 Hello, and welcome to Quantum Healing with Candace. I'm your host, Candace Craw Goldman. This program was created to assist humans in this rapidly changing world, and its foundation is based upon the late, great Dolores Cannon's work. So thank you, Dolores, for continuing to be here with us. And also thanks to Greg Prescott and Michelle Walling at N5D.com for making this show possible. With humanity's new understanding and acceptance of the quantum world and the role that consciousness plays in shaping both our individual and our collective reality, we have plenty of subject material. I am a full-time practitioner of Dolores's Hypnosis Method, and have the honor and privilege of working with and alongside of that great lady for several years. You can find out more about my practice at NewEarthJourney.com. And before we get started tonight, for those of you looking for a practitioner of Dolores's Method, you may find these wonderful people at DoloresCannonQHT.com. And also if you'd like to participate live on the show tonight, please call in. The U.S. number is 646-716-8890. That's 646-716-8890. And we'll try to answer as many calls as possible. So tonight is October 30th, 2015. And happy Halloween! I am so excited about tonight's show. I have a lovely woman and friend and fellow practitioner joining me today. Her name is Alba Wyman. Alba Wyman was born in Havana, Cuba, and she came to the United States shortly after Fidel Castro took control of the country in 1959. She grew up in Fort Lee, New Jersey, excuse me, viewing the New York City skyline from her bedroom window. And after finishing high school, she moved to Miami, Florida, where she lives now. She's worked in the telecommunications field for 35 years and is always finding creative ways to use information and technology to improve her life and business. And the most unconventional technology she uses now is automatic writing, which I need to talk to her about. A practice in which her guides and spiritual teachers communicate with her via a pen and paper. To put these teachings to good use, she founded Hopes and Achievements Inc. and has been doing life coaching. And although this was very satisfying, she longed to reach into client's souls and help them from there. And that's where QHHT, Quantum Healing Hypnosis, Dolores Cannon's method came in. And it was the next logical step for Alba. Whenever Alba does anything, she puts her heart and soul into it and this was the case when she began to build a haunted cemetery in front of her house each year for Halloween. She used her imagination, creativity, technology, and the law of traction to create a bigger and better destination for neighborhood trick-or-treaters each year. And perhaps many of you are seeing some of those pictures scroll on the computer screen right now. Alba is fluent in English and Spanish and practices QHHT in Miami, Florida. She has a YouTube channel under her name where you can view some of her hypnosis sessions. And I want to extend a very warm welcome to my dear friend Alba. Hi Alba. Hi Candice. There you are. That was a long intro. I am. I've got a little tickle in my throat. It's raining here in Kansas and I think it stirred up some mold. So pardon me for that. How are you doing this evening? I'm doing great. That's really wonderful. Well, let's start with how you found Dolores. How did you learn about Dolores? How did you discover her? How did you get into this work? It was a long journey Candice. Really long journey. I think that maybe our generation isn't as quick to find out about this stuff. And it took many, many years to get to where I am right now. Should I start with the beginning? Well, sure. That's where Dolores says it's always the smart place to start. That's right. Well, it all started with my spirituality and finding out about it. And it came in a very unconventional way. It all started with makeup sponge, believe it or not. I was living with my mom at the time and I had just gotten divorced and I used to use this makeup sponge. And one day the makeup sponge disappeared. And it was, you know, okay, you know, things happen, they fall. But days later the makeup sponge ends up right at the edge of my bed. And I had made that bed, like, every day. And all of a sudden this makeup sponge is there and I said, this is really weird. It's almost like somebody's trying to get my attention. And that's where the spirituality started. This was back in 1988. And I knew that somebody had placed that makeup sponge there, but I couldn't figure out how it happened. So I got interested in spirituality and I discovered Shirley McLean. And at that time she had written a book called Out on a Limb, which talked about spirituality, which was a new topic for me, you know. We had talked about it when I was younger, but I really didn't get into it. And that then led me to the Ruth Montgomery books. And Ruth Montgomery was a woman who wrote many books via automatic writing. And that really, really interested me. I said, wow, you know, if I knew how to do automatic writing I could figure out where this makeup sponge came from. So, you know, I could talk as a spirit and find out, you know, what they're trying to tell me. And lo and behold at that time a friend of mine says to me, hey, I'm going to go to a meeting tonight. Would you like to come with me? And I went, sure, you know, I had nothing else to do. And it was about transcendental meditation. And I was not a very spiritual person. I definitely wasn't into meditation. And I sat through the whole presentation rolling my eyes. This is not for me. I was a very, I was a very corporate person at the time. Very straight up corporate person. And meditation was not part of my life at the time. And I went to the meeting and my friend