 You know when I was a little kid? When in the forties? OHHHH! I'm Corbin. I'm Rick. And you can follow us on Instagram and Twitter. Come on, juicy content. It smells juicy. Can you smell the juice? I think it's gone bad. And so, of course. And, uh, take a look at some Patreon and follow us on our official, uh, tutor account. What are we doing today, Corbin Miles? We are reacting to a trailer. Fantastic. And it's one of those old ones, again. I'm looking forward to it. Um, I have a little sip of my leftover coffee. It's called, HUM. HUM APA KE HAN KUN. HUM APA KE HAN KUN. That's close enough for hand grenades. You didn't carbonize it. I'm a little disappointed. It's an old Salman Khan film and majority dick set. Oh, cool. The other day, when we saw that one of her with Prado or whatever the dancing one. Yes. We said this was one of the first things we've seen. We actually saw her in, um... 1200 other things, right? Devdas. Yeah. Wait, what? She was one of the dancers in the... Oh, Killa Ray? No, she was, like, in that film, like, a lot. Wow. But that's no surprise. Pretty. What was I going to say? What was that? I thought she was just going to fall and I was like, wow. And then she's dead. Wow. Holy cow. And what was she looking at at the end there? What? I'm intrigued. You know what I'm intrigued by? What? What year is this? I'll look it up right now. Uh... Salman looked really young, didn't he? Really young. 1994. Ooh, old. That had to have been remastered. That was so clean. Yeah. That was, like, HD clean, that video. That had to have been a remastered trailer. Yeah, we've seen newer trailers that looked older than that. Exactly. And it was really reminiscent in terms of its color and framing and lighting. It reminded me so much of the aesthetic we liked so much about Sanjay. In Dettah, it looked a lot like his aesthetic, very pretty shots. Right. In every way, time, a lot of time spent setting up a shot and the visual of the shot. Really, really interested in that alone. So it's directed by Suraj Marjathia. I believe he was in the same one that Sartaj and Salman was in. He's the same director. Oh, okay. But it has Maduri Dixit. And Maduri Dixit. Who, yes, we know her. Yeah, that alone, I really couldn't get an idea about the story. I think the story is, he's getting married. It's kind of almost like a family drama, I think. Yeah. He's getting married, something dramatic happens. Right. And there's a lot of fun songs and all that kind of stuff. And then something dramatic happens, she dies. Yeah. And then they have to kind of deal with that. Right. So I think it's... And it's a long ride. Look at that runtime. Three and a half hours. That's an almost four-hour movie. Is it really? Four hours? Yeah. Holy cow. Jesus. Which, in addition to runtime... What makes sense though? Old 90s? Old 90s. And in addition to runtime, something I learned through Big B, actually, and the Bollywood and some of the stupid babies of someone asked Big B a question about the movies being made and specifically, why doesn't Bollywood create more stories that are telling the common man and being more real, more of the Arkhouse kind of films that we get from South India and from Bengal. And he pointed out something and it's for the first time I was like, you know what, I think I get that. And he said, why would the common man whose life is so hard want to go to a theater and just watch his life on screen some more? A lot of the movies that we do are specifically so that the common man and woman who are going through those kinds of problems can have a place where they can get away and forget all of their problems for three and a half hours. Interesting. And just escape what is otherwise for them very hard life. Interesting. Isn't that an interesting point? I haven't thought about that. Yeah, both in the runtime and also the content of the silliness. Sometimes like I've complained of films, particularly the Bollywood Hindi films where like in Sholay I complained about the quirky comedy aspect of it and the diverting. No, it's a point of revelation in terms of the diversion of the wanting to see more of the nitty gritty stuff and not accepting the reality of you know what particularly for India there is a place for some films because we do it here too. There are films that people just want to go to the movies. Marvel's a great example of that. Star Wars is a great example of that where you get catapulted to a completely other world and you can forget the problems of your life for a while. And I thought it was a great point from Big B. Yeah, but then you also can't say that every common man wants that. Correct. Correct. But there is an audience that want art. They want to see art. They want to see that. But they also do, I mean I don't know back in the day in the 90's there was obviously this was the style of the film that came out. But now I mean there's Kabir Singh that's come out. There's Article 15. So there's a lot of like real stories that they now do. Absolutely. They're very real so it obviously has changed a lot. And Pink? Big B with Pink? Absolutely. And my preference obviously is to see films that are depicting a more real thing even if it's something really close to home. I actually love that where I can see something depicted and that's an empathizing with my current situation. But there are some people that just don't want to, they just, they want to check out and they want to escape. And that is one of the beautiful things about a movie. It's true. Is that you can do that. So that, my suspicion with the runtime here it's that plus the intermission. But I want to know more about the story. Yeah. And of course we know it wasn't a real trailer. That's, yeah. They didn't have a real trailer when this was released. You just do Salman and Midori Dix or that. Oh, well here you go. I just read the synopsis. That helps. Premonition meet and fall in love at the wedding of their elder siblings. So their elder siblings are getting married and they meet at the wedding and fall in love. But their plans to be together are put in jeopardy when Nisha's sister dies leaving behind a baby. Oh, dang. Well, that just gon' be a great thing to be there, isn't it? Yes, it does. Always makes it rough when there's a baby. Is that your best impression? No. What's your best one for? Mrs. Dothfire. Mmm. That's true. Yeah. You know I figured out the other day? I don't know if it's good and my suspicion is not. Don't say what you're gonna say. It's gonna piss me off if you're gonna say what I think you're gonna say right now. I don't know if you, it's what, it's not here. Bollywood has done a Mrs. Dothfire remake. Mrs. Dothfire remake. I haven't got any recommendations for it because I assume it's not good. But I looked up the other day because I don't know who does it. But you could maybe tell us. But it would be bad if it was done here even. Like you just, it's almost an impossible thing to do correct and Robin was the only reason it worked. But I just, I thought it would be funny. Maybe we should make this like a segment, like a bonus video, like is some bad remake of... Oh my dear. Oh, you don't want to make a sequel of that one dear. Or even a remake. You wicked, wicked Bollywood producers. I should smack you silly and spank you with a wet napkin. They've also done like... Can you even smack someone with a wet napkin, dear? They've also done one of Harry Met's Alley remakes. Bollywood did that, dear. Oh, I might be interested in seeing that one. I don't know if it's good, but I figured out who was... Who played who? See that, dear. Where's the DVD? There'll be the link which is to be viewed. I'll watch it right now.