 Trees, Normandy 1914, oil on canvas, two trees stand like dancers with bending trunks, waving bare branches in a field carpeted with yellows, oranges, and reds, backed by a red-root farmhouse and a pale blue sky. Hoeing 1914, oil on panel, painted with thick, rich brushstrokes, a man in a yellow, wide-brimmed hat, meals in a field, working a green crop with a long-handled hoe. Blossom Tree 1914, oil on canvas, a tree with thin, twisted branches and pale pink blossoms grows on a hill dotted with pinks, whites, and reds. Durham 1914, oil on canvas, painted with textured and energetic brushstrokes, a ramshackle house stands with a steep and wavy, thatched roof and two chimneys and sits by the side of a tan cobblestone road. Still life, 1915, oil on canvas, a panel. Dry, scratchy brushstrokes light up in a steer-white pitcher contrasted with a pot-bellied, tall green coffee pot, placed on a purple table surrounded by burgundy branches with white needles. Wood interior, 1915, oil on canvas, tall trees, dense solemn, green and brown bark with twig-like branches in a forest backed by a muddle, blue and mauve sky. Berkshire Landscape, 1916, oil on panel, small white cottages with brick-orange roofs stand among bushy green trees backed by a green field rolling hills and a sky streaked with granite, rendered with short, distinct brushstrokes. Untitled, 1916, oil on canvas or panel, painted with thin oils, a glass seltzer bottle and a blue drinking glass stand on a table beside a long butter knife and two oranges on a floral side plate. Oldland Mill, Ditchling Sussex, 1917, watercolor, rendered in muted greens and grays, a dreamlike white windmill stands on a windowless house high above rounded hills and a grazing animal. Sunflowers, 1917, oil on canvas, backed by draped white fabric, three drooping sunflowers with yellow petals and large floppy green leaves rise out of a white cylindrical vase which sits on an angular side table. Tiny pairs stand side by side on a purple ledge.