 Hey, I'm Static from the band Hours. We're just in the middle of a tour right now. We just finished some days with Peter Murphy. We're at Webster Hall tonight for our record release part. I'm a black star that I'm playing, and it was one that was suggested to me through a great guitar salesman from a music store. When I was looking for a backup for my other amp that I was going to have on the road, and he told me, you've got to play a Club 50, or I believe you call it the HT 50. So I sure sent it to me. I bought it on a credit card. He shipped it to me. Got the next day, and I plugged it in, and it just lit up with this British growl that I could only, for me, my first instinct was, I felt like Mick Ronson from Bowie. My love of HT stage stuff, I ended up having a 20 watt head. Started doing some smaller rooms, and I was like, man, this thing lights up too. And the exciting thing about the 20 watt head for people that are into their gear, most 20 watt heads are not EL34s. This happens to be an EL34 amp. It just explodes with tone. When we made the record, I ended up using the 50 watt and the 20 watt together. All my overdubs was the 20 watt, and it was just a very, like, in-your-face, gainy, natural thing. You get any sound you want. In the beginning, when I first got a Blackstar, I tried to make it sound like every historic amp you could think of. And then right around the time we finally got to recording the record, I truly believe I got what is my sound I felt like. It represented me perfectly. When people hear the record, they're actually going to hear what I think a great Blackstar HT series sounds like.