 Let's see. Wow. It's been a very, very full week. You all have a program in front of you. First and foremost, I have to thank you all for having your kids here. It was very, very fun. They were flooded with an amazing group of guest artists that came in and shared all their talents. On Monday, we had a local guitarist and singer, Ethan Rye. He was like Jimi Hendrix, incarnate. On Tuesday, we had Larry Revit, another colleague of mine. He shared three of his bases and a little bit of sound engineering with the kids. Wednesday, a former student of mine from Harwood Union, who's now a young professional adult, works with spoken word and rap. He came in and worked with the kids, and that was really special. Yesterday, another colleague of mine, Jake Weitzel, lives here in Montpelier. It's a phenomenal saxophone player, Flute. He came in and did a nice hour-long demo. Each one of these guest stars that came in really worked with our campers and performed with them. Today, Jaco Dorje, who's here with us today, also came in and presented the accordion. He sat in with us on a blues tune that all of your children composed and wrote. Not just about all the music pieces, but it's been about the social interaction, developing friendships that I think will show itself. So without further ado, I welcome the rockers of Capital City Rock Camp 2010. That's you guys. And here they come. Thank you. We infused both modern technology with our classic rock. You'll see there's a nice very program here. We're going to start with just a free percussive improvisation. We did a lot of improv here, as well as learning some of the classic tunes that are very particular. But this is called beat soup, where we all do a little percussive groove. And it's beat soup with musical chairs, so we switch it up and switch around. Yeah, that's what I need. Thank you. You need an instrument, sir? Let's see. When you start with a little groove, what would you like me to provide something for you? Let's speed. So everyone is now armed with a lot of vocabulary. When they create their own music, they'll know exactly what they want from their friends. All right, Dasha, we're going to do a fairly fast tempo. Ready? Everybody, don't be afraid to speak out, okay? Your voices will be heard. One, two, three, four. Very slowly enunciate so everybody can hear them. It came up with our two. Keep to them the lyrics, please. Just do the chorus one time and end with the four. It's true, you can sing the blues. Makes you blue, you've got nothing to lose. Why are you so sad? It's not so bad. We've got so much time, pain ain't no time. Just sing with me, everything's fine. Sun's gonna shine and cleanse my mind that we've all got lost and need to be brought. Give me some light, we'll all take flight. When you're blue, you can sing the blues. Yes, it's true, you can sing the blues. Makes you blue, you've got nothing to lose. All right, thank you. So, blues are blue and a little saddening, but we ended our word choices with, give me some light, we all take flight. So we ended on a positive note with the pun intended. You guys, you're all two and up, 24, correct? I'll skip it. Excellent, no worries. So oftentimes we have to be super patient and wait for some of our technical situations. All right. Also, this year I'm so thankful and fairly blown away that the different instrumentation we've had, I've never had an electronic violin, this multitude of guitars, all of this percussion. We talked about the language of music being so universal and how it affects us and how, what's our responsibility as an artist, as a fine artist. We talked about this picture on our poster and how does that affect us, what sort of emotion or rhythms does it bring out of us and that's what inspired all of our work here. Do you want us to do that? I'll leave that up to you. I don't know exactly. Let's keep it cool. That's really heavy. Let's stick around at E, E minor. There's a new drummer back here. I loved first time playing drums, which could be a little scary, but everyone here has supported one another so much. There's no right or wrong. There's no walls. We're all doing so much exploration of these sounds and colors and having the confidence to actually sit in what they sometimes call the potency. They sound a little atonal. That's what we're after. We're not after any sort of perfection. We're just improvising and creating colors as if we all have a tapestry of paint brushes and colors. We're all just choosing different ones. We also have a cajon here. This is a beautiful instrument that is only used with our hands. We have our kongas. Mike, you're hanging out on the wood blocks. Excellent. Why don't you lay down a little beat and groove bass and drums? Bass and drums. Somewhere right about here. It's always a new classic rock. It began to finish coming together an hour ago. That's all good. This is a very challenging tune. Some of you might remember it. One of the reasons this song was chosen is because we had this sort of mantra and analogy for our week of gathering that we're all just links in a chain, like a bicycle. We're all integral. Each one of us is equally important. It's not just about the drums. It's not just about the lead singer. We're all in this together. That's why these guys chose this tune because it's called the chain. You hear this movement. You guys got the technology. So, Nacho back there on the synthesizer created some different sounds and patches and loops of sound. So here we are integrating people with the new. And it's really nice to see that happening here. All right, y'all good over there, guys? Everybody all ready to rock and roll? All right.