We decided since we had a couple we would hook them together and see what kind of mayhem ensued. The Noise Swash module can act as a CV source, noise source, audio processor and more. Talking with Dann from 4ms, it's not as much about where the knobs are set but how you got to the setting. Deep. More Swashing soon!

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Just when you thought that a Jomox kick couldn't have more attack the MBase 11 comes along! This beast features a cool new metal noise parameter which can add a great little ping to the attack of the kick. The new version also adds a potentiometer dedicated for adjusting the kick's sound-shaping parameters, making your tweaking faster and more convenient. The MBase 11 has all of the standard MBase features like user-savable preset slots, midi control of pitch for killer kick bass lines, built in LFO for modulation and more. Welcome to the House of JoMox! No the screen doesn't flash like this all the time. Just a video thing.

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This filter sounds REAL good. Here's a fun one-note jam using the new Malekko Boogie filter. The Cwejman VC0-2RM is providing the drone while the Analogue Solutions Vostok is sequencing the Boogie's cutoff. Drums are provided by the crushing Jomox 888 with it's analog kick and snare.
We're sending the rim shot out, 1/8th notes, separately. That audio is being converted into a gate pulse by the Analogue Systems rs50, a very handy module, which is clocking the Vostok's sequencer. Danger high frequencies!

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Suitable for hymns.

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www.radikaltechnologies.com
photos by Andreas Tofahrn

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NIN - The Hand That Feeds

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Guitar Virtuoso BLUES SARACENO demonstrates the Dirty Boy Germanium pedals.www.bluessaraceno.com

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Guitar Virtuoso BLUES SARACENO demonstrates the Dirty Boy Germanium Pedals" www.bluessaraceno.com

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Guitar Virtuoso Blues Saraceno demonstrate the Dirty Boy Pedals. www.bluessaraceno.com

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Here's a clip my buddy DJ grabbed of me still attempting to decode the jomox xbase888. We were on our way back to san francisco after a weekend in LA, somewhere in the middle of no man's land- about 2.5-3 hours out.

....trying to avoid the user manual.

It's all repetitive and basically pure junk....but the machine sounds awesome.

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This footage was from our Official album Release "Tijuana Sound Machine", the event was at Planeta Tijuana(Ex Multikulti) on May 17 2008, thanks a lot and see you in our next stop!
enjoy!
Pepe Mogt and Ramon Amezcua
http://www.myspace.com/tijuana soundmachine
Video by : Checo Brown
Live Visuals by : VJ Pr4 (Ernesto Aello) with Modul8
Event Production by Naza Spacedclub
djs que estuvieron esa noche
Ejival Staticdiscos
Loud Noises
Santiago Le Freak
Tolo
China

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this is a bassline extracted from latinsizer track
listen my live set:
Click Here
http://www.latinsizer.com/lati nsizerliveintijuanaMSTRD.mp3
you will listen to my gear in action

"Centro*"(from "Latinsizer Live at MUTEK.mx" CD 2005 ), i just remake that bass using one Cwejman Oscillator,one ADSR, and filter,
the secuence was made with Doepfer MAQ-16 in sync with TR-909 distorted with Sonic Aleniator.
cheers
pepe mogt / latinsizer / nortec collective

http://www.myspace.com/latinsi zer

*Centro (only available in "Latinsizer Live at MUTEK .mx" CD 2005 )


The TR-909 is an awesome analog drum machine! THE standard House and Techno beatbox. Sounds include kick, snare, hand clap, open and closed hi hats, low mid and hi toms, rim shot, ride and crash cymbals. Sounds are tweakable - attack, tone, tuning, decay, snap and accent. This machine does not sound like true acoustic drums, and we don't want it to. It has a unique and very loveable analog sound that's all its own!

Extremely popular today, especially for dance, it is used by 808 State, Air, Bushflange, Future Sound of London, Moby, Norman Cook (Fatboy Slim), Orbital, Hardfloor, Uberzone, Underworld, The Prodigy, Faithless, ATB, Eat Static, Jimmy Edgar, Sense Datum, Richie Hawtin, A Guy Called Gerald, Astral Projection, Josh Wink, Freddy Fresh, Jean-Michel Jarre, Luke Vibert, Latinsizer, the Chemical Brothers, and many more! It is armed with Roland's DIN Sync and MIDI, individual outputs, external memory cartridges, and an essential shuffle & flam for great grooves. Use it as a sound module or program patterns, songs and beats into it...either way you'll be in analog drum heaven with the 909!
909 text from http://www.vintagesynth.com/



cwejman vco-2rm
The Cwejman VCO-2RM has two independent full featured VCOs and a ring modulator. It has internal connections for sync and linear frequency cross modulation, and are also pre patched to the ring modulator. All these connections go through normalized jacks, so external signals can also be used.
They deliver square and pulse waves, triangle, sine and four variants of ramp wave, each adding more over tones with a more nasal timbre. The VCOs can be switched to LFO mode and has both normal and inverted output.

They have a classic warm and fat VCO sound, not as harsh as the Doepfer, and not so muddy as the Analogue Systems.
It sounds so good that I don't automatically want to put them through in a filter to shape it. The PWM sound is extremely beefy. I can't guarantee the CV tracking all to the very top, but it sweeps from LFO to beyond the hearing level to somewhere around 22 KHZ.
Even at high modulation levels, it does not go into distortion, and keeping its warmth. That makes it a very good tool for FM sounds. The ring modulator is also a high quality unit. It sounds good, and accepts both AC and DC, making it useful as a VCA unit if needed.
On the downside, there are mainly two things. First, the waveform is determinate by a knob. I would have preferred to have them in separate outputs. The second is the lack of an octave switch.
(review from electro-music.com )

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