 Alright as always let's play this in full. We will risk our lives blah blah blah. Okay done. I did my part Well, this is extremely picky and I should never start a review with this But you're gonna probably Turn this around so that it has like a full You make a really messy turn so that you have the full shape of the cap so we can really see it again We should not concentrate on this right now, but it's like it's such a quick thing That's wanted to mention there other than that. Let's see. We will risk our lives blob We will risk our lives. I think you're totally fine to get into spline I think there's some moments where I would accentuate a bit more for instance when she says lines We will risk our lives live. Sorry. We will risk our lives So we'll risk our lives like on lives. I would raise the head a bit just to it's a It's it's such a moment in the audio. We will risk our lives Risk our lives, but you know, it's still stepped I'm blocky. So I would spline this out and then start working on those finer details We will risk our lives blah blah blah. Okay, but I do love this here. I love that Now that raise I like that little detail with the leg coming forward there blah blah blah Again extreme detail, but I wonder if on that rotation. I'll bring out that It'll be tricky because then you will be countering that finger But might because you're raising and blah blah blah that you might even maybe raise a pinky there and straighten this finger But just for the little detail thing and then you come back to more tense or pose Do we have it here again? I should be focusing on the broader things, but since I'm seeing it I'm mentioning it now risk our lives blah blah blah That being said and I'm seeing it here. So this might be too much of a of a mirroring Turning things. So maybe it would just be something in any just consider something in here But I like that you have it here. So I might take time back out there lives blah blah blah. Okay done I did my part Hey done the only thing I would say is when you go back here, okay? Again, it might just be then once you spline it But I feel like done on the done. You do have a settle done But I think you can at this point just bring that shoulder down to here a bit lower So I'm done you have just a bigger lean so imagine that done. I did my part Yeah, but then you have it on that did my part Okay done. I did my part. Okay. How about this? I will probably do this since you have it already here and you push it I will probably when you if you push it this far have a little bit more on the root to the left But the only thing I would do here on done And she goes done imagine you're bringing your root down like like a button height So that she's still slightly elevated then done and it has been more of an accent of the body going down and then Oh when she does this it's more of a move over this way did my part But that is totally doable. So, you know in spline mode. I think you're totally fine now We will risk our lives We will risk our lives blah blah blah the only things you'll have to look at as you spline is that when you do something like this If you explain this out, this feels like it's one ginormous unit turning There's no separation between, you know, any of the bigger body parts So just consider that as you start splining how you're gonna get into this turn You know, this basically feels like it's just one like main control of turning the whole thing But the rest here definitely broken up in nice risk our lives blah blah blah, okay done. I did my part And I did my part Okay, done. I did my Okay, done. I did my part I wonder if here on this but this year. That's your big attitude moment there and I did my part Wonder if you could experiment with pulling the head forward Just something to spice this up by like 10% something where it's a little bit a little bit of something I was gonna say maybe a bigger rotation, but you have a pretty big rotation here, and I wanted this I don't want to repeat that but Something to experiment as you spline because for yourself you can try it out if she's if she says this You know, could that be something if you move your neck forward? How would that feel? So just as a thought We will risk our lives blah blah blah, okay done I did my part Same thing here at the end when she gets she has that attitude of Popping it up. That's great Then she's ready to drink and I noticed at the very end, but this is just the arm going up and I wonder Could that be with The head more relaxed back which you bring up her head a bit more I'm not sure that she would go forward to drink That's the only thing since that's the last move So it's not just a mechanics of the arm and and bottle up. Is there something where we can have This is this attitude. Can we push this attitude here? Is there something else where? You know if she had relaxed eyes this could just be I'm thinking about something now Of course, this gives us a different mood, but it's just something else that we can do when she goes from here All the way to here. It's just something we can do with a twist in the head or just a turn or or something Where we can kind of continue that that? This attitude here Just the thought I know it's at the very end It might not matter once we spline it out and and we realize that it just it just cuts out You might also have to add frames was again. This is a big move over one frame So once you spline this you might feel like oh, we're just barely getting into Into this and again, you might need 10 or 20 frames To make the timing work on this since again, this is that's one of the pitfalls of stepped. I think this is it's a very quick move That we might can't Fit in this short time frame. Anyway, I'm rambling. I'm gonna leave this here. I would say go go go spline It's awesome, and I'm looking forward to the next version. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want to get 16 submissions either way a like and subscribe would be awesome. All right. Thank you