 Mia Neal and Jamaica Wilson made history at the Oscars on Sunday as they became the first black women to win best hair and makeup for their work on Mareni's Black Bottom. Reacting backstage to the monumental win, Neal said she felt everyone benefits from diversity and wants more of it. Sound designer Nicholas Becker said he really tried to explore the physicality of sound in the film, which sees a heavy metal drummer's life thrown upside down when it begins to lose his hearing. In the animation categories, Pixar's soul won best animated feature, while Traven Fri and Martin Desmond Rose shot live action science fiction drama about police brutality and Will McComack and Michael Gove's animated shot about the effects of gun crime also picked up awards. I think that everybody benefits from diversity, everyone does. And I also think everybody wants it, to be honest. I feel like that has been the thing, and I think that time has kind of sped up in a way in terms of technology and just people being more connected, also people not being afraid to speak up, and then a lot of people who maybe did realize, hey, maybe diversity isn't in this, you know, because things were just the norm. So I think that things are happening and I think it's being well received. He's been fantastic, obviously brought so much to the character, to the part, you know, so much of Joe is weirdly, okay, Joe is way more nerdy than Jamie, Jamie is much cooler, but a lot of the elements of the film of the character were so plus by him, his sense of energy, he just never stops, he doesn't give up, he's an amazing musician, of course he can do the comedy and drama, and we were just very fortunate to be able to nab him. The biggest challenge for me is always to be able to go in the brain of the director and to try to understand what language we have to build for him and how I can combine this with my experience, you know. So I think the biggest challenge have been also to try to make the film as really like a physical experience for the audience. I, you know, when we started this journey to make this film, we knew, I especially knew it would be a film that would be difficult for people to watch, difficult for people to, you know, politically even engage with, and for it to have done what it's done and for us to be here holding these for a movie as potent and as serious as our film is from the academy, I think it's unbelievable, I think it's amazing to think that we could be standing here today holding Oscars for a film about police brutality. I think that's incredible.