 So what I'm trying to say, we are sitting on a gold mine, I'm so, so happy, you've no idea. Now I can return peace. I was looking for something I can leave as a legacy. So I don't have to be paid by a media house to put up a show so that I can kwa jesi na a triki na waluu engini. Now we can create kings unto themselves. Now bija na wakumutane, mimi li popeta kazi, ya kuat. My mum imagine Niyabiya the first thing because the rest of my relatives, my engineers, doctori, Ali Niyabiya a very simple word in in French. Manda wea. And now we go to a place where the future is. Niyabiya na wakumutane, mimi li popeta kazi, ya kuat. Why are we like Nigerians, South Africans, Tanzanians because of time? Time brings everything equal. Right now you're watching Netflix and showmas and all these streaming channels because now you can finally access the content on your phone. It wasn't that easy. And now with the support of the government we can ask for that support from out there. We can put up studios, we can go palimashinani, we identify talent, we nurture it, we market it and that's how we're going to monetize it. Because Pesa the way it used to work, Nasioka Tel, a TV station, a media house will commission a program. And that program had to be funded or sponsored through an agency. So if an agency decides I want a Pesa, I'm a television channel fills, your program is not worth it. Then you won't see that television on air. Now things will change. If you can access the consumer with the support of the government, they soon or later will create billionaires. I would like to thank His Excellency the President William Sumoeruto and my very able CS Ababuna Muangba. We were not evolving politics because that's not our gift. Our gift is God given. And that's why you see our artists have been undercharging themselves. Uneza Lipisha Mtu Technician, editor Takulipisha Iwi, but how much do you charge a gift from God? So hana se maile wukonayo tu sukume, akuna chaile wukonayo. Now we're going to certify that. We're going to make sure that some of these talents have certification that wujama akuna degree. We credit the years you've taken in the industry. We credit you so that you have value. And I'm sure with the support of the technical committee that we have, the sky is the limit. I tried in my own way as an individual to access some offices and some grants and they're willing, from Hollywood to China, they're willing to invest billions of shillings in this country. But the first thing they ask you, where is government involved in all this? Because governments don't deal with individuals. The government has to be involved. And in the former regimes, we could not have this conversation. A simplest thing is working to my good friend and my brother, we look at some variable P.S. education to try and explain why we need to tap these young talents in primary school. At and if you want to wujume, because even accessing his office would have been impossible. And I kept on asking. So now says how me wa me act, wa me fire in the drama festival, wa me enda state house. Then what? Then what? Now since it took on national theater, it's taken 15 years before you make it on television, before you make it on radio and now the emergence of digital space. I saw people talk about Aziad. Aziad is the future we are talking about that our age by just mere dancing, our input, the creativity, she can earn millions of shillings. And so you see a margins of media house like SPM pass. It's just like any other channel. So what you'll do, and I hope with the help of our committee and of course of very able C.S., we're going to come up with a few mina. Where now finally we can share our content across the world. But you are the biggest challenge in Mekua. It doesn't matter how talented you are. You have to be seen. You have to be seen. If you look at the spectrum of free-to-air channel, apart from the four main ones, zile zingini faith-based channels and you ask yourself, so how did Pastor Ezekiel manage to fit 60,000 people at Kasarad is very simple. He can dictate what to show every single day. So where do all these talents go? For example, comedy. If church is show is not on air, so you have to be at mercy of someone. But thank God for this government and for president, for giving him insight and the wisdom to see this multi-billion industry that no one saw it. And my prayer is as I chair this committee, I'm going to involve all the stakeholders to share the visions that I have that together you children are going to endeavor to become artists, be proud of it and earn from it. All of you, if you check your phones, by the end of the day, you'll have content. Funny content. Include you newly a mama, that's money. We're going to monetize every single content copyrighted so that the original owner of Kugulu Kangala can get that money as those Chinese try to sing that song, he can earn. You remember that what we'll earn because we have to monetize content. Where we are heading, content will be key. And the only way we'll do that, we are moving from offline to online. Offline is on my free-to-air TV, offline to online. So that if you can access content on your phone, for instance, let me give you a simple mathematics. Selene, Catherine here, who is now acting on Netflix, did you know that? Did you know she's on Netflix? Yeah, and Nestle is doing well. Can you imagine with the support of the government that program, that Talanda Hela that we presented here, just to make it short for you where money wise, we create a Netflix ya Kenya. Hello, Netflix ya Kenya. We are now, for you to watch Kenya shows, you pay partly 299 or 300 Kenya shillings. Now do 300 Kenya shillings times 10 million Kenya shillings per month. How much is that? Is how much? No, do the maths. 300 shillings times that's 3 billion Kenya shillings per month. Hiyo atu ya Toka Kenya, Safarikum has over 30,000 million subscribers on their smartphones. So if this content is delivered and is produced for Africa, just take 100 million Africans consuming our content because our app will be a flagship in Africa, just like a person. So if you have 10 million subscribers in Africa or 50 million subscribers paying 300 shillings, you are the person happy? And the diaspora will pay it different. So what I'm trying to say, we are sitting on a gold mine. I'm so, so happy. You have no idea. Now I can retain peace. I was looking for something that can leave as a legacy. So I don't have to be paid by a media house to put up a show so that I can gawanyaiki doko kwa jesi na triki na waluwe gine. Now we can create kings unto themselves. Mimili popeta kazi ya kuhat. My mum is the first thing because the rest of my relatives my engineers, doctors, we are a very simple word in in French. Manda wea. Luzi translated tafuta kazi. Siyesi kuwana abia wama maa atim totuwa wana fanyanero bi kazi a kuchakesha watu. And it took many years for me to convince her until she started seeing a lot of changes in our home. And so I want to encourage the parents and everyone up in here and the media houses who have really supported us over the years NTV, TV47, Citizen thank you so much and now what remains is moving forward together to make this industry because it's not entertainment the creative economy want to look forward to. And once again I'd like to thank God for this opportunity this is a real blessing to me, my life and this industry may God bless you and I hope to work with each and everyone of you. God bless you Thank you Thank you before we break this All right, great I guess we spoke a lot someone was asking How are you doing? You are shocked to hear kazi na fanyaka So it's very simple I'm so happy, really like to appreciate his excellency present and of course our CS for appointing me in this position it's not an easy task we are starting from the bottom literally it's a journey that has taken many many years but I'm sure with the committee that have been presented we are able and ready for the task ahead and we need everybody's support that finally that's what we've been praying and trusting God for we need to have agencies blocking that money that pass as in a direct kwaam sani kwaam fuko without passing some funny funny corners and being dictated by some quarters and so this is a new beginning there's so much support from international support people wanted to support the creative economy but always you have you must work with the government and I'm glad that the government has realized that great potential that is limitless asante san