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  • After-School Music Program in Southern California with David Livianu

    80 views 6 months ago
    After-School Music Program in Southern California with David Livianu Send email to david@livianu.com to receive the full package with details Show less
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  • START HERE says Jessica Livianu: HOW DO YOU PRACTICE To get to Carnegie Hall? Play all

    Buy the 32 Ear-Training Music Lessons at the Google.Play Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    How do you get to Carnegie Hall? practice, practice, practice…
    Advice from a Juilliard Scholar about The importance of dedicated practice and How to develop a musical ear
    6 PUBLIC SERVICE ANNOUNCEMENTS for young artists, music teachers, parents and visually impaired people
    6 tracks, 53’ 23” Free PDFs transcript available by request.
    Masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    If you are listening to this material then you have already taken the first step towards joining the world’s high performance musicians; the most important thing every student can control are the amount and quality of practice he or she applies to a specific problem.

    There is a famous anecdote “A tourist on the streets of New York asks a passerby: “How do I get to Carnegie Hall?” “Practice, practice, practice” responds the New Yorker…

    I would rephrase the answer “Prepare, practice and after-practice”; these are the 3 stages of learning music. Knowing that you have to practice is only the beginning of the journey. How to practice is exactly what I will discuss with you today, so you can really get to Carnegie Hall, Juilliard, or Broadway, as an accomplished artist in any genre of music.

    With this in mind I will share with you my thoughts on how and why anyone that has a strong desire and willingness to work hard and smart, can develop a phenomenal musical ear and become a world-class musician.
    _____________________________________

    “The 3 Stages of Learning Music: preparation, practice and after-practice”
    Lets talk about Preparation:
    1. Getting mentally and physically ready for your practice is just as important as the practice itself.
    2. The student needs to be rested, motivated, and with a strong belief that he or she can succeed in mastering the material at hand. This stage is a.k.a. as the self-efficacy moment, since it sets up the proper chemical reactions for the actual practice.
    3. If you start in a good mood then the learning practice will be more efficient and evident in the results to follow.
    4. Self-regulation centers on the attitudes and beliefs of the student; if you think you can, You Can, and if you think you cannot you are right, said Henry Ford.
    5. Start with a good attitude and everything will happen in your favor; this type of attitude requires a high-level of personal motivation.
    6. Best performers go into their work with a powerful belief called self-efficacy, the ability to succeed.

    Now lets talk about the 2nd stage, Practice:
    7. During the practice the student should focus intensely on their activity: “Listen-Sing-Repeat”.
    8. The student should be able to step outside of himself during the practice and monitor what is happening:
    “Am I in tune?”, “What is happening in my mind?” and ask “How is it going?”
    9. Scientists call this form of self-perception Metacognition, knowledge about knowledge, or thinking about thinking.
    10. The student should think in a systematic way about what he is doing and establish it as part of the routine.
    11. Metacognition, the ability to observe your own thinking, is very helpful because as situations change throughout the practice, it helps the student adapt to new sets of problems and respond accordingly.
    12. Metacognition also helps in finding practicing opportunities in areas that are not yet mastered, for example a particular chord or melodic pattern.
    13. Students that can apply Metacognition to their practice observe and monitor their own thinking process and ask ‘What abilities are being taxed right now?” or “Can I try another skill to solve this problem?”
    14. Applying Metacognition in sync with the practice is not easy; it takes a lot of patience and concentration.

    And now, the last stage of your practice, called Post-Practice.
    15. After the practice the student should reflect and analyze how the practice went.
    16. Think about specific issues that you worked on today and feel you have understood better today.
    17. The student should compare himself to his own best or others if in a classroom setting.
    18. Students should choose comparison margins that go beyond the comfortable limits of sound recognition, and include deep knowledge data, for example this Major Triad belongs in several scales with a different tonal function, and so on…and
    19. Top students do not blame others for their mistakes and take ownership of their own limitations.

    One more thing: Keeping things simple and clear is a key element of the Livianu Method for Ear-Training and Sight-Singing.

