 उना माना से दाव जग, चव भी भार लान, जूके जूके पार रदना। ये ललीत है, मगर ललीत लेडी है, आप इसको सही रुक में कहा जाए, तो ललीता है. ये किक्रिषन जी ते आज्ट सक्यो में से बड़ी सके दिए, तो दाट में देतेते क्रिषन जी कों. तो तो में रादा कै साथ अन्याई के है, जिस खें के है. शीवास दो उन ली आज्ट सक्यो में ते. तो ललिता कै सकते है। ललित राग है। एकजामबल किस का दूं। यादा। चली बहरो का देता। आनुश्वर। आर्दना। आनुश्वर। प्रनामो। पहरो में आदिनात तुश्वेकाल जोंईणछ कर खुजग के इसको मेल राग बना रिषटरी किसाट प्रस्थूट के है। विसटरिकि से प्रस्धूट करते है। अमेशा राग और रागनीो मिने ये फरक है को गर आपग़ादना जाडा करनीो में आदे के तुशको भागट पसता। आम भत दब येट गर मैं मंट्र तंट्र बवत गाते हैं जितने भी और लिचय हैं, डिल आर भर वर आख की आस पास ँहपास गुमती हैं. अगर आप अच्छा भन थर गाना थाते हैं दो आप को अनंदेगा इस मैं हैं बैर में और उस को अननतेगा ललि्त मैं। तुक्राम लेएा है, मतलब सूर्डास ले गाया है, तुवगे आसा नहीं है जो बखट के लाया, जिसको बच्वान के दर्छन हुए। आप अप अच्छा भी आप ज़ाएड गेद, शीवान ना यवस याँँँँँँँँँँ. मतलाब सुर्डाष ने गाईा, कोई आसा नीय, जो बखत कलाया, जिसको भगवान के दशन हुए. लव, खब वो आप वे च़े ज़ाए ती. चीवा ना एज़ा याम. वर ने याम च़ाज़ा यो बॉदी तो गर ती आप समच दोवाग. So, though my parents are steeped in classical music, we completely hate it, we can't stand it, we are into western music, okay? We just... not one time have I ever heard it, if they switch it on I will go. But the moment I started meditating, suddenly the classical music just became suddenly music for me. What I could not stand, the moment I became quiet, immediately I want to listen to this. It just changed my whole perspective of the sound because I became silent within myself. Suddenly the Indian classical music became so important for me. And wherever it is, I'm just almost like a beggar, I'm going there to listen. Madurai Maniayar is my father's favorite voice. If they turn on Madurai Maniayar, me and my brother will run away somewhere. But once I started meditating, there was no way. This is the only thing I could listen to. All the other music just fell apart in my mind, you know. So the connection between the right utterances of sound and meditation is so... so right there. Baba Ji has proved Himself that I was first addicted to western music. And when I started meditating and doing yoga, I don't know when I went to my Indian classical music. So He has definitely told me that Indian classical music is the main music of the world. That which lifts you up. Like someone has told me that, how do you decide that this is the time of the raga? It's a very interesting thing. If you meditate for a minute, then in the air, those swargs roam around, which are the raga songs that we need to sing. Rather, we don't need to sing, we need to sing. They come to listen to you in the air. Our Indian classical music is also scientific. Science is that it's the morning rishab that is outside, that is the evening rishab that is on the side of the door, that is the evening rishab which is in Puriya Dhanashri, but there are only three types of rishabs. One rishab, Komal rishab, what kind of science is it? And I said that we sing in 22 rishis. Every raga's rishas are made by ourselves, अपने आप बनती जिसको अच्छी सही यदाली मैं, उसको सही अपने अपनती उसको सुछना यग ना नी पड़ेगा के बही ये दे कि मैं ये श्रूति गाराूं। अगर उसने कहा के मैं ये श्रूति गाराूं तो वही खन्धित पतलप द्यान खन्धित होगे और उस्सुर्ति यहु यहु यहु जाएगे। हमारा शास्त्रिय संगी तो आराम से भग्वान तक लेजाता है क्योंके ये वेरी शार्ट कर्ट रूत है। और इस में अगर अपकी कुछ योग शकती अपकी मिल जाएग, तो अदिट्विय हो जाती है। उसके दबल शकती हो जाती है। आपको रोकेट में बेट हैं के लेजागा। अपकी अपकी कुछ योग जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। अपकी अपकी कुछ जाती है। ज़ूं की। यहन्वेबू� learned ौर! असे पिरकस्च्च्रत्ठकी! इंदूं झा स्वोटकरि वैदों ॔र! कर sebenा 쏜नावाउ जाया शूशा! तिर known ईदम्सके ौर अतἁब मिघन्टामari जो ।