 Are we on? Are we on? Are we on? Are you going to train along? Sure. I'm going to watch, yeah. I'm not going to do anything. I'm going to watch. I wasn't sure because earlier you said you were having problems with negative spaces. I always had negative spaces. I always had problems with some of the things. That's just one of the many things that I've problems with. Sorry. Where did you get that shirt? The internet. We're going to make it a disco scene until... Party! Party! It basically is. You guys let us know. We are at Ronda's at a disco! Party! Party! Party! Party! Party and the partake. So you guys, while we're waiting for people to get in it to actually be 8 o'clock, welcome. Welcome to pour with us volume 3. Our first one was on oceans, our second one was swipe. Swipe. And this one is on negative space, which I will do two ways. I'll do with heat gun and then also with swipe. And it's focusing on not letting your design take over your piece so that it stays elegant and restrained and properly muted. We are in RK3 Designs' studio down here in Sigeen, Texas. Sigeen. Sigeen. And I have her right here as well as my cameraman, Jeffrey, my A.B. guy. And as I can see, Rhonda is floating around here somewhere as is ultra famous tool time Paul. Say hi to Gary. Hi, Gary. And then also Stacy. She's in the swing. She ain't anywhere right now. She is like done. She's tired. She's tired. Emma says I'm not actually going to be following this class, but I still going to watch it. Got my resin and pigment yesterday. I'm going to attempt my first all resin artwork today. Proud of you, Emma. She does some awesome work anyways. So I don't know what time it is, but I went ahead and mixed up my resin. We are at, we're in the middle of nowhere out in Sigeen, Texas. So hopefully the buffering will slow down. I won't move. Yeah, it will be stationary. Tell me. I don't know if you want to, if yours has been done or... No. What time is it? It is... It is 5 minutes and then we go color. Two minutes. Two minutes. It's ATD time. Judy or Jude? You don't need to be scared. Jude says she's scared. Kiss, kiss more. It's a fun name. It's new. I did prep my board. It's got a little bit of sparkles on because we were decanting some powders. But it's fine. I don't care. I used a flat black spray paint. You can use a flat black anything. Or if you don't want black you want to do a different color that's fine as well. Just try to make it flat because resin adheres better to flat surfaces. Are you moderating? Yep. She's the police. She is the police. How much resin do you mix? Eight ounces? I did mix up eight ounces. The board is a 15 inch round. You will have probably some left over. You should have some left over. Because we're just being silly right now because I can be. Oh, yeah. It's eight o'clock though. There you go. You should have mixing cups, your stir sticks. I need one more of. Any left over will go on your posters that you got in the kit. Emma, you should never take us seriously. Oh yeah. Don't be that. We like to have fun. We like to play. We like to keep it fun and light and fun jumping. So I went ahead and mixed up my resin. I did mix eight ounces. The kit that we sent out for this class is it comes with an eight ounce kit. A resin from Stone Coat. It's Stone Coat art coat. You'll have a lovely two hour working time. It's got no smell. It's got a great consistency. It's not too thin. It's not too thick. You got a board. You've got all the colors. So if you are just painting along with us at home and you want to use the colors that we're using, but you didn't get the kit. That's fine. We're using 007 from Color Obsession. Durbriller, sugar. We're using Snow White from Color Obsession. Kiss more once to know how much the kit is. This one was 120. It's different every month depending on... Is it still available? What materials? I don't have it available right now, but... So it's a limited supply kit for your classes? Up until the 20th of every month. I have a kit available. Oh, it's T-Sign Paul. You'll know him on YouTube from Paul's Toolbox. Hi. We're just starting. Do a cameo. Have a great time. Hey. T-Sign Paul. Where are you from, buddy? New Orleans. What's your YouTube channel? Paul's Toolbox. There you go. You want to learn how to build something? You don't ask Paul. I'll learn how to build it. I'll learn how to color it. These are the people. The best. The best. Do you know how to do live edge bondos? Yes. I'm going to film it. Sorry, this isn't part of the class. It's part of the next class, maybe. That geode I do out there, I'm going to do a rock edge on the outside of it. So I'm going to need you to teach me that. No problem. We're out. Stay tuned for that. You're good. Thank you. Oh, you're not in the way? Half-track impression that says hi Paul. Hi Paul. Paul's amazing. You all must check out the channel. So the color I'm using is