 So, what is small and big is always people's perception. But there is something called as visual impact. To get the geometry perfect in a small size is extremely difficult. So we needed a certain amount of size to get the geometry easily in place. We wanted this to exude three aspects. One is exuberance of life, another is stillness of life, another is intoxication. Sadhguru, so you have built such a huge Adiyogi statue at your ashram and whoever visits that place are in awe of that particular statue. So, do you think nowadays in the current scenario, things has to be done in a, you know, mass scale to get noticed? Yes. See, what is big and small is according to people's perceptions. All the people in the yoga center, they say, Sadhguru, we should have made it a little bigger, it's looking so small compared to the mountain behind. So, what is small and big is always people's perception. But there is something called as visual impact. Of all the five sensory organs that you have of seeing, hearing, smelling, tasting and touching, tell me if I tell you, suppose I'm going to take four of these away from you right now, which one would you like to keep? Just the nose or just the tongue? What would you like to keep? This is an option. Four you have to lose, one you can keep, which one will you keep? Eyes of course, because of the five sensory impacts that you have upon you, visual impact is the largest impact for you right now. But let us say you were a dog, I'm not saying. I don't think dog is anything derogatory, I think it's a great animal. If you were a dog, if I asked you this question, you would say nose, because his food, his survival happens because of his nose. But for a human being, the visual impact is the largest impact. So, in that sense, it is not about the size of the adiogi, it is about the geometry. To get the geometry perfect in a small size is extremely difficult, extremely difficult. So, we needed a certain amount of size to get the geometry easily in place. The geometry of adiogi, now that you asked this question, is to exude. See, when I say geometry of adiogi, we'll exude something. Is it true, you went home today and your father was sitting in a certain way. Just by looking at his posture, you know whether he is angry or happy, unhappy, disturbed. Do you know or no? So, the geometry of adiogies, we wanted this to exude three aspects. One is exuberance of life, another is stillness of life, another is intoxication. I worked for two-and-a-half years to get this face right. Many, many, many faces were made. Then we decided we need a certain size and that size became over eighty feet. When it became over eighty feet, then we thought the number also has to have some significance. So, we went for hundred-and-twelve feet because adiogi, when he propounded the ways, the different ways in which a human being can attain to their highest possibility, he gave one-hundred-and-twelve ways. So, we made it one-hundred-and-twelve feet. It would have been eighty-seven feet. But I thought if you're going eighty-seven, what is the problem? We'll get it to a place, a number that he likes. So, it became hundred-and-twelve feet. But we wouldn't have been able to achieve the geometry of what we wanted. In less than eighty-eight to eighty to ninety feet, it wouldn't be possible. That's why it's hundred-and-twelve feet.