 We mainly want to talk about consistency. You've done the research on consistency and subtitling that you presented recently, our languages in the media in Berlin. And we're looking forward to dive into this topic. So consistency, could we start by describing the importance of consistency in terms of the viewer experience? Does consistency impact how we as viewers experience films? Well, I think it definitely does, I think. Well, a text that is consistent is just in itself a better text, be it a translation or a text in the original. There are a lot of devices script writers use to make that make use of consistency, that make the texts just better text more interesting to watch. There's foreshadowing, for instance, where a movie foreshadows. So hints what is going to happen later on. And these hints are usually very subtle. But then once you realize what the ending is and rewatch the material, then you can see, for instance, let's say it's a crime story. Then you can see that, oh, the solution to the riddle was there in front of my eyes all the time. And I just couldn't see it. And this makes watching and rewatching a material very, very pleasurable. There is also a device called flashbacks. So we all understand how these works on the viewer is reminded of something that happened previously. All the crime stories need to be consistent because they lead the viewer in a very logical manner through the process of the investigation. So sometimes something that a character said at the very beginning, and it seemed unimportant from the point of the plot. At the end, it turns out to be crucial in revealing the identity of the killer. So there are a lot of ways consistency can be used. And script writers, I think, think about consistency when writing their own scripts. There are arcs, for instance, character arcs that a character has to evolve throughout the story in a way when all of this needs to be consistent. So this is also an issue in translation that we need to bear in mind that consistency in our work.