also black passion from color passion. This is what I'm going to use to get the large cells. You recognize them from Stonecore videos? Yes. And just resin dark turquoise. You could also use color passion dark turquoise. It's a great substitute. And for the white, you could also use just resin titanium just fine. It looks like we're at Stonecore. Stonecore, yeah. Right? So let's start making some colors. I'm using small cups because that's what I got. And if you ordered the kit then you got the same. I got to do this video first, sir. Don't let her away with it yet. I know. You're me away with it. So I am using. And you guys don't be afraid to ask a question. Right. If you've seen it, if you maybe somebody else asked it, but you didn't see the answer, don't hesitate to ask. And if we can't answer it, somebody should be able to answer it on the live feed. Yep. We got Clara here answering questions as well. So in your cups, you're going to say your cup that you ordered from the kit is probably about this big. It's a three ounce cup. You're going to probably use half for the color passion black. Go ahead and give that a good stir. I'm from Yucatan. That's where my dad's from. Now we're out at Rhonda's shop. I got family in Yucatan. Welcome from Yucatan. Javier. Welcome. Kenny is also here. He wants to come say hello. Say hi. What's up guys? That's all he wants to say. So you're also going to do about half of one of our three ounce cups of resin for your dark turquoise. And then maybe of that amount you're going to use half for your white. So a quarter. Senior helper says hi to everybody. Lisa, for your powder, your 007, I would tap the lid before you open it because it's going to bloom out everywhere. Also don't mix your gold on your surface because it will get on your surface. Repeat amounts please. Okay. Let me, I'm going to try to zoom this in for you guys here. You're going to hold it at that angle? Yeah. So I'll wait for the Dixie cup. You're going to do about half of that. So an ounce and a half ish for your black as well as your dark turquoise. And then you're going to do a little bit less than that for your white. So maybe an ounce and then for your gold, you need to mix it off of your surface because if this gold lands on your surface, it will just mess it, get it real messy. If you got the kit, just dump all of it in there, every bit of what's in your jar. Or you could just probably put just some resin in that jar if you wanted to. And mix it up real slow because it'll plume up in your face and you should not breathe this in. Speaking of breathing, Paul says hi. Don't. If you feel the need to wear PPE, a mask, a respirator, any of that, absolutely do it. I can't teach effectively with one on. But if you feel like you need it, absolutely do it. I can't recommend you do or don't. You have to refer to your healthcare provider for that. But in your kit, you've got gloves. Definitely wear some gloves. So your gold should be super overloaded. All right. So I'm going to give you guys a second to mix your colors. You want to make sure everything is mixed in really, really well. If you got our kit, then you have all the paste that I'm using and those mix in flawlessly. And it doesn't take long to mix it in. You guys are ruining my video. You're all fired. Just kidding. For what? I keep hearing it's your fault. So I'm going to just blame you. Thank you, Lisa. If I go through something too fast and I need to repeat it, please don't hesitate to ask. I'm happy to just, I'll go back over anything you guys need. So this place, this place, this class is going to concentrate on negative space and you can manipulate your resin with swipes or a torch or a heat gun. If you're using a torch, make sure you have put some fuel into it because it's not going to work without it. Okay. When you get your resin all mixed, we're going to use whatever you have left in your clear resin mixing cup. And we're going to put a good amount down to grease the pan. I always also leave just some in my cup. How much resin did you mix up? Eight ounces. Eight ounces. Same as in the kit. I'm just going to spread this out and then I'll let everyone catch up. We do a kit every month. And they're doing, everybody gets a vaccine. That is awesome. Yeah. We send out a kit and then on the 25th of every month, we paint with everybody. But you don't have to buy the kit to paint with us. Like if you have all the stuff at home. Biggest looks like it looks like. Huge. Heidi, we're in Seguin, Texas at Rhonda Draculis. I didn't, did I do that right? Rhonda Draculis? Yeah. Okay, three designs? I don't think I've ever said a lesson that long. For this piece, I'm going to use a heat gun, but you can't use a torch. And I'm also going to use striping papers, which also came in your kit. While y'all are playing catch up, if you need to catch up, I'm going to just heat this up a