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EthiopianWorldNET uploaded a new video
(18 hours ago)
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EthiopianWorldNET uploaded a new video
(19 hours ago)
DR. GLADSTONE ROBINSON R.I.P. Rastafari EWF Shashamane Elder Passing 8/30/1929 - 2/22/2012
"Rastafari Movement" "Gladstone Robinson"...
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DR. GLADSTONE ROBINSON R.I.P. Rastafari EWF Shashamane Elder Passing 8/30/1929 - 2/22/2012
"Rastafari Movement" "Gladstone Robinson" Shashamene Land Grant Ethiopian World Federation EWF "Elder (administrative Title)" Ras Iadonis Tafari www.lojsociety.org
Africa "World Government" Ethiopia "Rastafari Movement" Wayne Rose "Baltimore Rastafari Examiner" IDOR EWF "Elder (administrative Title)" Ras Iadonis Tafari www.lojsociety.org
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EthiopianWorldNET uploaded a new video
(2 days ago)
The HELP & The Oscar: Romancing The Black Mammie - Negro Actresses on Tavis Smiley
Romancing the Image of the Black Mammy: Oscar & ILLUMINAT...
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The HELP & The Oscar: Romancing The Black Mammie - Negro Actresses on Tavis Smiley
Romancing the Image of the Black Mammy: Oscar & ILLUMINATI negro COINTELPRO - Tavis vs the Help pt2
Romancing the Image of the Black Mammy, The 21st Century ILLUMINATI CONSPIRACY,
Whitney Houston's death also come on the eve of the 84th annual Academy Awards and its annual shameful Celebration of "Romancing the Black Female Misfit and Mammy" in mass media. The 2012 Academy Awards nominated "The Help" for four Oscar nominations. "The Help" earned Oscar nods for Viola Davis (Best Actress), Octavia Spencer (Best Supporting Actress), Jessica Chastain (Best Supporting Actres), as well as Best Picture. The film is a shocking compilation and perpetuation of Old Southern Mammy Tales and Stereotypes and a trivialization of the Civil Rights Mass Movement of 1960s through the eyes and consciousness of a white heroine intended to crush the world image, mysticism and influence of the "Black Diva" that Whitney Houston once dominated with grace and beauty. The Association of Black Women Historiansurged in statement about the film to fans of both the best-selling novel and the feature film to reconsider their attitude towards this tale of African American maids in 1960s Jackson, Mississippi.
"During the 1960s, the era covered in The Help, legal segregation and economic inequalities limited black women's employment opportunities. Up to 90 per cent of working black women in the South labored as domestic servants in white homes. The Help's representation of these women is a disappointing resurrection of Mammy—a mythical stereotype of black women who were compelled, either by slavery or segregation, to serve white families. Portrayed as asexual, loyal, and contented caretakers of whites, the caricature of Mammy allowed mainstream America to ignore the systemic racism that bound black women to back-breaking, low paying jobs where employers routinely exploited them. The popularity of this most recent iteration is troubling because it reveals a contemporary nostalgia for the days when a black woman could only hope to clean the White House rather than reside in it."
Michael Coard recently wrote in the Philly Post "Oscar is a Racist" about the Oscars historically "Romancing the Black Mammy" and Black Female Social Misfits. In regards to Hallie McDaniel's 1939 Oscar for Best Supporting Actress for her role in Gone with the Wind, "She ... was the daughter of formerly enslaved parents, and her father Henry fought in the Civil War as a member of the U.S. Colored Troops. Her life itself is worthy of an Oscar! But the Oscar she won wasn't for the dignified person who she was. Instead, it was for her demeaning role as Mammy, an enslaved maid."
He wrote of the Illuminati's High Priestess Halle Berry's 2001 Oscar for "Best Actress", "Halle Berry for her portrayal as Leticia Moore [Musgrove] in Monster's Ball. You mean to tell me that the first African-American actress in history to receive the Best Actress nod had to be an alcoholic, poverty-stricken, willing sex toy of a racist prison guard, spouse of an accused cop killer, and mother of a lazy and shiftless son." Then of Mo'Nigue (Another High Priestess of the Illuminati) he wrote, "And what was up in 2009 with that Best Supporting Actress award given to Mo'Nique in Precious for her portrayal of Mary Lee Johnson, the vile, child-abusing, welfare-cheating mother of an illiterate, incest-victimized, HIV-positive, "dark-skinned" daughter?"
