 So we're here at the Sony and you have a new, is this a cinema camera? Yes it is, it's our newly developed cinema camera, the flagship model of Cinet Outer. The model name is called the Ves, we're targeting the cinema market for the future film and also for the documentary markets and the commercial drama series. So this is a 6k capable camera right? And also there's a lot of 4k stuff? Yes it does, it has many choices that you can pick up from the menu. Can we draw a little bit in the menu? The basic one is to choose the 4k17x9 scanning mode which you can find in our regular super certified millimeter sensor camera but on top of that this camera has a larger scan area covering the full frame 3x2 6k scanning area. So it uses the whole sensor? Yes it does, yes it does. Create a beautiful 4k world, the sensor has the 6k horizontal so it captures the 6k images and then convert to 4k to create the 4k footage. I have to tell you that the full frame sensor scanning image feature will be activated after we launch this product. So from the beginning it will be limited to super certified millimeter area with the 4x3 animal pic scanning mode but later on we will provide a free firmware upgrade that users can do it on their own. So it maximized the scanning area to full frame 3x2, yes the entire sensor. So otherwise right now it's a leather box of what do you call it? It's kind of like a only part of this? Only part of the sensor which covers the super certified and the 4x3 animal pic scanning which is larger than super certified. If you jump right here there's two recording areas right so what's the difference between those two? So the venus the body itself is actually this, this is an optional R7 recorder. This unit can be used with fd5 as well. So we are... This is the 6k area? This is actually the raw and the xocn recording module. So you can get an additional recording feature by attaching the R7. So here is the axn memory card. Is that a sony developed memory? What's the bitrate here? Oh the bitrate I need to look into the chart but it's when you're shooting in 2398 the bitrate is going up to 638 megabits per second. Maybe my numbers are not precise. That's for this area? Yes for this area. So that's raw at 638 megabits per second? Yeah well we say the xocn which has 16-bit linear recording raw and yes yes 16-bit scene linear. And this one is the spy s card. It has two spy s cards. These are kind of like the basic ones? Or yes it comes with the camera. It records the xavc 4k hd as well. Let me go back in the page to check some of the... Yes? What codecs do you record? Do you record a bunch of codecs in there? There are a couple of options that you can choose from the menu. These are the xavc 4k class 4, 18 class 4. It's a big bitrate. What's the bitrate for those two? So for example the class 480 is 480 megabits per second when recording at 30. Is that all I am? Yes it's all I, it's all I, it's all I. 300 is 300 megabits per second shooting at 30p or 29. Not this camera. We are the cameras. All I cameras just for no artifacts right? Well yes well the size gets bigger the bitrate is higher but as you're correct all frames So what's the demonstration you have here? This with the actor is x300. It's the 4k master monitor. So it covers the whole the HDR range. It has a 1000 nits of maximum luminance with the more than BT 2020 color space. So this is a perfect monitor to check the quality of this right now. So what would you say it has no issues with the noise? No issues with the noise. Well if the camera creates a noise you will see it. Yes and you see it? But right now we don't see it right? Yes that's right. Very good low light. Yes it is, it is. Very low noise, very low noise. Is this one frame? Yes. So you operate it, can we check this paper? You went from a Super 35. Yes on the blue line. To a full frame right now. To a green line. So that's the standard you had before with what's called 855. All these cameras you had before? Yes the f55, f5 is this blue line. And the new one has the green line, the much more larger sensor size. Physically bigger. Why do you call it Venice? Good question, good question. Let's just think. Yes, usually we use like f55 or f65. We typically use numbers but for this model we wanted to give a name on the camera. And we know that there is a famous carnival in Venice, the cinema festival in Venice in Italy. Also there is a Venice beach in LA that we have the cinema market in Los Angeles. And there is also a Venice bluebird very close by to our Sony Pictures movie area. So there are a couple of reasons why we put the name Venice. Next year how many movies will be made with this camera at the Venice Film Festival? I would say stays tuned. Let's see. But it's shipping soon? We were planning to ship it around next year February. Next February? Yes. So that's early enough so hopefully there will be movies for the next year. And what are you covering right here? Is there some any regular SD card slots or not? No SD, well there is one SD card slot I think is around here. Is it in there? But that is for, I'm sorry, on this side it's hidden. You locked it? SD card slot, beneath. All right. What do you do with this? This is for maintenance. It's just for the settings? Yes, yes, yes. Not for recording. All right. Everything that a film camera operator would want is there? Yes, yes, for example as you see there is two panels on this side and also on the other side as you have seen. So this is for the DOP, the videographer who is actually controlling the camera. But on the other hand on the outside is the full menu that the camera assistants can configure the entire camera. So this is one of the feedback we got from the cinema market to be the cinema cameras. And one more thing I would like to focus on is this ND filter system. So this camera has eight ND filter systems inside the camera. So which means you can remotely change the filter which is good for the drone or in the helicopter aerial shootings as well as dust free. You don't have to worry about the fingerprints on the filter and also you don't have to carry around the filter. And the videographer can watch into the viewfinder to adjust the depth of field rather than to turning the camera assistant and hey change the filter in the front of the lens. So there's many, many benefits having the eight ND filters inside the camera. And it can output to an external recorder too? Yes, as you see there is quad SDI output to get the true 4K. And also an HDMI output for consumer displays. Everything it does is 422 or 10 bit? Well, it's a raw 16 bit. Yes, yes. The SDI is based on 10 bit because it's SDI standard. All right. How long is battery life? It depends. How long is battery life? Battery life? It's like an hour. An hour. It consumes the power. Yeah, it's like an hour. All right. Is it waterproof? It's not mentioned in the brochure but definitely it's dust proof, water proof. The electric circuit board is independent to the cooling fan system. So actually we did a lot of shooting in the desert and there is no issues at all for two days in the hot desert. What's the price? Price? The list price is US$42.37, the list price. So it's 37,000? Oh, it's 1,000, sorry. Just for this part here. Just for this part only, yes. So if you buy the handle, everything is extra around here. Handle comes with the camera. Viewfinder is separate. You can have a big screen here if you want. Yes, yes. You connect to the same connector as a viewfinder? It's a limo connector here. Is this standard? Yes. Or this kind of... And this is Leica lens, is that also the expensive one, this one? I think so. Is more expensive than the camera? That's the question for Leica. Okay. But how do you compare this to Arri? How do we compare to... Well, the one thing is we have the sensor made on our own. We make sensors. We made sensors to make the camera, cinema camera. And it has true 4K. The pixels is actually more than 6K. So we can capture the true 4K image with this cinema camera. It's actually 24 megapixel, right? The number of the pixels are 24. 24 megapixel. Yes, it has 6K and 4K vertical. And this you downscale in a beautiful 8 megapixel 4K. That is correct. Yes. It has more detail. Yes, and 10-bit 4K, I would say. 10-bit 4K? Yes. All right, so this is for broadcasting? No. No. Well, of course, the broadcasters can use it if they want the film look or the natural color. So it's about color? You want to get more color? I think color matters. Yes. More color? And for post-production? Well, more natural color, we would say. Natural color. And the footage itself has a lot of color information that the colors can extract whatever color they want to need to fit into their cinema or future films. And $42,000, it places it at its great value compared to what Ari and the other ones have, right? I think that's a market it's going to decide. So potentially in the movie, in the future, there will be a lot of movies. Yes. Filmed on Sony. Yes. More than before. That's what we want to do. That is our target. Cool. Right here for the Venice Film Festival 2018, maybe. Right here.