 There are many ancient anomalies which can be found upon the Giza Plateau and indeed across much of ancient Egypt as a whole. Many areas which are clear evidence of a highly capable, highly intelligent past civilization who once called this landmass home. Not only are the ancient pyramids a clear feed of incredible ancient engineering, possibly the most astonishing found the world over, but many of the still existing ancient temples are testament to a now lost, yet once incredibly advanced ancient civilization. And although many academics are funded to push the theory that the pyramids, having once been the burial places of Egyptian kings, the truth that we still do not actually know the original purpose for these ancient structures remains. Not only do these structures, along with many other areas such as the basalt floor found at their feet, still show clear evidence of lost technology, unquestionably left by high speed, high rotation stone cutting technologies, and many of the tombs and other artifacts found throughout the ancient ruins, unarguably once machine worked upon enormous, as yet unexplained, lathes. But there also exist some astonishing features within the record books, documented anomalies within our own antiquity, regarding some of the biggest, yet still existing anomalies within ancient Egypt, anomalies that although are now all but lost to history, have been recorded and documented since our own records began, specifically Roman records. The Colossi or Colossus of Memnon are listed as containing some of the largest megalithic blocks that have currently been recorded and investigated across the world, and although these statues have virtually crumbled over the eons, records of these statues stretch his back many centuries, features now largely, and we believe, deliberately ignored by mainstream academics. These statues once possessed an astonishing characteristic, one many claimed as a divine experience, one which would draw countless individuals on a pilgrimage across the desert to witness at first light every morning. The Colossi of Memnon were built from a single piece of stone each. They are oriented towards the sunrise at Winter Solstice, and throughout modern study have had a number of fearless individuals expose their true past grandeur to the world. Estimates for the two statues, original weight, are most commonly noted to have been around the 1,000 tons mark, with the most famous report within R.T. The Colossus holds a book of marvels, 1937, which contained an estimate of 1,200 tons. The statues are made from blocks of quartzite sandstone, which was quarried at El Gaba El Amar near modern-day Cairo, then transported 420 miles to Thebes, and although modern academia would like to attribute these feats to our more modern ancestors, namely the ancient Egyptians, any logical explanation of how this feat was achieved, or indeed how they were so precisely carved, remains absent from all explanations of these monumental statues, not only their transport and creation, but how these ancient monuments used to sing. Early Greek and Roman tourists who came to hear the sound gave the statue the name of Memnon. Memnon was a hero of the Trojan War, a king of Ethiopia, who led his armies to Troy's defense, but was ultimately slain by Achilles. Memnon was said to be the son of Eos, the goddess of dawn, and after his death, his mother is said to have shed tears every morning. The singing of the statues was attributed to this mother mourning for her son. The earliest written reference to the singing statues comes from the Greek historian and geographer Strabo, who claimed to have heard their song during a visit in 20 BC. The second-century Greek traveler and geographer Pausanias compared it to the string of a lyre breaking. Others described it as the striking of brass, or a strange, ghostly, almost divine whistling. For more than two centuries, the singing statues brought tourists from all over the empire, including several Roman emperors. Many left inscriptions on the base of the statue, reporting whether they had heard the sound or not. Nearly 90 inscriptions are still legible upon their base today. Who created these statues? How were they able to sing? They are clearly an astonishing ancient accomplishment, once achieved by a now lost advanced civilization. Monuments, which we find, highly compelling.