 I am a traveller, I do not know where I come from or when my journey will end, yet as I gaze upon this river, I surrender to this very moment, as I enter a dream. Have you not heard his silent steps? He comes, comes, ever comes, every moment and every age. I am a traveller, I do not know where I come from or when my journey will end, yet as I gaze upon this river, I surrender to this very moment, as I enter a dream. His will, close your eyes, meditate upon him and thou will find eternal traveller marks of his footsteps across her songs. I met on 30th June, 1936. We got married on the 10th of July, 1940. The marriage was in the temple premises, Thirnir Malay. A friend gave us a van and we went to Thirnir Malay temple with the twelve friends. Including lunch for the twelve friends, the wedding costed us as much as 150 rupees. It was in the year 1947, we had a message to say that Gandhiji, rather that Bapu was very keen on hearing Hari Tumoharo Janaki Beeth. That is, O Lord, take away pain from mankind. I also remember when we were all with Gandhiji, when somebody started singing, Gandhiji said, When those were days when really we lived in a paradise on earth, we are happy that we are born in a country where great sages lived. And the sage that lived during our own time was Nannadath and his wholeness, Shri Chandrachekarendra Saraswati Swami. It is, had you in concert that put her on the map of the world, the same way that the Hindi Meera put her on the map of India. The last scene was taken in Dwarka. In the picture Meera, you will see Meera becoming one with the Lord in Dwarka. The first person to see the Hindi Meera was Nannadath Dampuji Rajaichi. I remember totally little things that Raja used to say in those Gandhian days. The most natural thing for a man is to speak the truth and be good. It does not require any effort. You need effort only to utter a lie or to commit a crime. But to be good and to be truthful, you need no effort, the most natural thing. As the trembling leaves sing, even as she renounces the world, I am drawn to the eternal question. For a moment, word and silence become one. Then the sky and the earth become one. Is the answer in the experience that Subilakshmi talks about? See her silent smile, her songs seem to swell free as the waves, free from all bondages of words. Ma tanga kanya manasas marami But Tamal, in her eyes I see a childhood of dreams and passages, a desire to sing the roots of the vast Tamil country outside. And I feel it is for this I have been waiting for long. Kanchipuram is a very special place in Kanchipuram. There are many festivals in Kanchipuram, as well as temples. There are three temples in Kanchipuram. Kamakshiaman temple, Maratha Raja temple, Ekambureshwara temple. When Kanchipuram was four years old, my father taught me to sing praises. He taught me to sing praises like Mukha Pancha Shruthi, Shyamala Dandakam, Lalitha Pancha Ratharam, Meenakshi Pancha Ratharam. He taught me to sing praises like this. He taught me to sing praises like Sanskrit. Sometimes I have to sing praises like that. I was singing for a long time. I was studying in a school. I was playing a drama in a school. I was playing a drama about Savitri Satyavan. I was very fond of my headmistress. I was fond of singing. When I fawned into that drama, I felt that there was a mother... and there was also a mother. I was envious of singing praises. That's why I'm very happy with the heli system. I spent Rs.4 in the ticket and Rs.1,000 in the school. I'm very happy with the mother. She gave me a medal as a gift. She sang very well. I got a photo of her in the newspaper. When I got the photo, it was a drama photo. My father felt it for a while. When I got the photo, I was very happy. My father felt it for a long time. When I got the photo of my child in the newspaper, I was very worried about the drama. When I got married, I was 19 years old. I wanted to get married at the age of 12. I was very worried about the photo. Just like the 때idha, I had to take records from Medras to see the picture on screen. It was a health care entire company I got and I asked them what should I take with me? He told me I was in a bind for a short time. I was worried about the home being at Medras. Then someone asked me, I won't give the record to anyone. I'll keep it in the tea shop, in the cellar. I won't give the record. I shouldn't sing this child. My head is very... You shouldn't stop me from singing this child, uncle. I'll sing this child. He'll come well. My name is Ammu Kutiyamma. My name is Ernakulamma. My father told me to send this child to the Government Technical Examination. I was very eager to send this child to my school. My father and I came to Midrash in the train. We went to the exam at that time. We went to my aunt's house and went to the exam. When we went to the exam, we found out who the examiner was. He was Tiger Varadha Chariar. He was a great man. His name was Ambi Dixadhar. He was a great man. He was Professor Samapurthy. He was a great man. Everyone was great. I was 9 years old. We went to the exam. When we went to the exam, he asked me, I sang. I sang some songs. He asked me, I was Dixadhar. I asked him, he was a great man. He asked me, who is he? I said, I am Shri Subramanya. He was a great man. He was a small child. He said, I am very happy. I sang. I was very happy. Ambi Dixadhar. He was a great man. He asked me, where is my father? He brought me home. He brought me there. He asked me to teach him a lesson. He told me, he is a volunteer. He taught me a lot. I taught him. He taught me a lot. I sang a song. He taught me. He taught me. I was still alive. He taught me. He taught me. He taught me. He taught me. I was going to sing. I asked her if she would sing. She said, I will definitely sing. I asked her if she would sing, if she would sing, if she would sing, if she would sing. She said, I will definitely sing. I remember that now. I am a guru who has a heart. I have a heart that doesn't sing. Thiyagaraj will show you. I am not going to go to that place. I am already 67 years old. But I am very eager to listen to her songs. After listening to her songs, I am eager to listen to her songs. I am now going to teach you a lesson. I am going to teach you a lesson. She is a very educated person. In Jagannmukhi Neelai, Triputta Thala, Chathushra Jati. One thing. He will sing along with that. Nenje nina i anbe thudi nirinil guruparanel Anjadir nam pavangil panjai parandidum akayal Nenje nina i anbe thudi nirinil guruparanel. That is how he will sing. I am very eager to listen to her songs. I am eager to listen to her songs. I am eager to listen to her songs. I am eager to listen to her songs. I am going to teach you a lesson. You sing. I will sing well. Nenje nina i anbe thudi nirinil guruparanel Anjadir nam pavangil panjai parandidum akayal Nenje nina i anbe thudi nirinil guruparanel Anjadir nam pavangil panjai parandidum akayal Nenje nina i anbe thudi nirinil guruparanel Anjadir nam akayal Nenje guruparanel Strong but gentle like a sculpted music that vibrates through the soft air taking me back through the corridors of time. The air is still and silent but the stones speak of the poet king of Tanjavur In the padams and javlees of Brindha lyrics whisper in unseen anklets a glance of farewell In the night the song came to me but you were not there will I ever see you again deepens and the dying flame flickers in the lamp I break my heart over an age gone by The song is really good At that time the poet sang a bit of Brindha I will tell you The poet sang Manasuvashin's song The poet sang Marakka Thamani I will tell you the words I will sing Aramani then I will read the song I used to sing in my childhood. I was 5 years old. I started singing. Then, at the age of 7, I was born in 9th grade. I sang at the age of 3. I sang there. I sang with my children. I was very young. I sang when I was young. I was young only. I was very mature. I was a singer. I sang a lot of songs. It's important. When I was young, I used to sing a lot of songs in my childhood. I didn't sing. I sang in my childhood. I see See the sorrows of your changing face and the soft look your eyes had once when you Speak of your growing years I'll call you at six o'clock. Come, sing. Isn't there a difference between this Saraswati Manohari and Thiyagarajardhan? Yes. Sing, sing. Sing, sing. I think this is the best song I can sing. There is a song called, I don't know how to change this style. I am very happy with that song. I don't know how to change the style of singing. That's how I continue to sing. That's how I came up with it. But I don't know how to change the style of singing. But if I change the style of singing, everyone will have a fear. Still searching.