 live. I don't know how exciting it's going to be. But we are going to be doing a gold and white marble. Oh, I forgot to add one of the colors to the description, but that's fine. I'll add it later. So we are doing a white and gold marble using resin. Let me pull up my this so I can not hear you guys. That's silly. Can't hear you. But I'll be able to see what you're saying. Okay. You're too much stuff on my little work table. So it's business as usual. Right. So hi Susan in South Florida. I bet the weather there is like chef's kiss amazing. It is not South Florida weather here, but it's pretty nice day today. For sure. So I'm using a cradle board that I've used before. If you don't know what a cradle board is, it is a something like a canvas, but it doesn't have canvas. It has wood, but it has like a frame on the back. But the cool part about it is if I'm used resin or doing acrylic pour on it, it's not going to dip in the middle. So that is why I usually use cradle boards. This is going to be a sample piece for a client that wants a white and gold table. So that's what we're doing. I started out by I've used it before. Obviously, it still has a tail. spray painting it white. And then I'm dusting it with just some gray spray paint. If you don't usually use spray paint or do usually use it, wear a respirator because you never know what your body can tolerate. At Mac, I just shipped your painting today. Thank you for purchasing. Your support is super, super helpful. Anybody that supports my shop is a friend of mine and yeah, buy artwork from small businesses like me. So I've dusted it with white spray paint and gray. And the reason why I do this is because I want to create some depth. And if I use white and translucent, then having an underpainting like this will create a lot of depth in the final piece. I have gone ahead and mixed my resin and my handy dandy, biny resin mixer eventually over here. I had to turn it off. There it is. Genuinely, really like working with this thing. And so I hope they get it together soon and make the stirrer with the stand available to the public soon. The only thing it doesn't do is scrape the sides. So I have to go back in and make sure that the sides are scraped. Well, Bowie, you can get down. Get down. Yes, go big boy. Really down. So what I hear has been pretty great for sure is spray paint enough for your base coat like you don't need to do a primer. It depends on what you're painting over. If this was an actual functional piece, I would do a bonding primer. We usually use XIM bonding primer, let that off gas, and then base paint it. So use a white bonding primer, then you're already base painted and then I would dust it with the grays. And then you need to let it off gas. I don't know how long it really takes for spray paint to off gas, but just to be sure I would let off gas for 24 hours. And then you're good to go. Alright, I think we have resin. Sweet, sweet resin. Okay. So what colors am I using? I'm going to do a pearl. These cups are too big. Maybe not. I'm going to do a color passion, pearl shimmer, titanium opaque translucent titanium abalone shell beige luster and then gold. What's up Tim? Thank you guys for watching and seeing what what I'm up to today. If you haven't subscribed, please do so. Every subscriber, every comment, every thumbs up really helps my channel's engagement, which is basically all that YouTube cares about. So it would really help me if you would do that. Subscribe and comment and stuff. All of the payments I'm using today can be found on my website artist till death.com. Pretty sure in this moment right now, as I'm speaking, I have all of them in stock. But if you shopped on my website, you know that sometimes people get a hankering for a certain color and it sells out super quick. So there's a warning. And I have a sale right now. I think the code is 2023 for 10% off and that goes till Friday. I'm really glad to see all of you guys here because makes me happy. Okay. What's up Clara? Hello, Jellica, Jennifer, Carrie, Lewis, Dana, everyone. Okay, so let's start with the pearl shimmer. This is essentially a white, but it has a little bit of luster in it. Apparently has a little bit of blue in it for the last time I used this color because I apparently get pigment out of jars like a child. So that's cool. You can't hardly see it. So tight. So this client wants a white and gold marble finish. So I'm going to create that for her. Right now I'm for you guys. Well, the first sample anyways. Menomena. How are you doing? How have you been? It has been a while. Can the resin coloring products you sell be used successfully in UV resin? Are you talking about UV resistant resin? Or are you talking about resin that cures from UV lamps? If you're talking about resin and UV lamps, you have to use translucent colors so that the UV can penetrate and cure the resin. So my translucent colors and my color obsession 10th would be perfect for UV coloring resin. Nope, UV curing resin. So I'm going to make a translucent white essentially by taking a teeny tiny wee bit of white and starting because these colorants are so pigmented. I have on numerous occasions added too much by accident and you can always add more than possible to just take it out, you know. So that's what I'm looking for this milky color. Want to be able to see through it. Just a bit. Okay, okay, okay, okay. But that one got that one. I'm going to be using color obsession rich gold shimmer for one of my golds. I think I'm going to use two golds. I'm not going to need that much of either because the gold accents are just that their accents. And it's been my experience that if you mix up too many colors or mix up too much of any one color, then you're going to try to use it because you don't want to waste it. Just be cautious of that. Don't make too much and then you won't be tempted to use too much. This is rich gold shimmer by color obsession. It's a beautiful, beautiful color. It is a rich gold color. So I think I may still do just resin bright gold as well because it's a brighter gold. And anytime you can have a few different variants in a color, the better because that's what creates depth and dimension. So those two golds are very