WHITNEY HOUSTON, Our Beautiful Black Songbird, RIP
THE ETERNAL STRUGGLE OF GOOD VERSUS EVIL, SETH WORSHIPERS & THE QUEEN MOTHERS AND HEROES OF KEMET
The Divine Queen Mothers and Sacred Sons of Kemet (Egypt)
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EthiopianWorldNET uploaded a new video
(2 days ago)
The HELP & The Oscar: Romancing The Black Mammie - Negro Actresses on Tavis Smiley
Romancing the Image of the Black Mammy: Oscar & ILLUMINAT...
more
The HELP & The Oscar: Romancing The Black Mammie - Negro Actresses on Tavis Smiley
Romancing the Image of the Black Mammy: Oscar & ILLUMINATI negro COINTELPRO - Tavis vs the Help pt2
Romancing the Image of the Black Mammy, The 21st Century ILLUMINATI CONSPIRACY,
Whitney Houston's death also come on the eve of the 84th annual Academy Awards and its annual shameful Celebration of "Romancing the Black Female Misfit and Mammy" in mass media. The 2012 Academy Awards nominated "The Help" for four Oscar nominations. "The Help" earned Oscar nods for Viola Davis (Best Actress), Octavia Spencer (Best Supporting Actress), Jessica Chastain (Best Supporting Actres), as well as Best Picture. The film is a shocking compilation and perpetuation of Old Southern Mammy Tales and Stereotypes and a trivialization of the Civil Rights Mass Movement of 1960s through the eyes and consciousness of a white heroine intended to crush the world image, mysticism and influence of the "Black Diva" that Whitney Houston once dominated with grace and beauty. The Association of Black Women Historiansurged in statement about the film to fans of both the best-selling novel and the feature film to reconsider their attitude towards this tale of African American maids in 1960s Jackson, Mississippi.
"During the 1960s, the era covered in The Help, legal segregation and economic inequalities limited black women's employment opportunities. Up to 90 per cent of working black women in the South labored as domestic servants in white homes. The Help's representation of these women is a disappointing resurrection of Mammy—a mythical stereotype of black women who were compelled, either by slavery or segregation, to serve white families. Portrayed as asexual, loyal, and contented caretakers of whites, the caricature of Mammy allowed mainstream America to ignore the systemic racism that bound black women to back-breaking, low paying jobs where employers routinely exploited them. The popularity of this most recent iteration is troubling because it reveals a contemporary nostalgia for the days when a black woman could only hope to clean the White House rather than reside in it."
Michael Coard recently wrote in the Philly Post "Oscar is a Racist" about the Oscars historically "Romancing the Black Mammy" and Black Female Social Misfits. In regards to Hallie McDaniel's 1939 Oscar for Best Supporting Actress for her role in Gone with the Wind, "She ... was the daughter of formerly enslaved parents, and her father Henry fought in the Civil War as a member of the U.S. Colored Troops. Her life itself is worthy of an Oscar! But the Oscar she won wasn't for the dignified person who she was. Instead, it was for her demeaning role as Mammy, an enslaved maid."
He wrote of the Illuminati's High Priestess Halle Berry's 2001 Oscar for "Best Actress", "Halle Berry for her portrayal as Leticia Moore [Musgrove] in Monster's Ball. You mean to tell me that the first African-American actress in history to receive the Best Actress nod had to be an alcoholic, poverty-stricken, willing sex toy of a racist prison guard, spouse of an accused cop killer, and mother of a lazy and shiftless son." Then of Mo'Nigue (Another High Priestess of the Illuminati) he wrote, "And what was up in 2009 with that Best Supporting Actress award given to Mo'Nique in Precious for her portrayal of Mary Lee Johnson, the vile, child-abusing, welfare-cheating mother of an illiterate, incest-victimized, HIV-positive, "dark-skinned" daughter?"
WHITNEY HOUSTON, Our Beautiful Black Songbird, RIP
THE ETERNAL STRUGGLE OF GOOD VERSUS EVIL, SETH WORSHIPERS & THE QUEEN MOTHERS AND HEROES OF KEMET
The Divine Queen Mothers and Sacred Sons of Kemet (Egypt)
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EthiopianWorldNET uploaded a new video
(2 days ago)
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as the shabbot falls on I&I here, the shock of the physical loss of such a shining example of manhood, intelligence, & high morality for every Ras Tafari comes at a high grieving price. sign DeJuan Mims(Faraji Immanuel)