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I define my practice as 'Hyper-Pop'—not as a futuristic evolution, but as a deliberate saturation of the Pop Art legacy. In this sense, I am an 'artificial strawberry,' a synthetic entity seeking to bridge the void left by Warhol.

While I strictly adhere to the visual syntax of Modernism, the context has shifted. We have moved beyond the era of material abundance into an age of overwhelming information and digital excess. It is within this chaotic flood that I seek a new form of salvation.

Using the iPhone as my canvas, I utilize advanced technology to embrace a higher tolerance for formal density. My work layers disparate materials with minimal connectivity, constructing a paradox of 'harmony within chaos.' By relentlessly piling up the fragments of the digital world, I replicate the forms of the past to capture the vertigo of the present.