said to me, let's sign up, you know, and just learn how to do this. And I said, okay, you know, just to please them. And when I got to the meeting they taught us how to do the om and relax. And instead of meditating, my head started going around in circles, which is really strange. And I felt like my whole soul was leaving me through my feet. And I thought that was really weird. So I looked around, I opened my eyes and no one else seemed to have their head spinning, you know. I was the only one that had these weird things happening. So I said this is not for me. But let me go home. I'm going to try it maybe in the comfort of my own home. So when I got to my room, I put out a pad of paper on my lap and a pen. And I said, let me try the meditation technique that I just learned. And let me just hold my pen here. Maybe I could do the Ruth Montgomery thing. And I didn't think it was going to work, but as I was there just meditating, just relaxing, my hand started moving. And it was going crazy. It was, you know, it was all over the paper. And I was kind of scared. I was spooked. It was like, what is this? It's moving my hand. And I was afraid to open my eyes. And so finally I opened them. And it had all over the paper in Spanish. It said, yoso y du padre, yoso y du padre, yoso y du padre. Which means, sorry, I'm getting a little touched here. It said, I am your father. Oh. Sorry, I almost cried. So my dad had to communicate with me at the time. And I went, wow, you know, this is really great. So I ran into my mom's room. It was like 11 o'clock at night, and I all grew up. And I said, dad communicated with me, you know? And this is what I did. She was very, you know? How did she take that? Normal. She took it like, OK, you learned the new thing. And in the morning, I explained to her, I explained to her, you know, mom, this is all I did. I relaxed. I put the pad down. I put the pen. I asked for some sort of communication. And dad came through, and I went to work, right? So when I get home that afternoon, my mom says, guess what? I communicated with your dad today. Oh, my goodness. And I said, that's not it. Oh, that's hilarious. Alba, how long had it been since your father had passed? My dad had passed nine years before. And that's when I found out my dad was a prankster. And my dad loved and played tricks on people. And that's how I found out that it was my dad. I asked him. I said, was that you? And he goes, of course it was me, you know? Because he liked to play jokes on people. And so both my mom and I were communicating with him. Then my sister joined in. And she started also doing automatic writing. So all of us were communicating with him. And I found out how he passed and what happened after he went to the other side. And it was a really beautiful experience. And I got to know a lot about spirituality from my dad. But then after a while, we kind of ran out of things to talk about. Because my dad told me that he had to go to school. He told me, I have to go to school. And I kept thinking, school, you don't have a body? What are you talking about? School. And he goes, I have classes that I have to go to. And I didn't know at that time that, yeah, you do go to classes. So he says, I'm going to let you talk to your guide now. And he'll answer all your questions. So I spent many years then communicating with my guides. And my guide was like my best friend. Any time I had a question or I had any problem, I would start writing. And my guide told me, he kind of comforted me. He didn't tell me what to do. He just comforted me and would tell me, things are going to be OK. And it was like having someone to just talk to that would answer my questions. But I found out a lot about spirituality through him. And so that's how I became, that's how I did the automatic writing. And throughout the years, it began to increase more and more to where I started getting guides that were master teachers that would really teach me things that I never even knew existed. And they always told me, they always told me, we are preparing you. You are a messenger of hope. And we are preparing you for something really big. And I kept saying, why me? Why did you pick me? And they said, you agree to this. And they said, one day, you're going to be meeting with people face to face. You're going to be helping them. And we are preparing you. And it's been a long journey. It's been a really long journey. So this has been going on for years and years. And so that's why I started the coaching business, where I said, I've been told that the lessons that I'm learning, I need to tell other people about it. So I started coaching. And again, they were telling me, you're not going to be able to do this over the phone. You have to do it in person. You're going to be sitting across from someone and doing it. And we're talking about them telling me this back in 2007. And I had no idea that I would be getting into QHT. And the reason I got into it was that even though coaching was really exciting and I enjoyed it, I felt that I was not being honest with my clients. Because I didn't tell them where I was getting the information from. I just sounded like a very wise person. But what was happening is during my coaching sessions, I was channeling. And I never really revealed my spiritual side to them. I was always the corporate person. You see, I was always corporate and didn't think that people would understand about my automatic writing or my spirituality. And so I kind of kept that hidden for many, many years until finally it had to come out. And it did. So that's kind of like the long story. That's how you ended up finding out about Dolores and QHT? I mean, how did you actually get into one of her classes? It's still a long story. Are you ready for