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Wagner - Das Rheingold - Entry of the Gods - Furtwängler
CzarDodon
51,608 views
The entry of the Gods from the Rai 1953 performance conducted by Furtwangler.
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Janáček - Kat'a Kabanova Overture
CzarDodon
8,200 views
As requested the Overture to Kata Kabanova
Here Sir Charles Mackerras conducts the VPO
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Wagner - Das Rheingold - scene 1 Furtwängler
CzarDodon
20,872 views
The end of scene 1 of Das Rheingold and orchestral transition conducted by Furtwangler in Rome 1953
I played a bit with video for fun... a lot of messing around for very p...
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Ljuba Welitsch legendary Salome -- finale 2/2
CzarDodon
3,598 views
Ljuba Welitsch (Bulgarian: Люба Величкова) (born Borissovo, Bulgaria July 10, 1913 - died Vienna, Austria September 1, 1996) was a celebrated Bulgarian soprano. She studied...
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Ljuba Welitsch legendary Salome -- finale 1/2
CzarDodon
5,614 views
Ljuba Welitsch (Bulgarian: Люба Величкова) (born Borissovo, Bulgaria July 10, 1913 - died Vienna, Austria September 1, 1996) was a celebrated Bulgarian soprano. She studied...
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Janáček - Říkadla 2/2
CzarDodon
2,465 views
In the summer of 1925, Janacek began an unusual work which, like the woodwind composition Mladi, demonstrates the elderly composer's empathy with the young, and in this ins...
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Janáček - Říkadla 1/2
CzarDodon
4,607 views
In the summer of 1925, Janacek began an unusual work which, like the woodwind composition Mladi, demonstrates the elderly composer's empathy with the young, and in this ins...
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Wagner - Ferdinand Frantz as Hans Sachs2
CzarDodon
2,860 views
Ferdinand Frantz (1906-1959)
Ferdinand Frantz was among the extraordinary Wagnerian bass-baritones of the post-war years. He had the right vocal authority for the heroic r...
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Merikanto Ten pieces for Orchestra (1930) VIII-X
CzarDodon
284 views
Aarre Merikanto (1893-1958)
The ten pieces of 1930 come at the end of what could be called the composer's radical youthful period. These pieces are considerably sparser...
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Merikanto Ten pieces for Orchestra (1930) IV-VII
CzarDodon
715 views
Aarre Merikanto (1893-1958)
The ten pieces of 1930 come at the end of what could be called the composer's radical youthful period. These pieces are considerably sparser...
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