 It's four dozen. They're all about the same size, but they're slightly different. There's 12 of each size. It happened because back in the early 2000s I was working with a guy that was an amazing craftsman for windows and doors. All wood windows and doors. That's all he did. So he was making custom doors for me and windows that were getting installed or hung or whatever, but he would even go out and measure and everything would just fit to a tee and be perfect. So I was working with this guy and then one day I said, hey man, do you have a scrap? So I was ordering them one or two dozen at a time and I was making them up whenever I could and they were popular. They were selling. So I was having a blast making them. So I came up with four different sizes and I ordered four dozen to be backed up because I kept ordering one or two dozen at a time. So I ordered four dozen, not even thinking about a series or when I would do them work. So I had it sitting over there in 2005. I came in and it was like, you know, it's like January 2nd. It's like, I'm going to get to work. You know, I got all these jobs I got to do and I'm like, I'll screw that. I pulled out the one frame. I happened to pull out one of the smallest ones and I'm like, well, I'm making our piece to start off the year and I had this awesome concept. I made this awesome piece and I just felt so good about it. And as I'm making piece number one, this giant light bulb went off in my head to do all of them as a series. And then I came up with these ideas about how to like put parameters on it. A lot of stained glass art is parameters, you know, like, you know, they want them installed. Mostly it's architectural art or someone wants a, you know, a scene or a picture. You do a lot of custom work, not as much stained glass. There's sort of more now, but there's people aren't doing it as much as just fine art where you just truly like cliche the art in your soul gets made into a piece like a painting, cliche art stuff. So I'm really focused on that a lot. So I was like, okay, but I, but parameters. I have this working class glass guy, fine artist guy, and then they kind of meet. So I'm like, I'll do 12 a month and I won't, I won't give up on one, get stuck on it and start the next one. You meet yourself finished. I was like, I want 48 complete thoughts. This is pre-Facebook 2005, you know, free timeline, but this is my timeline. Number one, number two, in January, February, March, April, I did 12 a month, one at a time, and then I titled them. And then the only other parameter I put it was like 12 a month. Don't give up and do the next one. And don't worry about how they work together. That was the only parameters I put on them. I had like three, four guys help me out the time that I had trained all these apprentice buddies were helping me out. So I had help put them together, but I designed and cut each one and then they had to have a title concept. It wasn't like make a untitled one. I had to have the idea and it worked out fantastic.