little bit to pop the bubbles. What? Did you say Mesquite, Texas or Maggie, Texas? Seguin, Texas. Seguin. Which is near New Brunswolds. Yeah. We're near Slitterbond. We're like six hours away from Guadalupe. Just around the corner. Oh, yeah. It's up the street. Right by the driveway. Okay, good. Signal's much better. Sweet. So. You got this. Once you have your, grease the pan down, I don't have it a really thin layer where you have to like work to get it to move. I have a fair amount. It's not a whole eighth inch. It may have been an ounce. It may have been an ounce total on here. I still have an ounce left, maybe half an ounce. So the idea with a negative space piece is that you want to keep as much of your background color without any design on it. So you got about two ounces in your color cups, you think? This is about an ounce and a half of the turquoise, ounce and a half of the black, an ounce of white, and the gold is basically just the fourth of an ounce. Because the gold is just going to be an accent, so you don't want to mix that much of it, right? Yeah. So, once you have everything down, we're going to start with our black. The black that we're using in the class, if you ordered the kit, is a base tint. It has to be under the other colors to react and give you the cells that a lot of people are looking for with resin. And so we're going to just lay a couple of stripes down. You probably won't even really see it on camera. It's about the line that I lay down is about the width of my thumb. And you want that down first because you want the other colors to be over it to create all of the reactions that you're looking for. So next I'm going to put down my white and it's important that you don't put too much color down. Some folks are still mixing resin. Oh, so I'm going to hold up. So the idea is to keep it minimal and negative space for this. You want it to have little or limited color on the surface because the more color you put down, then the more it's going to stretch out and go over your background. So we're mixing and putting on here absolute limit, minimal color. And I will pause for a second to let everyone catch up. I'm so sorry if I was moving too fast. Thank you for letting me know that you guys can catch up. Now's a good time for anybody to ask questions or aren't doing the pouring. If anyone has any questions, please don't hesitate to ask. Also, if you need a bathroom break or to grab a drink and you're all caught up. Debbie says she likes your shirt. Thank you. Every time someone says that I have to read it again, she's like, I forget. She likes the mood 24-7. She likes the mood 24-7. It's subtle. Do the tints we buy from you say they're base tints? So the color, passion, pace are base tints. She didn't make them to be that way, but they just have that reaction. So everyone that I've used that is this brand, which is color passion, will act as a base tint. You don't have to use them that way. They're just not going to sell that much on top. So try to keep it under. Somebody's asking, what did you get? Send off with your kit. I'm sorry. I mean, what came in the kit? So in this kit came this one only because every kid is different every month. This one came with a 15 inch round cradle board. It came with the black passion by color passion. It came with color obsession snow white. It came with 007 from color obsession and it came with dark turquoise from this resin. It also came with four stir sticks that are reusable. A mixing stir stick when you mix your part A and part B that is reusable. It came with the cups to mix your resin in as well as cups to lift your board off of your surface. It came with swiping paper and four coasters. There's also an option to add on a heat gun, I mean a torch. And so if you chose that option, then it came with a torch as well. Somebody is asking when we get the black back again. It should be at the house now actually. So as soon as I get back in the studio, it will be there. I want her to go say hi. Stacy is going to come say hello. Everyone's still mixing their resin and pigment, so I just introduced. I just wanted to introduce you because you're awesome. Sean and Mary said I didn't get my posters. My bad, I'm having everybody send you a text that they've got a question directly about that. Sure. I'm so excited to watch you in person and be like right next to you. You don't have to watch me from a screen. It's different when you're like right here now. I know, it's awesome. I love it. I'm going to do a G over the years. I'm going to have you all show me how to use Bondo to do a rocket. My husband will absolutely take care of that, right? Get in there. Go get in there. Go get in there. Get in there. So if you all want to see a really cool effect, we did Peacock. We did Peacock granite, the three of us today. So go on to our page, Artisan Design Concepts. I think my husband