 Suspense and the producer of radio's outstanding theatre of thrills, the master of mystery and adventure, William N. Rogueson. There's no business like show business, so it's no wonder show business is full of superstitions. Never whistle in the dressing room, never give the curtain line of a play until dress rehearsal. Don't send your laundry out if Monday night business is bad. And of course the sentimental daddy of them all, the show must go on. History has yet to record a trooper trepidatious enough to ask why. But our story concerns itself with a show that did not go on. And the theatrical superstition which states, never follow a banjo act with a banjo act. Listen, listen then as one of the greatest show people of them all, Miss Margaret Whiting stars in, never follow a banjo act. Which begins in exactly one minute. Memo on medals, interesting information about our military awards and decorations. In the past a person receiving a medal for valor was also awarded additional pay, not so today. Winners of the Medal of Honor however are entitled to receive a special pension of $100 a month when they reach the age of 50. And all enlisted personnel who have won the Medal of Honor, the Distinguished Service Cross or the Navy Cross are authorized by law to have their retirement pay increase 10%. Although the custom of awarding medals is as old as recorded time, the United States has issued comparatively few and these rather late in our history. Our present system dates back to the Civil War, almost 100 years after we had emerged as a nation. The bronze star, one of our newest medals, was authorized in 1944 for anyone in the United States Armed Services who distinguishes himself by heroic or meritorious achievement, not involving an aerial flight in military operations against an armed enemy. America's citizen soldiers have brought glory to themselves and their country down through the years defending our free way of life. And now, never follow a banjo act, starring Miss Margaret Whiting, a tale well calculated to keep you in suspense. Rosie Jones taken on the bar, Rosie, yes sir. There you are, ladies and gentlemen, the one and only, the immortal Rosie Jones, prior to 52nd Street, out in the Club Night Shade. Sing Melancholy, baby. And folks, now Club Night Shade invites you to dance in the rhythm of Cheat Cone as Mambo Rattles. Sing Melancholy, baby, the jerk. Yeah, who is it? Rosie, you decent? Enough. Rosie, this here is Mr. Cram. Hello, Rosie. Yeah, and I'm Patrice Munsell. Oh, no kidding, Rosie. This is Mr. Cram. The Mr. Cram. Sorry, Mr. Cram, but every crumb that comes back here hoping to score claims that he's a big agent like you. Yeah, I understand, Rosie. Have a chair. Throw that junk on the floor. It's only last year's mink. Yeah, thank you. You know, I've been admiring yours for many years, Rosie. Many, many years. Many? If this is a rib, sir, help me, I'll kill you. Listen to Mr. Cram, doll. Now, as you know, I'm representing Terry Dane. Now, you know who he is. You know what I got, right? Right? Right, right, right. The hottest thing since Frankie tied his first bow tie. That's it. We had new ones, and new ones. They come, they go. But this Terry Dane is a million dollar a year gross with tousled hair. It's a face you like to put in your lap and hug and kiss and a voice. The answer to a maiden's prayer, no? Personally, I go for men. She goes for men. She's a great little kid, right, Betty? Yeah, yeah. Well, what's the pitch? All right. You ask what's the pitch, Rosie. I'm going to tell you. We're opening Terry at the New Cazacactus in Vegas. Two weeks from Saturday. He's getting 25 G's a week. I read it in Friday. Big deal. Now, we need somebody to work with him, Rosie. Somebody who's got the experience, the talent, and a voice you could lay bricks on. Somebody who can really go along with him. It is a rib. May my mother be struck dead. I should say one word that isn't the truth sincere from the heart. Go on. All right. Benny is paying you 275, Rosie, right? I want to buy your contract from him. I'll give you an even grand expenses plus transportation. Your life? To work with Terry Dane. Four weeks, guaranteed. Maybe even a bonus, who knows. Benny. I've seen the contract, Rosie. And, uh... I'll give you 10 seconds. Give me a firm answer. Say yes. We'll finalize it here and now. You don't mind if I seem a bit in the dark? Nine seconds, Rosie. What happened to that big My Darling Died campaign your office was spreading when you had your boy singing I'll ever smile again over the cute little girl singer who was killed in that accident. What, Constance Green? The boy got over it. So why don't you get him another young thing like she would? Never follow a banjo act with a banjo act, Rosie. You know, old show business model. Gee, she was cute. An accident. What was it? He fell through a shower door or something, bled to death? You got five seconds. Four, three, two, and I'll take it. Ah, that's my girl, Rosie. All right, now while you're assigning these, uh... you want to leave us alone for a minute, Benny? Yes, your thing, Mr. Cran. There's a pen. I just... Yeah, that's it. Standard form. No writers? No, no writers, Rosie. There's one thing I would like to make clear right from the outset so there's no misunderstandings later. Why, Mr. Cran? No, no, no. I'm