 You are listening to an audio guide, which is about to take you through the space of Nadezhda Petrovich Gallery. It was the 25th memorial of Nadezhda Petrovich in Czaczek, and it was actually also, it is also this year the 50th anniversary of the gallery. And I was awarded within the memorial the gallery award, and well, you made me really happy. The work, the piece I did there was, is actually still site specific. So I have made a set of stories which deal with the layers of the space, that particular space, the gallery in Czaczek. The thing is that this work works with that space, particular space, it was made for that space, and with the works that were there at that moment, it was a group exhibition. But now as the exhibition has been taken down, I've tried to continue this and actually to experiment and see how it works within different spaces, although you don't have any more of these works around, and you don't have that space. Now in Belgrade I'm working with a completely different space. So when you get to the space and you wish to experience this piece, you do get a pair of headphones and an MP3 player, which was rather unfortunate combination because it was supposed to be the original kind of general museum guide. So anyway, you get the MP3 player and then you go around the space, you start from the number one, and then you hear actually some kind of prelude, some kind of introduction that takes you to another space, kind of offers you to go to find another place, which is, you do basically the orientation you use are the numbers which are put on the floor. And I'm dealing basically with three basic levels, the past, the present and the future. So the past kind of gets the point of the history of the building and it concerns or touches upon Nadezhda Petrovich and her work, from my perspective of course, and the present is dealing with the works which were at that moment in the gallery and the future is dealing with some projections and possibilities that I envision in the space. Guides usually take you somewhere, but this is not going to be the case. You are where you are. And I won't be able to help you come where you wish to go because I don't know where you want to be. But there where I have been, I'm leaving you a trace. The thing I did was basically, I mean the title of the work is guide through exhibitions and cities. So the thing I did was to guide people through the space, but on an audio level officially. And then what I'm interested in is evoking images and rather context and situations and different kinds of sensations in the audience, in the spectator, but they're their own. So everybody who listens to the same track for example will have completely different associations and thoughts and images in front of them. What you see outside, like an outsider, not the one who has the headphones, is basically nothing. It's just people walking around the space whereas as a spectator, as a listener, as an audience, you actually get to see many different things happening in the space which become part of your thoughts through an audio guide.