tagged you guys both. No, I couldn't tag. It's a little pixelated at first, but it gets better. It gets better. So go check it out. It was really fun. It was awesome. I just want to say real quick, I'm so honored to have these girls here. We do our classes once a month, and I love what I do, but this is a special honor. No. You too. Super stars. Super stars. We love you too. So guys, these girls have been working really, really hard today. That's why we're all kind of dragging a little bit on the tail side. We're really tired. We had 30 people here today. Your voice is going. I'm losing my voice. So I'm going to go enjoy our survey time. Knock it out. We're going to watch over here. All right then. As soon as Jeff comes back over here and adjust the camera, I will continue on with the class. I hope everyone's caught up. If not, let me know. Also for these classes, since they are, I can't see what you're doing, which by the way, I do Skype classes if you ever want a one-on-one class. Since I can't see what you're doing, it's always nice to have a friend with you and be like, obviously I can't type. So I would say, hey friend. Hey friend. So just for future queries about where you got your shirt. I guess I should probably make one. Amazon. This came from Amazon. I don't have it linked in our affiliate link down below. But I will. I'll add that. I should just give Claire our login too. You can be like, I'll add it. Ooh, so much power. Right? Okay. So as soon as we get our camera situated, I will move on with the next one. As you can see, I put down a thumb of black, but it's now grown to two thumbs because resin self-levels, and as it does, it spreads out a bit. And that's okay for the black though, because it's black and the background is black. So it's whatever. As long as you can still see what your line is. Sure. Exactly. So next color I'm going to put down is the white because I want the dark turquoise since it is so dark to mix and mingle with it. So it's brighter and it stands out from the black background. When you add color, always start your drizzle off of the surface because if you start on the surface, you'll get that teardrop look, that blob of color. Blob. There's a nice clean line. You just want to go right through it. I'm probably going to do two lines. Rebecca, we can make you a jacket with the lips on it. No problem. Yes, you can. Hey, JJ. What's up, JJ? Whenever I do negative space, I try to give some kind of analogy. And so the analogy I like to use is when you go to a buffet and you don't want to eat a lot, maybe you're on a diet, you need to get a smaller plate so that you can put less stuff on it. So for this, I use smaller cups because I want to use less of the pigment. I put less resin in them, less pigment, because I don't want this to be overrun with color. I want it to keep the negative space. You want to have restraints. That's a really good way of doing it. So the next one I'm going to pull through is the dark turquoise. I'm going to do it the same way. I'm going to start off the piece and run a couple lines through it. And for the gold, I don't, maybe I'll run one line. No, I'll do two lines. I'll do two lines, but they'll be thinner lines. You don't want to add a lot of gold right now because it will absolutely take over. It will eat up your entire design. Just trust me. Do you really like how it mingles with the color? I like the mingle, but I don't want it to just explode. It can take over. And it doesn't take a whole lot for it to take over. You can put just a little bit into like a dirty pour or something. It's real gold. Well, it goes one way. I'll get gaudy. I'll get gaudy. Okay. So let's do a couple of... This is in the biggest pour. We're right. We'll do real quick lines. The quicker you go, the thinner your line will be, obviously, because it's got to drip off, right? And then the next is what people consider the hard part. Two stuff in that. So I'm not going to... Pop and bop. Chop and broccoli. I'm going to give you a couple more minutes and then we're going to do the thing. You can use a torch, but it's harder to control with a torch. It's probably the hardest to control with a torch. Use a heat gun. Just make sure you don't have your heat all the way up if you're going to use a heat gun. Be like halfway. I'm going to use swiping paper because I can control that best. We did swipe last week. Nope, last month. So if you were a part of that class, you should already have your swipeness ready. Swipeness. Swipeness. It's official. It's official. It's a technical term. So I'm going to use half sheets because I don't want to just pull all the color through. I want to be able to control just this amount. If you weren't part of our swipe class, I will review some quick tips about this. You don't want to put your swipe paper in vertically because you're just going to scrape. You want to lay