Loading...

Fugue Analysis: David Bennett Thomas (Piano Sonata No. 4, Third Mvmt)

5,894 views

Loading...

Loading...

Rating is available when the video has been rented.
This feature is not available right now. Please try again later.
Published on Apr 13, 2011

Choose 720p from below the video window for high definition.
CD available on CD Baby: http://www.cdbaby.com/cd/davidbthomas3
and iTunes: http://itunes.apple.com/us/album/pian...
http://www.davidbthomas.com
http://www.carlcranmer.com
This video is an analysis of the fugue from David Bennett Thomas' Piano Sonata No. 4, third movement.
Feel free to pause the video at any point to read the analysis. The fugue terminology and techniques found in this video can be found and defined in a good counterpoint book. These include subject (the theme), countersubject (a second theme used against the first), inversion (the theme is played moving the notes in the opposite direction, so an ascending third becomes a descending third, etc), retrograde (the theme is played backwards), canon or stretto (the theme hasn't finished playing in one voice when a different voice enters and begins playing it, causing an overlapping effect), and augmentation (the theme is played half as fast).

Loading...

Advertisement
When autoplay is enabled, a suggested video will automatically play next.

Up next


to add this to Watch Later

Add to

Loading playlists...