this? Sure. Everybody likes stories about Dolores and how people found her and how they got into this work. It's why we're here. It was really a strange, strange way that I got through this. Back in 2009, we had a really strange thing happen to our family and really strange. My son was arrested for something he didn't do. And that became international news. It was a really, really hard thing to go through. And during the arrest, well, he wasn't arrested in the house. He was arrested somewhere else. But during the search in my house, part of the evidence that they took were my automatic writing. You're a kid. And no, no. Wow. They took my automatic writing. And I had been keeping those a secret forever. And I didn't think people were ready for that information. So I kept them a secret. And during the search where they took everything that was important to us, they took my automatic writing. And I had to, for the first time in public, tell someone that I did this. I had to tell his attorney that, listen, now the public has this. This is going to be used against me because I wrote something in my journals about why he was arrested, the whole idea of why he was arrested. And it was going to come up. And I was afraid of that. And that was the first time I actually had to go public with the fact that I did automatic writing. And I kept begging my attorney to please try to get these back because, first of all, they were not only my automatic writing, but they were my journals, my diary, my notes on anything that I did as far as coaching. It was everything that ever wrote they had. And it was really amazing. So that was a hard pill to swallow. Well, I guess that's really personal stuff. I mean, that's amazing. It was very personal. Yeah, so I was dealing with the fact that my son was arrested and vilified by the media for something he didn't do. And it was international news. And at the same time, I had this to deal with too, which was my own personal stuff. And months went by, and I begged my attorney to try to get them back. And they said, no, actually, they've been purchased by the local newspaper. And not only do the attorneys have it, but our local newspaper reporter has it. And they're reading your journals. Did you say purchased? They had purchased it, yes. They were public record. All my stuff became public record. So they actually purchased it. Yeah, so here I was now dealing with this issue with my son and dealing with the fact that now my entire life was being read by every attorney, the state attorney's office, and our local newspaper reporter. And they were trying to look for stuff in there to use against my son. And I kept doing my automatic writing. And my guides kept telling me, don't worry about it. This is exactly what's supposed to happen. And I'm like, what the heck is going on? It was like a knife going through me. And they said, no, the people who are reading your automatic writing are supposed to be reading them. And I said, that's personal. This stuff is personal. You wrote it to me. You didn't read it for everybody in the world to read. And it put me in the hospital twice. I was under major, major stress. And my guides kept telling me, keep writing, keep writing, because we have a lot to tell you. And I kept saying, yeah, but I want my journals back. Those are private. Why are people reading this? And they said, they kept saying, they're supposed to read it. They're supposed to read it. We are all one. And whatever you go through, everybody goes through. And that was really hard for me to realize that. So my guides kept telling me, you must forgive them. You must forgive them. That's the only way. And I could say, it's impossible. How am I going to forgive? Because this is such a hard thing to forgive. I'm dealing with thousands of people saying that my son is guilty. And now at the same time, I'm dealing with this. How can I forgive anybody for doing this to us? And my guides kept saying, you must forgive. You must forgive them. So finally, I was able to forgive them for not knowing any better. When you forgive someone, you don't forgive the event, but you forgive the person so that you can stop hurting. And that was a major, major lesson for me, was that you could never change the event. But you can stop hurting inside by forgiving them. They didn't know any better. And they kept telling me, put yourself in their shoes. They didn't know. So you must forgive. And it took me months and months and months until finally I did forgive them. And it felt like a big load was off of me. But I still had PTSD. I was still suffering from PTSD because it was a major issue that had happened. And that's where I was. And so my son's case ended up falling apart. They realized that he didn't do what they said that he did. He was exonerated. He left for college. And I said, OK, now I have to start my life again. Now I've forgiven them. This is behind me now. I've got to do something to change my life. So I got into keep boxing. And I said, OK. What better way, what better way to get all of that anger that I still had that wasn't gone from the forgiveness? What better way was it to punch it out and kick it out? So I got into kick boxing. And every time I would go to kick boxing, I would just punch and punch and punch the bag and kick it. And I finally got all of the anger out. And I felt like I had healed myself. It was an amazing, amazing thing that I went through. So I was doing the kick boxing. And all of a sudden, I got tendonitis. And I couldn't do my punching. I couldn't do my push-ups. I couldn't do anything in kick boxing because I had this severe tendonitis. And I kept saying to myself, I've got to get back to the gym because I really enjoy it. Well, when I said that, I hurt my knee. OK. And