it down flat and make sure your ends are rolled up because if I were to try to do it this way, it's just going to grab and drag and I don't want that. When I lay this down, I'm going to take about a pinky width of resin. I want it to soak up on this edge and I'm going to pull it through. And at the end, I'm going to turn it like a quarter turn and I'm going to let the corner be the last thing touching. Just like during the swipe class. All right. Is everyone ready or should I slow down? I don't know. Let's find out. But they might have sticky palms. I tell people to have a friend with them so they can be like, and tires slow down. And sometimes people tell me to slow down. Actually, people have already told me to slow down. So also something to note, you don't want to put your swiping paper in the black area. That needs to be under the color. So aim for the turquoise or the gold or the white. That needs to be on top. So whatever color you lay your swiping paper in is going to be your top color. Pick any color other than your base. And in this piece, it's going to be black as your base. So we're going to lay it down and let about a pinkies width of epoxy soak into the swiping paper. And you're going to move real slow and pull toward you, not away from you because you'll have more control that way. And you can add some movement or you can pull straight, but at some point start to turn it and slowly pick up till only a corner is left in there. That gold is almost taking over and I put ultramanimal. It looks so good though. I love when it interacts with like dark turquoise for example. That is beautiful. Love it. See how the gold is peekabooing through. After I hit it with heat, it'll actually look like more of it'll lift. It's just what this particular gold does. I'm definitely doing it. And you can see there's already cells popping up in this area. After I hit it with heat, more of it will start because when you hit it with heat it'll disperse. It's crazy. Trying to move slow. Rebecca, today is the day to get swiped down. Without question, pop up. Yeah, it's better than I thought. Alright, Rebecca, take a gentle touch. Go slow. You're not adding any pressure. You're just letting the resin keep the contact because it's wet so it's going to hold onto it. Alright, so let's do the next one. Again, I'm not pushing down at all. I'm just taking my time pulling through. And about halfway through I'm going to start turning and start picking up the front all the way down to the corner so that it has this tail. Because if I just pulled it and lifted, it's going to have a blunt stop. And that's, for me, not attractive. If you like it, roll with it. This is art. Don't stress about it. Whatever you like, that's what it should be. For me, certain breaks in it, it means you're pulling too fast. If it's skipping, you're going too fast or your resin's too cold. If it's cold in your space, like under, let's say, 70 degrees, then you're going to have to add a little bit of heat to get it to move more easily. If it's not under 70 degrees and you're still getting skipping, you need to slow down. If you think about it, you want it to stay in contact with the resin. And if you move fast, it's not going to grab. You want it to pick up and redistribute the resin as you move. So just take your time, pull slow. We're not in a hurry. Now we're going to the next one. I always pull towards me. If you get yourself in a situation where you pull away from you, just make sure you drop your swiping paper at the end instead of pulling it back through your piece. Because it's likely that if you pulled this way and you tried to bring your paper back through, you're risking dripping through your artwork. So if you swipe away from you, just drop it. So Evelyn's asking if she can use the swiping paper again. You can, but you're going to risk transferring everything that you have on it to your next swipe. And so for me, I don't want to do that for this piece. But if you look at your swiping paper and you're good with whatever color is on there, then you can use it again. But keep in mind that's going to be the top color. If it's black, then you're not going to get any of the cells in the design and it's going to cover up any of the other colors. So just be mindful of that if you want to try to use it again. I'm not telling you not to. I'm just telling you it may not do what you think it's going to do. So if I try to swipe this one again, it could work, but there's a lot of black in there. And so I'm not going to get any effects if I try to use it twice. Great question. So I like it all. I just have this break right here where I started a little bit high. So I'm going to pull this through just this corner, just like we were doing before. Now that we did this side, I'm going to turn it around so that we can do the other side. If you like it just this way, leave it. This