serious, dear. About Terry. Keep away from him. Okay. I mean away, dear. He's, uh... He's a moody kid. He's terribly shy. Remember what I said before about liking men? Yeah, yeah. That's what I call being mature. And he's just a boy. You've got no interest, you'll develop none, right? You'll keep clear, clean, and away, right? Right. Oh, I'll, uh, make it look good on stage, Ray, but after hours... After hours I'm going hunting for a man. Terry Dane. Me and Terry Dane. They like this, Rosie. There's a good arrangement, Terry. Go on. There's the intro for your solo. Who cares about solos? I like duets. I like doing it with you, honey. They like you. They love you. Every last day I'm in the place, so come on. Get out there. Yeah. Yeah, they love me. It's true. Every last one of them out there, it's just a thing that happens to women when I sing. Only, somehow, it just doesn't seem to happen to you, Rosie. Now, why is that, I wonder? We continue with the second act of... suspense. Another visit with Joe and Daphne Forsythe. You're messing with me. Joe. You're messing with me. Joseph. Why? Why? Why? Who is she? Who's who? Who are you dreaming about? Was I dreaming? You were talking in your sleep and giggling. How about that? What were you giggling about? I can't remember. Joseph, you mentioned a girl's name. Oh, what name? Spas. Spas? Yes, spas. Candy spas. It sounded like a dancer or a strip tease or something. Oh. Oh, what? Well, I must have said candy spas. Candy spas is a horse. I bet on them once. You bet on a horse? Yeah, we had a pool. I could have won $3. Well, you should have put the money into savings bonds. They're a much better investment. It was only 50 cents. For 63 cents a day, you can buy a $25 bond a month. And one year's worth of bonds will bring $300 when they mature. What's more, they are guaranteed to be winners. The whole United States stands behind them. Uh-huh. So don't waste money betting on horses. Put it in savings bonds. Okay. Can I still dream about horses though? If you do it quietly. Say, why were you giggling about a horse? And now, starring Miss Margaret Whiteing, act two of Never Follow a Banjo Act. All right, folks. Place your bets. Get your bets down. Here you are. Two bucks on number 23. Miss Jones, ma'am. Why, hello, Texas. Hello. My name ain't Texas, ma'am. It's Earl. Earl Whiteing. Earl. That's such a short name for such a long man. Well, I just wanted to tell you how much you like to sing, Miss Jones. Really? You're not just saying that. Who? Who, ma'am? Well, Earl, you're one in a million. Yes. And, uh... Speak your piece, Earl. Well, I'd sincerely like to buy you a drink, Miss Jones. Well, let's saddle apart and get with it. Oh, what a beautiful morning. Yes, sir. Sunrise. Best time of the day, Rosie. Look at all those mountains. All purpley and gold. A man could look at their mountains for quite a spell without getting the least my tired. Well, Earl, here's my bungalow, so I guess I'll be saying good night. Or is it good morning? Don't rightly know. Which, I'd say, ma'am. Let's just make it so long till later. You still want to go riding this afternoon? Yes. Yes, ma'am. So long, partner. So long, Rosa. Who's there? Who's that in the bedroom? Hey, dream boy. What are you doing here at Terry? Oh, come on, not Terry. It's time to go home to your beddy-bye. Gotta look good tonight, Fally. Yes, indeedy. So come on. Hey, you're going to cut yourself playing with that knife. Now, put it away. Terry. You're like Connie. Connie? You're like Connie in that other one when I was little. Connie. Oh, you mean Constance Green, the girl that used to sing with you, the one who died? Connie was like you. Now, we're not on the least alive. Connie didn't like me. Get that... Don't snap that so close to me. Connie didn't like me, and you don't like me. Everybody likes you, Terry. You don't? Yes, I do. I do. Why? Because when you sing... Well, when you sing, it does something to me. Way inside. Does it? Yes, and it makes a lump in my throat and, well, I just want a swoon. You don't mean it. Yes, I do. I do. I've never heard anything like you, Terry, and your hair. I love your hair. I just want to towsel it. Do that. Do what? What you said. Huh? Don't you remember? That knife. It's making me nervous. You don't like me, or you do what you said. Well, put the knife away. And I will. All right. Like this? Yes. Do you like to do that? Yes, I... I love to towsel your hair, Terry. You do. Yes, you do. You do, don't you? I can tell you do. Yes, Terry. I'll bet you'd like to kiss my eyelids now, Connie. Yes. Yes, Towsel. Your hair and kiss your eyelids. Yes. But I won't let you. I got to get back to my bungalow now. All right, honey, if you insist. When I saw you lying there, and all that blood, I knew you finally loved me, and it was right. It was right. Yes, Terry. Yes. Well, I'll see you tonight, darling. I know it's mean making you wait. That's all right, Terry. I'll wait. In just a moment, we continue with the third act of... suspense. We have together ample capacity in freedom to defend freedom. This is NATO. The North American Army. This is NATO. The North Atlantic Treaty Organization. Ever heard of the Central Europe Operating Agency? It's an important part of NATO. Headquartered near Versailles, France. The Central Europe Operating Agency is responsible