 Okay, let's check this out fast So on this for instance, watch out you get kind of a default hampos you can kind of bring that higher Maybe this one a bit straighter this one leave it and then there's a bit more curl but it's a bit more curl just a bit of more appealing hampos and Yeah See when she goes forward she's reaching forward with her arm, but I don't see anything in the shoulder That shoulder needs to go forward because your arm is pushing for right. It's something that Gotta look out for And because she's going forward you can also have a bit of a drop in the shoulder in this one So that it's bit of like a stretching going on I like the impact there on the on the phone But when she grabs it you want some Compression on the fingers like you want to feel that she puts the hand on it Now she's gripping it so she can pick it up. That is a linear key from here to here So as you go up and it's to ease out of that in your graph editor That's a bit too harsh there Then you look at here it doesn't look like she's holding it fingers need to be Really gripping it I think here. That's a bit too even finger-wise for the pose When she puts that here could have some compression where the fingers can come in Press a bit while the other ones stay put Bit fast almost from here if I look at this piece from here to here. I think it Bit fast three more frames Her turn here in the upper body just feels like it's it's a rotation in Y Without like she would turn and then by now That line of the body will be here like she'll do a slight weight shift over there It's kind of to adjust so it doesn't feel like it's like a robot on a stick like a lot of your turns feel like There's a mannequin Like out of clothing store right and there are no legs there nothing It's just there and with like a ring around it and someone just turns it around and it never really feels like You have legs and they're moving and it moves in an arc and the hips change She could have worked with more of those mechanics Those eyes still feel very slanted like that tilt it While back I mentioned you need to turn those eyes So that this line It was more like this Because now you have angry eyes with normal Eyebrows it doesn't general human eyes don't do that. They are aligned like this That hand is also a bit fast To coming up here a bit too fast and to clean just comes up really really fast and it just stops Again grip grip doesn't fit it's there This is good though that this is higher. I think in terms of eyes It's not too bad. I mean you can This is a bit soft right there You want your eyeballs to move over like step frame almost both over one frame or over two frames For longer things maybe three, but in general that's just a bit too soft So you want instead of one long I would do one hold two Bum-bum and then over there and and that and that's okay. That reads Just make sure that right now. She feels really angry because of how fast she puts this down Of forceful. This is So is she already so frustrated? Oh, isn't this the first time? Someone calls I can't remember if it's shot six. It feels like if it's only shot six So it would be just a more gentle like how she might go Maybe a wrong number and you might just put it down. So just be mindful if you want it to feel frustrated, then yes Otherwise I would adjust the timing Let's see here. Oh wait shot 626 I don't I don't know. This is shot seven nine. I'm confused with your number So you will know you will know if this is the first time Let's bring this number it's cute. It's depends what you want to do. I mean, this is Okay, hold on. This is like as if they just left so Okay, okay, so what you need to do is this is finishing the spin so right now how high this goes is lower than here and You need to go from low and smaller because it's doing that That type of roll so you start high and then get smaller Smaller and stop. It's cool idea Just make sure like this this looks like someone is underneath some creature is in there and it's trying to wiggle itself out That's what I first thought So make sure that you're What's it called? late How's that move? All right, that's cool this cute Again rotate your eyes Eyelids can't be like this to be straight. It's cute. There's a good offset there You can also have a little offset in the mouth there a bit more And maybe like a slight raise in the nostril there Hmm and then when she does this the nose could come up a tiny bit these sides can come up a little bit Maybe maybe bit of this area of the cheeks was you're compressing Again rotate. Eyelids Her head move is pretty good But if you do again such a big head if you were such a big head over this line Move to like this like your chest We rotate a tiny bit with it just a tiny bit Your shoulders arms going up Cool, but the twins This feels nice where this is a bit lower than this one, but it still feels when you're watching in real time It looks like they move at the same time. So offset them by like two frames Yeah, the big things on this one a shot So this feels pretty broken enough to turn your the wrist a bit So this is nicely aligned forearm with the wrist, but by now you got that break So she can swing that wrist around so that It feels more like that. This is cool. I like that you bring down the shoulder It just feels a bit now. It's only the shoulder and you got to have like a slight Move over with the chest This way and a bit in the y But then counter with the head so you don't do like the big head move this way cool anticipation Watch out. That's the only thing here is She moves back and then moves this back the tray Kind of start and stop at the same time That feels very twins. I would leave that here Leave it here counter and then when she does that it can move out this way a bit And then come back, but then this big move Doesn't really affect the head. Look at that. There's nothing really going on in here. This was very cut off See all that big move and the head's doing nothing. So at this point you would have your head actually tilt this way a little bit Like you have it here and then at the end you can come back a bit And then within your story again, you know, I'm just for me out of sequence. I have no idea. Um, this feels Like she's really frustrated Closing this if that's the idea then that's cool. Uh, by now I will probably have some fingers still on the door Pushing, you know peeling off Otherwise it feels very robotic straight All right And then Same thing here Uh, you say this is just blocking. So I don't know based on your but you still have to have an expression in your blocking Right, so I don't know what she feels right now. So when she puts this down Again, it looks very fast. So is she frustrated? Or you know, is that supposed to be a more gentle thing or Is she always like that like this is the last time I'm going to put this plate down there So just watch out for that and watch out IK arms. You got extended IK arms here Then in general, this is just locked when you go forward So even in your rough blocking you can have you know, this pose and as she goes forward hands can come forward a bit Whatever you want to do there But just be mindful. What is she feeling right now? And how is that feeling coming across in the speed? And don't forget involve Shoulders like there are no shoulders here even in your rough blocking This is a pose. This is a pose. So now you bring it up. These are all your key poses down Shoulders go forward. This is all part of your posing even in rough blocking All right, thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you