different. One's a little bit cooler. One's a little bit warmer. Hi, Jackie. Your work is inspiring and I love watching your videos. Oh, that's a sweet of you to say thank you so much. That makes my heart happy. Thank you. Thank you. Thank you. This is a rich gold shimmer color. I actually may use some of my liquid gold as well. This is the bright gold from just resin. Okay, I'm going to mix up just a little bit of this beige luster. Anytime you're doing a white focused finish, especially if it's going to be functional. I like to mix in a little bit of a creamy color. That way, if it does yellow over time, it will be less noticeable because it's already been preampered, you know what I mean? But I'm not going to use that much of it because I don't want this to be a full cream finish. Yeah, I'm just going to pour a little bit that out. And then add a little bit of that color. It's like a grayish, but not as much as like beige stone. It looks like this and that will complement the golds that we're using really well. I'm so sorry for your loss. Yes, I do know how it is. Unfortunately, cruel part of life, but we're here for you. So this next color I'm using is abalone. You can also use Milky Way or shooting star or some people like to use diamond dust. I don't want to make it opaque. I just added a little bit to give a transparent sparkle so that I can see through it. But it's not cloudy. And then what was my last one is opaque white. Yeah, yeah, yeah. I'm going to add more white than I did on my translucent. And now we're good to go. I really want this one to be opaque. So that means if you don't know that you cannot see through it. And I can't. Sweet. Okay, let's get this piece rolling. Really hope the client likes this first sample. Anytime client likes first sample. Super awesome. Because then you save on having to do another sample. Okay, so kind of like how I did one of my pieces recently. I'm going to add just some kind of underpainting. Just a little bit. Then I'm going to do some of my abalone in mainly the areas that I have the gray patches because I want that to shine through. And having a clear over it will protect it from any of my colored resin sticking to that area. I'm going to use some transparent translucent white. Basically, I'm going to use what I have on here right now as kind of a skim coat. Not trying to mess with those underpainted gold lines just yet. I'm not trying to mix the transparent abalone and the translucent white. Just trying to mainly cover up any or most of the raw board that doesn't have any resin on it just yet. Because I think I'm going to mix up kind of like a dirty pour or an exotic pour for some of the marbling. That's honestly one of the easiest ways to generate a marbled look, in my opinion. Oh, okay. What color type of sparkle does the abalone have? It's a rainbow sparkle. It's very subtle, but it's definitely in there. Hope you guys can see it. My camera has slight delay. What's up, Angela? Happy New Year. Okay, so I'm going to take this cup, slightly bigger cup. Yep. I'm going to put a bunch of my translucent white. I'm going to put some of my pearl in this layer. Anytime, I know I've said this a billion, billion times. Anytime you can vary the opacity and the color that you're working with, you can create more depth, more dimension, thus giving you a more realistic look, in my opinion. But who am I? This pearl has just a very slight luster, very slight sheen to it. So it plays on all these other colors really well. Right. And now I have everything at least has a base on it. And that could probably be a finish all on its own. But we're not going to do that. Okay, I'm just going to take my exotic pour cup, and I'm just going to kind of swirl in my other colors. But I'm going to do mostly whites, translucent with just the hint of our other color, the gold and the beige. I like to go kind of quickly. And I'm doing an exotic pour or dirty pour because in my world, and it could be really wrong, I have no idea. But it's my opinion that the longer everything sits in this cup, the more likely it is to be kind of mixing together with itself. Okay, so I give it a little bit of swirl for character. That cream looks so great in this. Maybe I should have just done this dirty pour all over, like all over the whole thing. Maybe we'll see. Thank you, Angela. Hi, Maria. How's it going? Definitely not tried magic resin before. But if you would like me to try it out, have someone send it to me and I will be happy to review it. I'm adding some kind of like abrasive white lines. And I'm going to super tilt the whole thing in just a moment. And I'm pretty sure I am going to end up using my something liquid gold. That's the thing. The white looks fluffy. I could see that. Okay, so this is where we're at right now. Let me over here so I can see what I'm showing you. Yeah, just that hint of that beige luster gave it that right, it'll be fine. That creamy look. And then having translucent over a little bit of a gray background definitely gave a bunch of depth. There's more of that beige area. And having the gold being under that translucent white really gives you like that crazy amount of depth. So I'm gonna put some heat on her and see where we're at. If you do use the liquid gold that I'm going to add onto this, don't. I wouldn't do it until the very last thing because you don't want it to crack on you. Add a couple more bright gold lines mainly because I want to. I always start off of the piece because you don't want to have a big bubble of color from when you first pour out your resin. It will bubble. Do you have any visits with RK3 coming up? I'm trying to be down there for her pro class at the end of the month. Hopefully that pans out. I have to teach a class in Pasadena at the end of the month as well. That's gonna be on the weekend after her pro class starts. So I'm gonna try to get it all all done. All fit in. If you're in Pasadena or want to make a flight out to Pasadena, I have three seats left in my class out there at Mix Media Girls Studio and I would love to have you guys. The crossover challenge videos. We love doing challenge videos for sure. So I'm giving a slight tilt because that's going to give me even