 That's hilarious. Now, how the hell you get on a smart guy? First of all, Ty just got damn light skinned. Yeah. The other nigga is light skinned. Yeah. The daddy is light skinned. And you a dog skinned. He wasn't. I was like, how in the hell? That happens. That happens to the baby. I'm sitting there like, what the fuck? Now, I'm going to keep it real with you, DC. Man, that audition was flawless, bro. That's one of the ones where you just knew you were the real deal. No, that audition killed that audition. Everybody wanted to be a brother like you. Yeah, I appreciate it. No, and I think that was the thing. I feel like that shit you learned from Martin. Well, you, hey, bro, we was tuned in, bro. I ain't gonna hold you. They should have shot out to Omar Good and to, like, we, man, we would, after work, we would study other sitcoms and other performances. It should have. So, you know, we would study Jamie. And this is the work we were doing after work, because we would go home. We order pizza, smoke a little something, chill out, you know what I'm saying? And it would be like, man, let's look at what song, so what I'm doing. So we turn on the show, we study, be like, we going to do that shit better next week. We going to flip it like this. So me and Omar was like doing that all the time, you know, just playing with the craft. Like just trying to figure out how to be better. You know what I'm saying? Like how you got young niggas that work on a jump shot, whether they lay up, whether they left hand, like that's what me and Omar would do every day after work. We would just sit down and we look at shows and we look at different performers. And we would just find those different things that maybe weren't in your face, but they were subtle things that we knew that we could play on and make them our own. Right. The best big brother I've ever seen growing up. Good looking. It was like, okay, you got your little brother from the college school with you. Like he 10, but it can't fuck up my cool. Yeah. But how can I embrace my 10 year old little brother? Fuck it. Not only that, is he catching up to me, it was like it was a lot of shit as a child that y'all taught us as kids. Like, and then it was black fatherhood. Yeah. Black parenting. Man, we didn't know DC, man, the kind of example that we were setting, man. Just keeping it all the way a hundred. Like we were just having fun. And I think for me and Omar in particular, we wanted to show young black kids who we really were versus like how sitcom TV would try to portray us a lot of times, like hokey and corny or, you know, having just some weird shit that they were saying in the lines, we'd be like, how the fuck they get away with saying that? Right. So it was like we were the kids where if they gave us a line and we knew that shit wasn't gonna fly in the community, we'd be like, I'm not saying it. Right. Like I'm not saying that, bro. Like, okay, you want to get that kind of joke across? Why don't we say it like this? Yeah. And I'll give them credit. Shout out to Danny Kalis, the creator of the show. He listened to it. Yeah. Like he came down the wardrobe. I was like, man, ain't no young black kid walking around wearing them shits on their feet. I was like, yo. I was like, yo, I need some J's, man. That's a pro kid. I would be calling up to Nike. Because they don't want you to have the little logo and all that shit. They wouldn't want us to have logos on anything. Yeah. They wouldn't want to pay for it. Right, right. So they'd be like, man, we can't have that. But they don't make you pay for that. Yeah, and I'd be like. They don't do that. But I'd be like, yo, man, who cares? Like, we gotta be cool. Right. So like, I need the Oversons. Right. I need them. Before everybody else has them on the show.