is a class on restraint. You want to have that break in color, all the negative space. You don't want to eat it up with all the designs. This is supposed to be simplistic and elegant. So for this, if you have this size board, I did four and a half swipes. So Resnar by Robin said, Dami, you should be an art teacher to explain things perfectly. Thank you. I am. That's what I'm doing today for this. But in person, I don't know. So I'm going to add another line of the teal and another line of the white because I swiped through most of what I had to the other side. This is going to be a quick line. You don't want to add too much. Again, you want it to be negative space. You want to have that limit of color. So it looks like we got a first swipe out of Susan and Evelyn for the first time. How did it turn out, ladies? Well, we got a little smiley face with hearts in the eyes. So I think it turned out pretty good. I'm going to call it a success then. Yeah. Okay. So now let's get our next swiping paper. Okay. You got to do the sound effect. Tracy just put in 1999. What? B. I need a tip sound. Wow. It's the round sound. It's the club sound. It still works. You can do wang wang instead of bamboo. It's just a little different. Yeah. It's just a little extra flavor. I kind of like it, but not really. It's exactly the same, but completely different. All right. So when I do the other side of these, it's important to note that you don't want to end up with like a center part of hair unless that is your jam. You can have a center part or you want to. No judgment on center parts. I don't, for me and my artwork, I don't want it to be perfectly this and then perfectly that way. Unless you're doing a feather, which is a great technique to do a feather. I don't want that. So I'm going to try to pick up, see where this gold is curling in right here. I'm going to try to pick up some of that and pull it this way towards me so that it continues the design into the second side instead of an exact part of the water. So to speak. So you're going to make sure your ends aren't curled down, let it soak up, take your time pulling. And this time you're going to pick up your right corner instead of the left corner like you did on the other side because we're going this way. You want it to all have the same continuous flow and movement. So Teresa Wilson has put in a $2 also. Thank you so much. Where's my buzzer person? Is it sorry? Nail? Our buzzer is a little faulty right now. I know. It's short circuiting. Our buzzers have tacos in their mouths so. All right. So let's pick up the next one. Make sure your edges are curled up. Horizontal, not vertical. Let it pick up. Take your time. Give it a little wiggle. Your right corner is going to be the last thing touching. That goal is still taking over. You got to tell it to his boss. There's no talking it down once it's in there. No one know that's what she says. Oh yeah, we got it. We got one from JJ here. Thank you JJ. And Mattify. Hey Mattify, I have your coaster. I didn't forget. All right. Moving on. Again, take your time. This should be fun. Don't stress out about it. Art should be enjoyable. It doesn't have to be perfect every time. It should just, but it should be fun every time. It's a class. That's where we learn the things. Time to make the mistakes and figure it out. Yep. So now that I have all of my colors swiped through, I'm going to hit it with just a little bit of heat to top any bubbles I may have folded in through the swipe technique. Now this side seems to be brighter than this side. So if you're finding yours is looking like that and you want to adjust something, you can do what I call a dip swipe. So I'm going to add just some color onto my swiping paper just a little bit. I hope you guys can see. Let me just do it over here so I don't want to make a mess. So I added just a little bit of color to it and I'm going to swipe through, I'm going to swipe through half of this one again because this side is lighter than this side. So just set it down and let it soak up a little bit and then swipe it out the same way you did before. But since it's this side and we're going this way, you want the left side to be down. Unless you were on that side, then you want the other side to be down. It's a little bit too much of a difference in color so I'm going to swipe through one more time by picking up that dark turquoise. There's a negative space right there. It's so beautiful, so subtle right here. And the black with this black, like it's a different contrast. It looks so nice. Sorry for all that movement, you guys. This looks so fun because it brought some of the black through in that dark turquoise. So it's all going to sell because I have that color passion black under everything else. Except for through here, there's no cells because I picked up black on the top. So you're not going to see as many