    Please Remember: Learning Music Starts with Singing and Dedicated Practice Makes Perfect.




    Have fun and sing the music!
    If you have questions, ideas, or comments, send me an email to david@livianu.com
    I would love hearing from you.
    This item has been hidden
  • Practice LESSON 1 of 32, The Do_C Major Scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 2 of 32, The la_a minor scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 3 of 32, The Sol_G Major Scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 4 of 32, The mi_e minor scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 5 of 32, The Re_D Major Scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 6 of 32, The si_b minor scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 7 of 32, The La_A Major Scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
  • Practice LESSON 8 of 32, The fa#_f# minor scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
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  • Practice LESSON 9 of 32, The Mi_E Major Scale, presented by Jacob & Jessica Livianu Play all

    Buy the 32 Ear-Training Music Lessons at the GooglePlay Store:
    https://play.google.com/store/music/artist?id=A34kwow4uwk...

    Learn here HOW TO PRACTICE The 32 Ear-Training Lessons, masterfully prepared by Juilliard Graduate David Livianu. Questions? david@livianu.com

    Welcome to The Global Music Education Initiative!
    EVERY CHILD HAS THE RIGHT TO A QUALITY MUSIC EDUCATION

    Hello Everyone, this is David Livianu. The mission of The Global Music Education Initiative is to Make It Easy To Learn Music for millions of children around the world who lack access to quality music education training and manuals. THIS is my contribution to helping young artists.

    Any well respected and accomplished artist, {musician, dancer, singer or actor} needs an extraordinary well developed musical ear. The only way to succeed is to prepare seriously and practice quality exercises that will bring to fruition this important and vital skill, whether you are a singer or play an instrument.

    The goal of this work is to bridge the educational gap between elite music academies and regular schools and accelerate the learning process for any young artist who is seriously interested in developing a professional musical ear and understand music.

    The 1st audio educational resource is “Volume 1, 32 Lessons for Ear-Training with Solfege in 15 Major and 15 minor Scales”. This is a collection of 32 lessons, 7 parts each, with theoretical and practical exercises.

    There are 14 tracks in each lesson.
    A total of 448 tracks, 32 hours long. Each manual has 76 pages.
    The required expertise is moderate.
    The basic principle for developing a professional musical ear is: LISTEN, SING REPEAT!
    This means that as you follow along the audio tracks, and read the music manual, you should listen intently to the musical example, then repeat it yourself by singing it, and keep repeating this process throughout the lesson.

    Practice one lesson for 6 days in a row, then rest 1 day, and repeat the process for the next 31 lessons, 31 weeks. The SEVEN SINGING parts in each lesson are about 30 minutes long. You can practice any audio track, as many times as you need to.
    The Ear-Training exercises are rooted in the Italian and French traditions of learning music with Solfege; it means, singing the 7 notes with Do Re Mi Fa Sol La Si Do.
    This is the established music teaching method in European, Latin American and Asian schools for the past 150 years. I am firmly convinced that it is the most successful and efficient method for developing a professional musical ear.
    You can also use the alphabet method with ABCDEFGA, normally reserved for harmonic shorthand, though the results will be different.
    The Livianu method advocates only the use of the fixed do approach, where each note has a unique and non-interchangeable name.

    You do not need to sing the names of the sharps and flats, as the altered notes are intimated through intonation. I am confident that preparation, passion and quality music training will bring joy and success to young children around the world, using my simple exercises. Anywhere! Anytime!

    When you download any of the 32 lessons as an audio album, you will receive a free copy of the corresponding music manual for that lesson, in printable PDF format, 76 pages. Send an e-mail to david@livianu.com

    Listening to this material and practicing seriously along with the music manual, will help you develop a professional musical ear and learn music theory.
    These practical exercises are the true foundation for developing a professional musical ear, including the theoretical knowledge about scales, intervals, triads, seventh chords and ninth chords, which are the precursors of learning harmony and counterpoint.

    Learning Music Starts with Singing and Dedicated Practice Makes Perfect
    This item has been hidden
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