 It's really just warm but crisp and clear as well. It's full, it's a massive sound from a tiny amp as well, isn't it? When I first sort of hit it, it took me back a bit how big a sound it is that's coming out because its size belies its capabilities. It feels without even messing around with it, but it feels like it's gonna be pretty versatile as well. You can have too much control sometimes and you can actually lose the idea, especially when you're writing. You can lose the idea that you're working on getting carried away with trying to dial in a really specific sound and actually sometimes it's right there. It's got that ability to go, hasn't it? It's huge for a tiny amp, isn't it? You could apply it in a lot of places. It doesn't look like a stay-jump but you could use that as a stay-jump completely. But for writing, in a studio, I do a lot of writing in my home studio and the key is versatility. I've just been able to really quickly go, okay, I want roughly this sort of sound and go, yeah, there it is, found it. I write with a strap but I've been able to just plug in a strap and know you're gonna get, that sounds like a strap. But it sounds like a strap with a really nice amp and with the minimum of fuss. It's really nice when you've got an amp as well that you don't have to drive it really hard but you've got that versatility of if you play soft, it's crystal clear, if you give it a whack. It's just on the brink of breaking up. That's the, it's like photographers have that golden moment of the day when the light's just right and I think that's the amplification equivalent is being right on that brink of breaking up. It's quite hard to play enemy tunes without a fucking batshit mental drummer next to you smashing them out.