 Morning class. Now we've got the color strings all mixed out. I'm just going to show you how I would simply apply it to another landscape painting. The exact same prints was applied if you have anything that's a bit more complicated, a bit more detailed, but I'm just showing you this just so we can get started and get your painting. So I've just dampened the tip of the brush to start with. These are all filbert brushes. I'm going to start with that very the darkest color that we mixed. Then just grab the next one down, next one down again. Take the pigment off of the brush. Might have a bit of a glazing liquid just on the tip now just to kind of subtly blend that in. Again if you feel you've got too much paint on your brush, just use a kitchen mill to take it off. And then see how I'm working on this with the side of the brush because it's a filled but it's got that rounded edge you'll just feather it in and just squeeze it on the pure white. I'm up with a clean brush to save washing that one out. Just go over again just with a white as it gets closer to the horizon line. And here we've just got a very very simple example of a graduated sky with acrylics using the principle of color strings. If you're working at home I'll be tempted to put color you could mix them onto this palette but then put them in a stay wet palette that will give you a lot lot longer working time. Your acrylics will stay wetter for longer and then you can just keep on going back to them to adjust any parts of your painting that you want to. This is Wilkham from Wilkham Art School.