for the operation of pipelines to ensure a supply of fuel for NATO's land and air forces in that area. The United States of America is a part of NATO. You should be aware of and alert to the programs and objectives of the North Atlantic Treaty Organization. And now, starring Miss Margaret Whiting, act three of Never Follow a Banjo Act. Nire, let me in. I've got to see you. It's a problem, Rosie. It's your boy, your Towsel-headed million-dollar client. What, Terry? Yeah. All right, what is the rascal up to this morning? Murder. Very funny. Come on, honey, I'll order up some coffee. Ray, that boy's a nut. He was in my bungalow just now with a knife this long, suggesting that I should maybe flip every time he opens his mouth. You've got to be kidding. Kidding? He darn near cut my throat, all because he thinks I don't like him enough. You don't like him? Yeah, and you know what you said about the old show business motto, Never Follow a Banjo Act with a Banjo Act? Yeah, yeah. Well, listen, Ray Cram, you've done it. He's got me all mixed up in his mixed-up mind with that kid singer and something about lying in a pool of blood, and well, to that boy, I'm another Banjo Act. All right, all right, all right, Rosie, what do you think we should do? Call the police. We can't very well do that, though, can we? Well, why not? The kid's sick. He's insane. He could do anything. Aren't you exaggerating just a little? No. Now, think, dear, don't you think it might have been just a little joke, huh? Ray, nobody makes jokes like that. Sure they do. Now, why don't we just forget about this, huh, Rosie? Forget about it. Yeah, forget about it. You know. I know what, that the kid is maybe a little bit loopy? You know. You know about him in that little knife of his. All right, now, don't raise your voice. And maybe you know how that other girl's singer died. She fell through a shower door. I read about it. She was cut up pretty bad, wasn't she? All right, now listen, Rosie, listen to me good. You've been around a long time, dear. You know what can happen sometimes to a Weisenheimer goes popping off when it's not called for. But this is called for. That kid belongs in an asylum or someplace. That kid represents a million dollar gross. Of which you get 10%. Of which I get a whole lot less than that. He's divided up half a dozen ways, Rosie. Some of the holders are very influential parties. One of the parties in particular wouldn't like it if anything happened to make the money stop coming in. Now this party's name is a secret, but you are going to tell it to. Because you've been around, Rosie. You can appreciate this. Who's the party? The syndicate. So explain. They're human beings, sort of. Tell them the truth. Tell them they bought in on something bad, just like you. No, no, no, no. You don't understand. I sold them, Terry. They mean me, Ray Cram. You're in trouble. Not unless you talk. If you do, you're in trouble too. How do you mean I'm in trouble too? The syndicate. I'd be forced to tell them who blew the whistle on their golden goose. And then, you know. Oh. So take the realistic view, huh, baby? We'll protect you. We'll keep Terry away from you. You've got nothing to worry about. Nothing to worry about. That's nice to know. Now look, Ray, couldn't I just slip out of town? No. I saw the boys after the show. They liked you. You stay. That's the word on the boys. I wish I were dead. And do like I say you won't be. And there's one more thing, dear. Yes, dear. Now you're singing good on your solo. Don't sing too good on your duet, huh? Don't take it away from the boy. I won't, Ray. I'll make him look good. Now you're talking like I like to hear you. That's my girl. And now the moments you've all been waiting for. Ladies and gentlemen, Terry Day. Folks, isn't she great? Terry. Yeah, doll? What are you thinking about, Terry? Oh, things. What kind of things, Terry? Moon, June, spoon, tune. You got a tune? Oh, I got a tune. Good little tune? Happy little tune. I like a happy little tune. Is there a boy in it? No. Just a girl. What kind of a girl? A very quiet girl. And she was right. Right and dead and red as red can be. Why are you going to sing, Terry? She was red. It was all red. Get hold of yourself. Who are they whispering? Sing. Don't they like me? Sing, Terry. I'll make them like me. Make you like me, Connie. And now that we've done our little crazy bit, folks, we're... I'll never smile again. Don't. I'll never smile again. Don't. Oh, Charlie's got a knife. Not the terminal. You can't trust me. I'll cut out of your hearts. Connie, please. I'm concerned if I can figure what makes a feller like that tick, Rosie. I think I'll play the black tonight, partner. He went just plum-local. He took six men to get him into that there special airplane. A swan flying a man to the bug house. Too many banjo acts. That's all, partner. Too many banjoes. Which Miss Margaret Whiting starred in William and Robeson's production of Never Follow a Banjo Act by James Poe. Supporting Miss Whiting in Never Follow a Banjo Act for Eddie Mar, Lawrence Dobkin, Shep Menken, and Jack Moyles. Listen. Listen again next week when we return with another tale well calculated to keep you in. Suspense. Suspense has been brought to you through the worldwide facilities of the United States Armed Forces Radio and Television Service.