 Let's watch this first here. No sound, and that's the clip here. You are mentioning in your email that you feel like it's a bit slow and I would concur, especially through here. It's just a very slow, slow term, but also a slow move through there, just that body. Now that being said, you have, let me bring that in here, you have the reference. So when we look at that, right, or not, there you go. The thing that sends out, this is important for horses to have most of the time you have to look at their legs being straight. It's not often that. They're not going to stand in front of you with like both legs bent. There's something very specific about horse legs, always having those really straight legs. So one of the things that I'm looking at, if I look at this reference, yes, you have details like what to do with the ears. There's always a big head move because of this big structure that goes up and down. And I know it's on the slower side through here. And I see it also in the reference, but this is where I would slightly deviate sometimes looks just a bit weird in CG when it's that even timing. There's something about it really leaning on this side, kind of rolling over and then pushing up. So you could emphasize that moment there. And the big thing is this, you have that in there already a little bit, so it's definitely a bit more pronounced in this reference with that head move down. So what I would concentrate really is that the strong nature of getting up there, pushing up that backside here and how quickly those legs, especially when once that leg is there, you know, it's a little bit of wobbliness, but bam, and then it locks. So if I look at that and go back to this here, where I would deviate from the references there, I mean, I don't know if you want to go and that is an empty background. See how you have all the grass stuff? Question for you. I mean, do you want to add some things here to kind of hide? And maybe you might have to not worry about intersections so much when you have that type of environment or you want to keep it like that, it will be a lot more to do compression and keep this all legal. So that will be just a question for you. But I would break from the reference a bit and tweak that. And I mean, it depends. Given that this is more cartinial rig, my question to you and I didn't see this in the email, how far do you want to stylize this, right? With this face and everything. Do you want to make this just photoreal and copy that reference? Or do you want to give this a little bit more where there's something a bit more in the head and expressive, not going to get up and maybe it's maybe the horse is really bored and like a haste getting up or something and then you can do something a bit more exaggerated with a head turn and kind of stylized the idea of leaning on this mass, rolling over and then pushing up with the front legs and really I would then exaggerate that backside as well for a strong exaggerated push. But going back to what I said before, I would really try to watch out for all those shapes, but tricky with a rig like that. I would try to keep this on a strong leg or it's a bit more like this. It's a bit busy, but like that, I would try to keep this straighter and almost bent backwards and really go for that straight leg idea. Even this, I would exaggerate and get to this a bit sooner so you get that typical horse stance with the front legs. Because here it feels always nice just the way it's shaped here. So I would just personally just push that pose there more and personally just stylize that moment. Even if it's more real, just to kind of push that roll and push up into like a one-two moment and then here it feels like you want to be a bit more rotated through that side so that whole front part moves a bit more like this. So it's less arched down like that and there's something a bit more to go back to this guy. It's a more of a direct down and up versus it feels a bit more archy leading with the nose there. But again, it depends. Depends how far you want to stylize that. So that would be my question to you. Let me know in the email because then that will again will change your attitudes and looks. Will that be then a bit more pantomime-y, stylized or I don't know, let me know what the range is for that. All right, thank you. All right, there's an email you can sign up, you can start whenever you want, you can submit whatever you want, you get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.