कताअ पिरक स्वियी। ॐकस Nazis but that's not the focus. that's never been the focus of this culture, this is about making life happened in highest level of intensity and beauty and music is the closest thing to meditativeness that way. यहां से शुर्वात होती हैं जो स्वर है वो स्वैम में इश्वर है जिसको, हम इंगलिश में साण्ट कै दें अगुच कै दें, साण्ट में यतनी शक्ती होती कि ब्रीज तोड देता है एक बडा साच्त ब्रीज मैंगर वो मालुम है अच्छे कि इसका साण्ट कोंषा है इस ब्रीज का स्वर कोंषा है अगर वो पता हो तो उसको बहुत सोर से अगर वो स्वर को लगा एजाए तो ब्रीज क्रैक कर जाएगा तो तान्पूर है, एक तान्पूर हा मिलाते है उस में दोनो स्वर अगर एक साथ होगे तो एक तार तोड़ जाएगा उसके अपर रुक नहीं सकते कोई गाने वाला अगर एक दम अख्वरेसी आप आप हम को पता है नी चलता की अख्वरेसी क्या है हम इतने करीब चली आते है युगाने वाला या सितार वादक या सवरोद वादक बिलकु सूर में बजारा कही हमें भी पता नी चल रहा है मगर जब उसका एक तम एक सूर लग्वया की ये सूर में लग्वया तो उसका वितार तोटेगा ये उसकी शक्ती को जेल नहीं सकता है म्तलब ये वो उसकी एक आत्माथा को जेल नहीं सकता जो ब्रीज तोर दिता है मेरे प्टाजी आम अजमेर में गारे ते तो एक सूर लगाया ये सा जिसमी ये सूर से गारे ते सा लगाया तो उषत पभट गारे एक अगज़ी आशातन नहीं भी ज़ाप्तःटा स्वार शबादा है! यह आप उदानी सोग़े, अगर सहीषूर लगजाग, उच्छत का वोष्वर था पबटगगचे इसको और वो आप उदानी सोग़े नहीं. यह अप उदानी सोग़े ज़ूएवा, अप उदानी श्वर नहीं। सतięाurday  Sadhguru? गड़ को goosebumps गड़ क spacing के सत्फय केंए देवाहे8 जften Le ego The established science clearly states that the whole existence is just a reverberation of energy. Where there is a vibration, there is bound to be a sound. So the yogic culture always said the whole existence is just sound. The root of that sound is Shiva. Shiva means that which is not. That which is not means silence. So he is absolute silence. When he moved there was sound. There's a very fabulous story about this because it's a dialectical culture. Science is always expressed in the form of wonderful stories. When Shiva wanted to, you know, came to marry Parvati, Parvath Raj being a king, a prominent king in the area, just about anybody who was somebody was there at the wedding, big wedding. They were all waiting for the groom. Nobody had seen the groom. Then he came. He came with his Ganas who are all freaks and deformed beings. When we say deformed, we are saying deformed. It is just that they didn't look like us, that's all. His friends did not look like us for whatever reasons. I'll not go into that now. And they were Ganas and Yakshas, you know we're doing the Aksha festival today. And he himself was smeared in ash from head to toe and he was in an inebriated condition. He came like this. Parvati's mother Meena saw Shiva. This is the groom. They said yes and she fainted. She couldn't imagine her daughter marrying someone like this. Then she was brought to consciousness and she could not be consoled. And Parvati went and requested Shiva, please just find my mother's sake. You're okay with me the way you are. But for my mother's sake, take on a more beautiful form. So he looked at her with his drunken eyes and then he said okay. And he became Sundar Murthy. He became a very beautiful being. Then everybody said okay, let the wedding go on. Then they sat down for the wedding. He simply sat still there unmoving. Then when Parvati's... I mean when the time came for the father to offer the bride, they took out the list, the family tree of the bride, the antecedents, her tradition, how the family you know, everything. All her antecedents were spoken in great pride. Then they asked okay, what about the groom? Where does he come from? Who are his parents? What are his antecedents? What is his family tree? He just sat still, didn't say anything. When Parvatraj was getting anxious, who is he? What is his parentage? He said nothing. Then nobody said anything. People started getting agitated that he has no parents, he has no parentage. What is this? Then Narada took his ekthara and it... So, he is of silence. But if you have to know something about him, he's sound. So, this story is not about a person, this is about the nature of the creation itself. From non-existence to existence, the first reverberation itself is a sound. This is not something that only we are talking about in the yogic culture. This is something that's recognized everywhere. Well, the Bible itself starts off like this. First, there was a word and the word was with God and the word itself is God. Word is a human interpretation of a sound. Right now, I am only making sounds. You're making up the words because you assume you know English language. When he was talking, I'm sure Elizabeth was sitting there and it was just pure sound for her. There were no words for her. So, sound is... you feel the words if you're chatty, all right? If you become very attentive, you'll feel the sound. If you become absolutely still, then you won't even feel the sound. Everything will be just one pure silence and everything plays on the surface but it's just there. Something else far bigger than the sound is just there. Now, in the night if you look at... look up in the sky, you will see a whole cosmos out