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Published on Oct 21, 2016
This kinetic work consists of: a video monitor showing a mouth ostensibly opening and chewing, a feeding spoon mechanism, and a plate of blue paint. At regular intervals the spoon scoops the paint, and carrys it as though to feed the mouth before it, but the paint simply strikes the surface of the monitor, and drips down. The two looped expressions of media “feed me” footage and the spoon mechanism’s feeding attempts produce a parrallel and perpetual symbiosis, and a collateral mess of paint on the wall and the floor, in the yawning gap between actual space and media space.