Modeling Synthesis Dynamical Sound for Piano





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Published on Jun 9, 2012

scientific analysis of music: The musical based projection, on the temporal spatial parameters. The experiential dimension of sound are represented by power laws. The complex spectra are analyzed by the methods of physics and information theory, and so exposed the experimental elements isolated. The sound material has an autonomous center. The resulting developed perception results from the presence of density. The reproducibility of the functional representation of the tangible existence. The projection of the time, the reversibility of the spatial. The result of the assembled fragments, is the amount of information. This is depending on the location of phonation and cognitive abilities.

Social Philosophy: Abstract models of computation are related to the specific re-organization and reproduction. Covariance matrix models open up the communication lines of contact. The conformal suggestions are dissolved and fed to the individual distinction. Thus, the wrong design life reality is recognized and replaced with other simulation environments. The conditions for another generated motion exist in the complex question. Reality as indissoluble deceptive information, thus subject to a different concept of motion. The interpreted assessment concepts provide a specific difference. Each attracts extensive operational, dynamic inferences for themselves. The replication pattern derived from this structure.
Who purpose authenzitität or the ratio of functionality.
The contrast produced the difference, masking is a decentered, based on our logic?
Is the variance of a linear mixed model strain rate?
Reciprocal time units are transformed complex repeats, free from the difference?

LLCY lloydguillaumegroup © 2012

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