there, okay? Millions and millions of stars. But you see that only because your eyes are attuned in a certain way. But actually the largest presence out there is emptiness. It's the silence which rules the existence. Nothingness which rules the existence. Sound and forms are a small happening. Today modern science goes about proving to you, I'm sure every musician feels it in some way. If you feed any sound you know oscilloscope, which is a sound measuring instrument, depending upon its frequency, amplitude and other dimensions it gives out a form. This is how the whole science of what is referred to as mantra yantra tantra has been developed. Mantra is a sound. A pure sound is mantra. A lot of the music that they're doing is pure mantra. No... no meaning, it's just sound. If you utter a sound, it gives out a form naturally. So if you observe carefully enough, every... every form is throwing out a certain sound. Based on this, in this... in this culture, based on this we created language. Language is not something made up for the sake of communication. Language is like the blueprint of the existence, that what kind of sound does this relate to. The corresponding sound is the name for this form. So if you master the sound, you have mastery over the form. So this whole science of wanting to use the sound as a passage way through the existence. Music is a beautiful way of doing it. There are other hard ways of doing it, chanting. Chanting is a hard way of doing it, pure science. Music is a beautiful way of doing it. So in terms of spiritual process, essentially spiritual process means you're trying to move from the dimension of physicality, which on a subtler level is sound or vibration. Into a dimension of non-physical or a dimension which is vibrationless, soundless. Essentially that is the journey that you're trying to make. Because the sound has a form, a form has a limitation. Only the formless, only that which has no form can be limitless. That is what is being referred to as Shiva. Shiva means that which is not. He has no form, no shape, no dimension, no nothing. No qualities. Every other God and Goddess we describe them, ascribe certain qualities to them. He has no qualities. At the same time, he has many things. He is a yogi, he is an ascetic, he is a debatured, he is a drunkard, he is alert, he is drunk, he is this and he is that. Everything at the same time, this is just to beat the logical mind because mind is always trying to establish, Okay, what's the quality? No quality. He has no quality because silence has no quality, formlessness has no quality. So, music is a good vehicle to transport yourself to that last point. Satguru, I read in the mystics musings that you clapped at the time of Dhyana Linga consecration and there was a crack on the Linga. Can you explain the significance behind that and is it, is it the sound or is it something else? You want me to clap now? Now, that is not because of the sound. The power of the sound that Panditji was saying is, in the modern science we are trying to explain it off as resonance. If the shruti is perfect on the two, naturally the string will break. As he was saying, the bridge breaking up is a classic example in every textbook, two soldiers are walking and a bridge which can take tons of weight will collapse just because two men are walking in unison. It's a classic textbook example. So, just about anything can be cracked with sheer sound just by something like this. If two people just do this, if it's a perfect match, you can bring the building down. We don't produce perfect musicians in the school. Okay, they'll bring down the building. Because being in absolute unison can create a certain energy where one plus one is no more two, one plus one is a million. So, classical music, when two people sing, Jughalbandhi is never about two people singing together. They're always setting up this thing because the musicians who crafted this music are aware or if two musicians are absolutely perfect, they could cause damage to the physical structure. People may just attain, their bodies may break, it is possible. The whole process that you see in the existence is from non-creation to creation, from unmanifest to manifest. But the other process is also happening. Today cosmologists have recognized a whole galaxy will collapse into itself and become nothing. It'll become a black hole. It's nothingness and nothingness is recognized as the most powerful space in the existence. Today