cells right there. Put that camera on me. Oh, Rhonda said, I just want to let everybody know I tip. Oh, my gosh. I just want to say thank you for all the help that you gave me today. I love you. I didn't do anything. You did. I made a mess for you. You did. I want my $20 back. I have to clean it up. I'm going to move it closer. Thank you, Rhonda. Ba ba ba ba ba. Look at this part. This is probably my favorite part. Judy's in the house. Judy! Do you guys like the amount of light that's in it? Should I add some more of it? Or are y'all good with a darker looking piece? I like the turquoise. I love that. I love how the gold and the white. Man. This is the epitome of negative space and control and restraint. You love it. You're good. You nailed it. Nailed it. Nailed it. Now you can stop there. Then you shut. Rhonda should have all the t-shirts. Oh, I got the wrong angle. I'm looking over there. I think come a little closer. Don't fall down. This is my favorite part right here. Oh, my gosh. Bubbles. Okay. I'm changing my vote. What have you done? Okay, stop Rhonda. Walk away. Huh? Bub? Now you should have some resin left over. I have all of the resin left over. I don't have any coasters with me, but you at home should use some coasters. Oh, do you have some coasters? Okay. You're in there, Paul. I got to get there. Paul's $20. Oh, yeah. You're in the space. That's beautiful. I just wanted pictures of it. Oh, we have a first-time user, a resin, Sharon. Oh, Sharon, you're going to be hooked now. Sorry. Breaking the bad news to you. Only two? Yeah. Fine. That's great. I only have a couple of those left. Jennifer, yes. It will react the same way. Jennifer is asking, do you have some stone-code-based black? Yeah. So will that react the same as the color passion? So, yep. I don't have any spray for it. Use it. Good. Okay. So, Rhonda saved me and I have some coasters. So we're going to do a couple of coasties. Somebody's asking for a close-up. Okay. Close-up. So Jeff's going to be the close-uper. Our videographer is going to do that. So the idea for negative space is simplicity and elegance. And you want to really be able to control where the eye moves across your surface. So you want everything to flow in the same direction. Gorgeous. Looks like a meteor going through space. Yeah, I could see that. Yeah, it looks so much better coming this way through that light. Absolutely stunning. Like you can barely see it. It does look like a mermaid tail. I would be this mermaid. Guys, I've been looking at what you've been looking at and only recently they'll walk over there and it is like wow in person. Wowzers. Wowzees. So I'm going to set that over there and do a couple coasters. So these are our clear acrylic coasters that I don't have in stock right now. The great thing about them is that you peel one side off and you pour on this side and the back you leave on and then after it's set up you peel the back off and there's zero cleanup. I don't care if you leave it lifted on stilts or throw it at your friend. It's going to be an easy cleanup 100% of the time. Looks like a magical fish tail. And Judy says, thanks to you, Judy. These are particularly awesome if you're using transparent. The dark turquoise is a little translucent but it's not completely so I'm going to use the clear that I have left as the base. I'm just asking how long before they set enough to use. So you don't want to really use posters with resin on them for maybe seven days. They're not full cure till 30 days but you could ship them after seven days. I like to do a test by putting my nail in a corner and if it leaves an indentation I'm not shipping it until it doesn't. Because if you ship it while it's still accepting like textures then whatever you wrap it in to ship it it's going to end up wherever it's going with that texture in it. Robert Zaskin, have you ever done a negative space without using the base that makes the holes in it? No. The holes are because of the base tints. Now you could do it with a top selling pigment like just using the color obsession white or titanium from just resin or angel white from L'orese but they're not going to be as easy to get. You're going to have to do a lot more heat manipulation to do that. It's not impossible, it's just a little bit more difficult and time consuming. I'm not going to go ahead and put gold on this yet. I'm going to use my torch to manipulate it. Nope, busy, he's done. It's going to look like this. Right. I'm just going to use, as soon as it starts moving back up so that it doesn't, you don't want to scorch your resin which is super easy to do. How fun. Evelyn's saying this was so fun, thank you. My pleasure Evelyn, thanks for joining us. Again, I do this on the 25th of every month. We have a kit on our website, artistildep.com. It's a different class every month and this coming 25th will be a geode. Now so many people