Bottleneck Slide Blues Guitar
KeniLeeBurgess's Channel
 
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KeniLeeBurgess  
Profile
 
Name:
Keni Lee
Channel Views:
86,629
Age:
56
Joined:
December 28, 2006
Last Sign In:
4 hours ago
Videos Watched:
12,526
Subscribers:
2,580
LOOKING FOR VIDEO LESSONS? Please go to www.ebay.com and Search: Keni Lee
PLEASE CLICK ON THE "PLAYLISTS". The videos are organized into groups to make your visit easier and more enjoyable.
About Me: Welcome to my page. My name is Keni Lee Burgess, and I'm a New York City subway platform performer, and music teacher. I play a style of guitar, Bottleneck Slide, that became popular in the 1920s and 30s. It developed in the Mississippi Delta by early players like Charlie Patton, Son House, Robert Johnson, Bukka White, Blind Willie Johnson, Mississippi Fred McDowell... Usually the guitar is tuned differently than standard, EADgbe, to an Open Tuning that produces a chord. The two most popular tunings are Vestapol Tuning 151351 or commonly known as Open D DADf#ad and Spanish Tuning 515135 or Open G DGDgbd. A glass bottleneck or metal pipe is worn on the finger, and slid up and down the strings to imitate the human voice. To take full advantage of the tonal qualities of open tuning, many performers of this style choose to play Resonator guitars. The Resonator guitar was invented just before the 1930s by John Doperya and manufactured under the names National and Dobro. These wood and metal bodied guitars contain an internal mechanical amplification system that consists of single or multiple vibrating aluminum cones that increase the tone and volume. To help students who are interested in learning this style, I have produced a series of instructional video CDs recreating the method I used to learn. This approach involves first learning how music works, and then applying it to the guitar. Although, this is a study of music theory, it is not boring and dry, but fun and fully practical. It is my belief that "back in the day", most songs had a strong melody line that made them easier to sing and feel. Many people gained their first musical education by singing on Sunday morning in the Church. Through this method it is possible to learn how to "build" a musical arrangement. Starting with a simple single line melody line, a second note is added to create "harmony". This leads naturally to finding the "three basic chords" that form the foundation of many folk tunes. Finally, by adding strumming and Bottleneck technique, a complete arrangement can be written. Most of the songs on my page, are my arrangements, that I developed using this knowledge. It is my hope that these lessons not only help students technically play better, but supply them with the necessary information, so they can figure out songs or arrange their own ideas. In 2007 I released my first CD, Good & Evil. I worked on the CD for three years with the help of twenty talented musicians, utilizing fifteen different instruments. The CD contains fourteen classic songs and highlights my investigations into the fascinating world of Open tuning. Thank you for visiting my page. Please feel free to write, to share your interest, or ask questions. Enjoy.

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Country:
United States
Channel Comments (199)
KeniLeeBurgess (2 days ago)
Thank you for your suggestion. Well, I've been playing guitar a lot longer than singing. For me, learning to sing is definately more challenging considering your voice is now the instrument. Also, getting the correct separation / timing of guitar and vocal while doing both at the same time can be tricky. Enjoy.
MrMudneck (2 days ago)
hey man.... put some rhythym in your voice/tags... you'll appreciate the licks a bit more. so i think.
KeniLeeBurgess (2 days ago)
I apologize for the inconvenience. In the beginning of August, I will release CD 3. It will not only include the Series 3 lessons comparing Open D and Open G Tuning, but also lessons on the songs: Poor Boy, Vestapol, Rock Me Mama, and four previously unreleased lessons on Mean Old World Blues. You can't go wrong for $9.99. Thank you for your interest.
SanctuaryStage (3 days ago)
Keni,
Would you consider re-posting your Rock Me Mama lessons? I learned part one and when I went back to learn part two it was gone. : ( I really respect your work. You're a fantasic guitarist.

-Dan
KeniLeeBurgess (3 days ago)
Thank you for your interest and question. As far as tone, even though the parlor guitar is smaller, it equals the full size Duolian. In general, smaller guitars are more convenient if you are planning to travel, but due to their smaller body size, they may seem slightly awkward to sit and play with compared to a full size guitar. They sit lower. Basically, if you are planning on performing or jamming with others, you may be better off with a full size guitar, but for sitting on the sofa, parlor guitars are great. Remember to tell Frank at Republic Guitars, Keni Lee sent ya! Enjoy.
ShanoBauer (3 days ago)
Hello! I'm looking at getting a guitar from Republic, but I can't decide between the parlor sized Resolian, or the standard Duolian. This will be my first reso guitar. Do you have any tips for deciding between the two? Preferences? The ways in which they will differ, not only in tone but in playablity? Thanks!
KeniLeeBurgess (1 week ago)
I have certainly listened to him on compulation CDs over the years, and we (The Old Blues Trio) did a Cigar Box Guitar song based on his song, One Kind Favor / Please Keep My Grave Clean. Thank you for stopping by. Enjoy.
booooooolpusterd (1 week ago)
are you a fan of the blues artist "Blind Lemon Jefferson"?



.
KeniLeeBurgess (1 week ago)
Thank you very much. Enjoy.
healthnbeauty1 (1 week ago)
I don't know why but I cannot get that song "Nobody's Fault But Mine" out of my mind. Great song and it's great the way you sing it.
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