they're beginning to call it dark energy and whatever else. So, essentially sound is a certain kind of... it is the first step into creation, from non-creation. But yoga is about uniting that which is creation and that which is non-creation. Word yoga means to unite. To uniting that which is creation. Creation means a limited form. It may be a planet, it may be a solar system, it may be a galaxy but still a limited form. In our perspective, it may be large, we may think the universe is unlimited. That's our perspective and antithinks you're unlimited. Our perspective of what is size is from the size of who we are. You know, we are looking at something is large, something is small. Essentially any form is a limited space. So, yoga means to unite that which is limited with that which is unlimited. So, what is a form to make it formless. But at the same time we don't want to lose our form. But we want to connect the limited with the unlimited. Yoga means the other word is to yoke or to unite. So, we want to yoke or unite the limited with unlimited. We want to couple them in such a way that we have the experience of both. That is why we are teaching you Shambhavi. That means it's a twilight zone where creation and non-creation both happening at the same time within you. The process of creation is moving from unmanifest to manifest. But another dimension which is even more important is moving from manifest to unmanifest. So, this is a culture which recognize the significance and importance of that and held that as the foremost process in existence. That is why we hold the destroyer as the Mahadeva. Destroyer means he is moving the manifest into unmanifest. So, he is held as the highest because here we recognize that is the highest process. Making the unmanifest into manifest is a limited process. Making the manifest into unmanifest is the unlimited process. So, that is the reason though she was a destroyer he is held as the Mahadeva. So, cracking of the stone is not because of the sound. I don't even know if it made sound, it made some sound but it's not the sound. It is a different process. Because if you... if any energy happens at a certain scale sound gets produced. Have you seen the airplanes sometimes the fighter jets are going and when they break the sound barrier boom like a bomb it goes all that happened is an object moved faster than what it was within from a certain limit it crossed that limit of speed and suddenly there's an explosive sound nothing exploded. See, nothing blew all right there's no fire but there is sound. When a jet crosses the sound limit there is no fire there's no explosion happening nothing great happening in the engines of the jet but still you hear a boom because an energy is created. So, the energy is the basis of the sound. The sound is not the basis of the energy is the energy which is the basis of the sound because there is energy in this body I can make these sounds isn't it but at the same time sound is the basis of energy on another level it is because of sound that energy has happened. When there is no sound there is energy but it's unmanifest it is simply there. So today modern nuclear science is explaining this in a certain way you know you can see virtual protons and virtual notarons being created if you just as much as add energy outside not connected to this chamber if you just play energy around you will see virtual protons get created that means creation is happening in a absolute vacuum space so in a non-existence which we are referring to a Shiva existence is beginning to happen the first play of energy so we say this is Shakti energy is Shakti once she begins to play creation begins to happen the first form of creation is always the sound the first there was word and it's both ways see if you always try to understand everything logically logic always moves step by step creation does not move step by step there's no point trying to logically put it on a blackboard and say this this this this how creation happens it's a silly way to go there's only one way if you cave into yourself use whatever you use music sound or a sledgehammer use whatever the hell you want to use but if you just cave in then you know it this form of music which is not an entertainment form but more an exploration walking you through creation when possible to touch the creator if there is anybody whom you can call as the very embodiment of this music it's him we wish to acknowledge him for who he is