want to learn how to do geodes. My kit will include everything that you need except for PPE and a heat source but you can do an add-on for a torch if you would like. This is so fun. Just bringing you guys a little closer for this. I'm going to try to move slow enough. So wherever you're seeing that brown right here that's going to end up being clear so you'll see straight through everything that's brown right there. Do you want me to do that? Yeah, but you weren't here so. Isn't that fun? It's not even the same color on there. So people are already asking about the cost for the second kit, I'm assuming the geode kit. It's live, the kit is live. The geode kit? Yeah, for next month it's going to be a geode. That's crazy, like that's blue. So for next month we are doing a geode. If you have requests for a class that you want to do just shoot me an email, shoot me tags, get in touch with me however you want to and let me know what you guys want to learn. We'll do demos on demand. Demos on demand. On demand. Whatever you guys want to do, we're here to teach you guys, we're happy to help. Claire is going to add a link for next month's kit. Which will be a geode. And I hope you guys join us for that as well. I hope you learned something, I hope you were entertained. I hope you have a piece that you love. If you didn't get something from the kit, that's my bad. Just shoot me a text or a text. Because I'm so backed up on emails it's going to be forever. And I'll send you those whatever missing items. Shoot me a text. There's an interesting question here. You can only get cells with two colors, right? In other words, I won't be able to swipe clear over the base tent and get cells, correct? I think there's actually two questions there. Let me get three colors. Do you have one more or something? One more what? Possibly four. Wait, I might, look at that. So I'll do that demo. Demo on demand starting early. So I've been asked that question before and I keep thinking about doing a, um, this. Let me forget. So let's just do it right now. The thing about clear over a base tent is you may not see it. If it does sell, you're still going to be looking through a clear to a black. In this case, the base tent is black. So I don't know that you'll be able to see it. If it does work that way, but we'll just try it out right now. Just, just to see. Have you ever got his first swipe successfully done today? Yay. I'm so happy. Um, senior helpers says, Ronda, you have a really cool place. Reminds me of stone cone countertops. Oh, thank you. How sweet. You said that. Lisa finds. Lisa finds. She's one of our moderators. Thank you. So let's put some clear down. Let's put some clear down and we'll do a swipe and see what happens. So this is a little bit far back, but we'll zoom in. See, as you can see right now, I know I put the clear through the middle. I can see a slight difference in color. It's a little light, but when I swipe over at your, you're not going to really see if it does sell, but we're going to give it a shot anyways. So I don't know if it's selling or not, because when you swipe, you're thinning out the color that you're pulling over. So it would be near impossible to tell if it did without having any other color in it. Unfortunately, that's just the way it is. Whereas if you pulled a color over it, it's almost instantaneous that you'll see some, something happening. So a magnifier saying to sell with clear. You put clear down first, then base tint, then swipe clear over. You're still not going to see it. Like I swiped clear over this. I'm just reading the staff. And I would love to see it, Matt, if I'd love to see what you're, I'd love to see it. I couldn't see the clear, whether it was clear, then base, then clear. I just, it's clear, you know? So I'm sure it would look cool. That looks so nice. Do you want to? Okay, let's go. Just a hint. So I hope you guys had a good time. I had a blast. Thank you guys for joining us. Again, shoot me a text with any requests that you have. I hope you join us for our next class. We will be an elegant white duo. Also Rhonda. She looks like her. And yeah, post pictures of the class that you did, whatever you created, I would love to see it. If you need help to know if something went wrong, just circle it and ask me, what is this? Why is this? And how can I fix it? I'm happy to share any information I have. I will share with you guys. You know, we don't keep secrets on the channel. And we kind of want another. You never know what someone's going through. Until next time. Hold on. Wait a minute. Everybody's kind of joining in. Oh yeah. So whatever we say bye on the channel, then we all jump in and say, I said bye. Everybody says I said bye. We got bubbles again. We got bubbles. So let's hug. I said bye. Thank you. Sorry. That's a true jump right there. So, until next time, you guys. I said bye. Love it.