Doesn’t Like Me'.

    Facilitated by Art Below - The 2 meter wide poster was placed in the red line concourse in LA’s Grand Union Station - California's largest and busiest station, serving almost 110,000 passengers a day and known as ‘America’s last great railway station’.

    Referencing the poster that Joseph Beuys made for the work, Kapoor has altered the title and re-made it with his own self-portrait. He invites fellow artists and leading creative figures across the world to join him in this action and post their new versions on social media in protest.
    “I call on fellow artists and citizens to disseminate their name and image using Joseph Beuys’ seminal work of art as a focus for social change” – Sir Anish Kapoor

    Anish Kapoor said “I call on fellow artists and citizens to disseminate their name and image using Joseph Beuys’ seminal work of art as a focus for social change. Our silence makes us complicit with the politics of exclusion. We will not be silent.” I Like America and America Likes Me was Joseph Beuys’ most celebrated performance work which he created at the René Block Gallery, New York in 1974. The action began at Kennedy Airport where friends wrapped him in felt and transported him to the gallery in an ambulance. The artist then spent several days in a room in the gallery with only a felt blanket, a flashlight, a cane and a wild coyote. His choice of featuring a coyote was perhaps an acknowledgement of an animal that holds great spiritual significance for Native Americans as well as a commentary on a country that through its Western expansion had become “lost”. At the end of the three days, the artist was transported back to the airport via ambulance. He never set foot on American soil nor saw anything of America other than the coyote and the inside of the gallery. Show less
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