more depth and it's gonna make all of the lines that I added more cohesive and another amazing thing that happens when you use translucent is when the translucent's roll over that color, it gives you a great drop shadow. See that faded line of color? That's from the gold. Some of that pigment sinking and a translucent white rolling over it. All right. So we rocked at one direction and I like all the parts that we have on here except for I have this accidental dot down here. So I'm gonna heat basically just this area and that's gonna make this resin speed up so not a whole lot will move up here. Got that tilted off. I think I like it. What do you guys think? I think maybe the rich gold shimmer is maybe a little bit too much. That first gold that we added. I think it's reading is a little bit too coppery. So I'm gonna try to roll some of this white over that part to kind of fade it. All right. No, Jennifer, the Procla, I'm not um my class is in um in Pasadena is not a pro class. It's going to be everything from beginner to intermediate to um and we're teaching uh oceans and geodes. Thank you Christy. Does your white still turn white? Um my titanium is the most resistant to yellowing and ambering that I have found but depending on usage and its proximity to direct sunlight all resins have um the tendency to yellow but I found that my resin tint the titanium it holds it off longer but again depending on what your um sorry I'm doing too many things at one time depending on if your my goodness I can't word today. If your piece is in direct light all day every day or even outside it's still may yellow. That's because that's how it works. So this is liquid gold. It is exactly that. It's basically gold spray paint but without the aerosol and I have it on my website as well. Um I don't know if you guys can see what I'm doing over here but I'm letting the propellant soak out so you can see that um I don't know if you guys can see it. You'll be able to see it. I'll show you in a little bit like this halo around it that's the propellant soaking into this paper and I do that so that I can control my veins of gold better. So I'm just letting as much of that soak out as possible and usually when you kind of mix it like this if you don't see any dark areas pop up then your propellant is fairly soaked out. I'm gonna just do a roadside test and that's just basically testing to see if it um blooms once I put it on resin. So I'm putting it on these little drips of resin that's on the side and it's not blooming so it's ready to go. So I'm gonna just soak up some of that liquid gold on the side of one of my stir sticks and then decide where I'm gonna put it. Yeah I just put it over some of that gold that I'm not too keen on. Okay I'm liking it, I'm liking it. I'll give you guys a close-up of it you will see what I'm talking about. This gold is such a nice color and since it's a floating gold it's really it really pops it really shines and I will show you what it looks like in just a moment. I don't want to put too much gold but also a little bit do want to put too much gold because I really like what it looks like. Like I said before this has to be the last color you add because if is not and you want to manipulate it some more then odds of it cracking are greater. Just be advised. Nice! Okay I'm gonna take you guys down and show you. So this is what the piece looks like from a far and then up close you can see this is the bright gold. This darker one under here is the rich gold but this illuminated one that's the floating gold that's the liquid gold that we have on the website. So it just brings another dimension it just makes things just pop more when you have a floating gold like that. So what do you guys think of my marble white and gold sample? This is the um if you guys can see I'm gonna zoom in really fast right here and when my camera is out of focus you'll see the sparkle colors and the abalone a lot easier. See how it kind of rainbowed when I zoomed in real quick. See that? That's the sparkle that comes off the abalone. My pleasure everyone. Hello Shelley and so yeah that little bit of color right there is the beige luster. You can see all three of the golds I used in that area. So yeah let me know down in the comments if there's anything that you would change. As of right now I have all these colors in stock. Rich gold shimmer by color obsession. Just resin bright gold. Beige luster by color passion. Titanium white from just resin. Pearl shimmer from color passion. Got those and then abalone from resin art. So yeah if you enjoyed this video please subscribe. Let me know if you want me to do a finish next time or an art piece or if you want to see something different. Jeff's going to be airbrushing hats for everybody. If you would like to get one I am in an upcoming video working on this piece. This piece is for sale. Oh I have something else I wanted to show you guys. Something else I've been working on because of my obsession with underwater looks. I made this but it doesn't look as good as it did when I first did it. So I made a mold of silicone and I just laid it on top of some pieces that I'm working on and the effect is super cool. I'm trying to set up one so I can show you what it looks like rat. It's not working but I'm working on these molds for you guys to give texture and so yeah that's happening over there. Anyways do you think you could do bolder opal? It's like rock with opal inclusions like veins. I just took a screenshot of that finish and so I will check it out and see. I am by JJ. Yes Silvia you got all of them like yesterday. I will look that up Jennifer and give it a shot. I'll give it my best. And so yeah you guys have an amazing day. If you haven't joined our Facebook group yet, ATDs Poor People, please do so. And this is my Bobo. He's the biggest one. He's been really patient. So yeah you guys have an awesome day and we'll see you guys tomorrow on the next live. Be kind to one another because you never know what someone's going through and I always remember that we do the tests so you don't have to it's so easy. So yeah you have an awesome evening and we'll see you guys later. Bye. Did you say bye? Yeah you did. We can bye bye Bobo.