• Richard Barbieri - Solar Sea VR / 360° (from Planets + Persona)

    13,341 views 4 days ago
    Richard Barbieri’s ‘Solar Sea’ scores a new 360° video that explores multiple worlds in space. Taken from the forthcoming album Planets + Persona - http://found.ee/RB_PLANETS_... [PLEASE WATCH IN AN UPDATED BROWSER]

    Watch the VR video as it takes you on a journey through colliding planets, ice crystals inside a hollow comet, volcanic asteroids spewing molten lava into open space and a breathtaking finale.

    To view Richard Barbieri's Solar Sea in 360, you will need to view the video using the YouTube app on iOS and Android. By moving your smartphone or tablet, you will be able to look around the 360 degree view. To watch on a desktop or laptop computer, you will need to make sure you are using the latest version of either Chrome, Firefox, Internet Explorer or Opera. You will then be able to move the view by clicking and dragging inside the video player or by using the WASD keys. For the most immersive experience, we recommend using a VR headset.

    Having seen the video for the first time with a VR headset Richard enthused: “THAT WAS INCREDIBLE! Amazing that Miles (Skarin) has captured the movement and turbulence of planets, particles and matter that I was trying to reference in the music. It’s a totally immersive experience and, along with the artwork, another important addition to the album experience”

    Released on the 40th anniversary of the Japan's first recording, the new studio album from the ex-Japan and Porcupine Tree keyboards maestro, 'Planets + Persona' is Richard Barbieri's most sonically expansive work to date with an array of guest performers
    Pre-order for March 2017 release: http://found.ee/RB_PLANETS_... Show less
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  • The Pineapple Thief Play all

    For more info on The Pineapple Thief's latest album: www.kscopemusic.com/thepineapplethief

    Everyone knows that slow and steady wins the race and that the greatest ideas often take a while to sink in. But with a little luck, the planets should eventually align and the world will come around to your way of thinking. The Pineapple Thief's graceful rise to progressive rock glory may have taken over a decade but as Bruce Soord's ever-inventive brainchild gear up to release their latest and greatest studio album it is plain that those years have all been part of a magical evolution.

    Formed back in 1999 when the modern prog scene was still in its tentative infancy, The Pineapple Thief provided multi-instrumentalist and songwriter Soord with an outlet for his unerring passion for music. Initially a studio-bound project rather than a fully functioning band, its sound slowly emerged as an idiosyncratic blend of melancholy indie rock and subtly innovative experimentation, with Soord's sublime compositional gifts providing a compelling pulse at its heart.
    "I just wanted to create some music that was my undiluted vision," Soord says today. "I'd spent my life in bands and collaborations and it was never an easy ride. All that consensus building was too bloody stressful if you ask me! Doing a project on my own, I had no one to argue with but myself.  At the time, I really had no expectations at all. I didn't even know if anyone would ever hear it. Luckily I got the first album released on a small indie label it did okay, or well enough for me to do another one..."

    That debut album, Abducting The Unicorn, could hardly have been timelier. As like-minded artists like Porcupine Tree and Radiohead began to purposefully rehabilitate the notion of rock with a progressive streak, The Pineapple Thief suddenly found an audience, most notably in mainland Europe, and Soord's vision began to resonate with a steadily expanding fan base. Over the years that followed, the band's music grew in stature and with each successive album their reputation as major contenders within this burgeoning underground movement became inarguable.

    "I managed to nestle into the 'new wave' of progressive rock, led by Porcupine Tree at the time, although obviously I was pretty tiny in comparison," Soord recalls. "I confess I hated a lot of 'prog rock' at that time but there were still people doing interesting, original stuff.  I was desperate to be seen in that light. I remember I got a really decent review in Holland and all of a sudden a little fan base started to emerge.  Then the same thing happened in the UK.  After I released the 3rd studio album (Variations on a Dream) we were asked to play at a prog rock festival in Whitchurch, Hampshire supporting Caravan.  So I got a band together.  We turned up at this place and they'd basically taken over the local secondary school! We played to a packed house and the queue to our merch stand after the show was huge. That was the moment that I realised this was actually a band people listened to, not just my lonely, isolated little studio project."

    Newly reincarnated as a bona fide live band, The Pineapple Thief forged ahead, releasing a series of widely acclaimed and I increasingly dynamic albums that repeatedly reaffirmed their growing confidence and laudably distinctive take on emotionally-charged art rock. After signing with Kscope in 2007, just as the modern prog scene truly hit its stride, they released their seventh album Tightly Unwound in 2008 and began to dedicate themselves more to live performance with frequent tours and festival appearances contributing greatly to the perception that this band were coming of age. The true breakthrough came in 2010 when The Pineapple Thief released the magnificent Someone Here Is Missing: truly the culmination of all Bruce Soord's hard work and determination over the preceding decade, it showcased a now vibrant and classy band -- featuring keyboard maestro Steve Kitch, bassist Jon Sykes and drummer Keith Harrison alongside Soord's unmistakable voice and guitar playing - at the peak of their powers.

    "When we moved to Kscope, I felt I finally had a platform to get my music out there to compete with the big boys," says the frontman. "But if I was honest, we hadn't yet released a world class record. After 7 albums, I wanted to tread new ground with SHIM. I wanted to make it harder, more immediate and certainly more energetic. Then we had the cover art created by Storm Thorgerson, everything came together and I felt we were getting a lot more respect. The release did piss off a few of our old school fans who perhaps wanted a more traditional Pineapple Thief sound, but we got a load more fans than we lost.  And anyway, a band has to progress. Not everyone is going to share my journey...although why the hell they wouldn't is beyond me!"
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  • Nosound Play all

    Regarded by critics and fans alike as one of the most interesting up and coming alt/art rock bands in Europe, Nosound inventively combines influences from `70s psychedelia, `80s/`90s ambient and contemporary alternative, progressive and post rock. The project started as a one man studio project in late 2002 by Giancarlo Erra, but has since grown into a five piece band, evolving into something unique, focused and powerful. The music is evocative and intense, with personal songwriting. Influences range from Pink Floyd to Brian Eno, from Porcupine Tree to Sigur Ros, passing through rock and electronic/ambient. Early 2013 saw the band finishing work on the new studio album, called Afterthoughts and to be released worldwide on Kscope 6th May 2013. Afterthoughts is released as a 2 disc set featuring the stereo mix of the album on CD plus a DVD-A / DVD-V with 5.1 surround high resolution 24bit / 96kHz mixes. For the first time for Nosound the album will be also released as limited double vinyl 180gr with download code. A special pre-order campaign for both releases includes an exclusive limited bonus cd containing the instrumental version of the album, and a limited run of 500 hand numbered/signed double vinyl`s with exclusive printed cloth bag.
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  • Paul Draper Play all

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  • TesseracT Play all

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  • Steven Wilson - Transience Play all

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  • Iamthemorning Play all

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  • The Receiver Play all

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