 Hello. Hello. Hello. Hello. Hello. Hello. Hi. Josh. Go back to our stupid direct super Corbin. I'm hi. You can follow us on Instagram, Twitter, for more juicy content. Thank you to everyone who supports us on Patreon. Follow us to the Gunscribe like button. Today we have a video of the train making scene in Vadius Night Part One. Wonderful. And unfortunately I think it's mostly just, they show you some behind the scenes that we're not really talking about. Okay. That's okay. It's not gonna fulfill what we want, unfortunately, but we were sent it a lot. Okay. So it goes into shows how some of the shots were done. Like the one shot. Right. Train scene, obviously. And a lot of people were upset with us when we were talking, they said that the beginning part wasn't VFX at all. We were talking about when the train fell. If it wasn't VFX, it definitely looked VFX. It is. Yeah. That's the part we were talking about. Yeah. If the train fall was not CGI, then something extraordinarily bad happened in the post-production edit and color correction or something because it's very clearly a CGI train fall at the end. Yeah. And we also didn't fault the film for it. No. Also the train might've fell, but they might've VFXed it in certain ways in the fall. Correct. Because maybe they couldn't, like they had like one shot and they didn't wanna. Right. That part of it definitely fell to VFX. That was the only one. Yeah. Everything else was genius. So, yeah, I'm looking forward to this. But let's just, obviously if you haven't seen a review of it, please go watch it. Obviously we loved it. And if you haven't seen it, go watch it before you watch our review. And we will obviously be seeing the second one. Yes. Hopefully in theaters. Yes. Next time. So here we go. That's exactly what I thought. Talk about not giving up secrets. Practical. Love it. They built it. I like it. I'm sure. That's probably where a lot of the funding went. Okay. I was wondering how they did that part. Yeah. So walk off the crane. Yeah. That part. That part too. Wonderful. I was gonna talk about that part. I would love to know how long it took for this entire thing from day one creation to choreography to completion. What do you think they had? At least four camera people work on this shot. That's what I was gonna talk about at the end, yeah. I was hoping they, oh. Yeah. So it actually fell. So maybe they slowed it down and that made it look bad. I don't know. I can just, I can just, and I was watching it on, I wasn't just watching it on my laptop. I was watching it on a big screen. Same. And it, it looked that way. So I don't know what they did to it. Maybe you guys or somebody is involved with the film because I would have, I would have much rather than if it's not, if they didn't use any VFX for the helping of it to fall, just let it fall because that would have been better. Yeah. Right? And it may be that they saw the final edit and some things were revealed that were part of the magic of the shot that they wanted to cover. So they added some CGI to the actual real fall. But irrespective, don't let that take you away from the genius of this, the sequence. Absolutely not. I'm guessing there were at least five, at least five camera people. I was thinking about that because one of the brilliant things about One Shot is not only the camera guy, he obviously, but he has to look at the camera. He is not looking at his feet. He can't look at anything. He has about probably at minimum two to three people around him making sure he doesn't fall and at each point coming out. So it's like this incredible, like synchronized swimming kind of event that needs to happen. But yeah, because obviously the guy on the crane can't be the guy that's holding it because he has to already be strapped in. He has to be harnessed in. And so it has to be a seamless transition from one camera, man. You could get whoever was sitting with the camera, they could, from the crane shot to the walking on the train, they could have had an assistant detach while they go from the crane and then walk on. That might've been it. But you already had to strap on. Yeah, it had to have been handed off. And that's the other thing is you have to have, my suspicion is the stabilizer went with every single person. Oh yeah. They didn't connect the issues. If you're holding off and it's on a stabilizer, that's not like a thing you can just take off either. No, and then you have to, that leads me to believe it was one person. And then you have to choreograph everything in such a way so that, for example, when the crane shot finishes, and let's say the crane shot, it looks like that becomes a handoff to an actual handheld shot where they're walking on the train. And then that comes out and they give it to the person on the harness. You have to, from the interim of the transition from crane to the walk, before it gets to the harness, you have to clear the crane so that when you do the full farther away shot, there's no crane in your shot. That's one of the most amazing things about this is not just that it's a continual shot with all of these different places, but the framing of each of those shots has to ensure that you don't incorporate any of the magic that's been going on around you and make a mistake, which I didn't see a single flaw, except the one little CGI reference. Yeah, yeah, you guys, if you think you know what we're talking about. I'd love to see more, like a full 10 minutes behind the scenes. Him talking about it, that would be. From concept to creation. Just because these videos, even though they show you a little bit, it's not really like a behind the scenes. You need to know what's going on and talking about it. It's one of the best parts of filmmaking is watching the magic, the magic of filmmaking is all the people behind the scenes. It's not just the actors, I know they're the ones that get all the credit and the directors, but man, it's the crew that really, that's what's fun about watching older films like when we watched Frankenstein last night, because Frankenstein is 1931. So it's just a couple years after sound has become incorporated into film, right? And most shots of films from the 1930s are stagnant shots, because there wasn't a lot of capability and there's this one gorgeous shot, because it's the Frankenstein house, not the mansion, but the house that his wife lives in. And they go, there's a bedroom and then there's a main hall and there's another bedroom. And so there's a lot of people there and he wants to go talk to her in private. And it's the one shot where you watch them track and there's no walls because they built the house on a soundstage here on the back lot at Universal. And they just go from one room through a wall, next room through a wall into that room and all of that with back in the day. I just, I said, what an amaze. That would be, you could, is there a documentary somewhere about the history of cinematography and the advent of certain things that take you from the days of the silent films to today? I would, you could do a documentary series on that. I would love to watch that. I know books have been written. I know that's for sure. Yeah. And he's, I think he's just producing actually. Okay. What I found out. But I, and I think it's like a, inspired by the father of Indian cinema and like it's an ode to Indian cinema as a whole. That's awesome. Which you can't spell Indian cinema or talk about it without actually rush. No. If you're going current. Like if you're going from conception to current. Of course. He is as crucial to current Indian cinema as anybody. If not the most crucial in terms of what Indian cinema has become now. For sure. And the budgets that they have now are because S.S. Rajamuli has found that success. Yes. And obviously with what he did with, you know, Bahubali being the start of, and not, I know it's not the start of his, but in terms of like why he's able to do now, what he's able to do. Yeah. Because of Bahubali. Yeah, absolutely. And now after Triple R, the global appreciation of and desire to see more Indian cinema. Exactly. Yeah. Anyways, if there's more videos of making, obviously please let us know if you haven't seen our review. Once again. Or this film. Please go watch the film. Very much looking forward to the second part. I'm guessing it comes out next year, right? Yeah. Yeah. It had said 2024. At least that's the current listing. At least that's the current listing. At the exact same time obviously because they showed those stupid scenes at the end of S1 and 2. So let us know down below.