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Arthur Burrows, Case Trick, Di Ex Machinis, 9 Patrick di Santo, Hannah Sloane-Barton, Mark Gasper, O'le, Le Nuage Neuf, Molly Marx, Michael H. Henderson, Charles Tracy, Neun.

Originalizing the Cinematic Experience:

The Viewer’s Role in Interpretation & Sensory Construct: Unlike traditional film, where meaning is imposed through cinematographic and narrative cues, Post-Neo-Expressionist film and media dismantles passive interpretation. The audience becomes both subject and object, existing within an active sensory paradox.

Gilles Deleuze’s "Cinema 2: The Time-Image" (1985) or Michael H. Henderson’s “Beginning to End” (1995), Fragments 1,2,3. (1994) and  Rebel (1988) 9 Patrick di Santo articulates the shift from movement-driven cinema (narrative action) to time-driven perception (pure image). The Post-Neo-Expressionist approach extends this, applying it to both sonic and visual fragmentation.