now I have tendonitis. And my knee was out of whack. And I kept saying, well, when I fix the tendonitis in the knee, I'm going to go back to the gym. And I tripped over my dog, sprained my wrist, and broke my toe. OK, Alba, I have to ask you. Which side of your body? Did you do this all on one side of your body or both sides? No. It was first started on the right, and then it was the left. So I understand where you're going with this. So here I am icing all of this. And I said, you guys are going to kill me. What are you trying to tell me? You know? And I said, so I'm icing everything. And I pulled up my laptop. And I discovered Gloria. Oh, so you got smacked down into your chair so that you could do some surfing. I see. Serious surfing. Once I saw that, I went, oh my god, you guys almost killed me just to get my attention. And I could hear them laughing, you know? I could hear them laughing. And I said, this is what you wanted me to see. And I went, this is exactly what I was looking for. This not only deals with my automatic writing, because I've already been in touch with my guides. This helps with my coaching, because I'll be coaching people before I even put them in trance. And everything that I ever was looking for was exactly what QHHD was going to give me. So I wasn't even, I don't think I had even finished my ice bag. Yes. I had already ordered all of the books. I had ordered the books that were the prerequisites for the course. And I had ordered the course already. And during New Year's Eve, starting 2014, I was listening to my course online, listening to Dolores. And on another screen, I was putting together my website. It's what QHHD. So as soon as I finished with the test, and I knew that I had passed my test, I launched my website. Wow, Alba, it seems like I've known you for longer, and that you've been practicing for much longer than that. It's kind of amazing that I would not have guessed that. I would have thought that you've been around a little longer than that. It really went right to hand. And the funny thing is, I only do my QHHD on the weekends, because I have a full-time job. But I pack so many sessions into a weekend. And I get so involved with them that I feel like I have been doing this for years and years and years. Well, you're very prolific. And there's so many sessions that we want to talk about tonight. But why don't we start a little bit with your history of Halloween? Because that's why you're here. You posted a session on the forum. And when I say the forum, Dolores Cannon's original support forum, we share sessions, stories, and tidbits, and things that happen, the practitioners of her method. And she posted a story about a haunted house. And then when I was talking to her a little bit about it, she was telling me about how she'd always decorated for Halloween. And then that's when I said, well, this is perfect. You're going to have to come on and tell us about all of that. And the things that you learn and about this session amongst others. But why don't you start with how you came to be that amazing person in the neighborhood who decorated up their house like that. And thrilled all the children. And you really made quite a production every year. How did you get started in that? Well, when I was younger, I loved Halloween. It was great. I grew up in the 60s, and Halloween was going out trick-or-treating. And my mother was a seamstress, and she would sew my outfit. And we were very creative. I loved the creativity of Halloween. I loved the fact that you can say, how the kids say, what are you going to be for Halloween? It's always, what are you going to be? It's creativity, right? So when my son was born, I had heard in the neighborhood, and it was those whisperings in the neighborhood saying, there's a bunch of people that are trying to get rid of Halloween in this neighborhood. They would prefer that the kids go to the mall. And my son was tiny. And I went, no, you can't do that. Make him miss out on Halloween. And he was tiny. He wasn't even two years old yet. And so I said, you know what? If you build it, they will come. Yeah, exactly. Right? So what I did is I had seen several years before someone who had put tombstones in their yard, and it attracted a lot of kids. So I went out, and I got these big styrofoam boards, and just cut them out into little circles on the top to where the shape of a tombstone. And I made one with a cross. And I wrote funny epitaphs that I had seen at Disney World. And that was it. And boy, the kids loved them. And we got a lot of trick-or-treaters that year. So in the next year, I said, you know, I'm going to make three more and grow the cemetery. And this time, I'm going to put maybe props in front of it. Like I'll put like a heart. And I put like a mask in front of it. And I'm just going to make it spookier, you know? So then my family started getting involved. And we would dress up and go into our yard and pose as if we were monsters. So we wouldn't move. So we wanted the people to wonder if we were real or not. And when they let down their guard, we would scare them. You know, they'd say like, oh, I don't think she's real. No, I don't think she's real. And then they'd freak. And it became really exciting. You know, we felt like we were empowered now. You know, we can really scare people. So it became an obsession. Every year, I did three more tombstones, four props. And my son grew up with Halloween being a production. It was a theatrical production. So I kept adding more and more. And then my husband would have skits in our garage, like one year with a mad scientist. And we put strobe lights and body parts. And another year, it was a cave with a two-way mirror inside. And people would go in and get scared with the mask on the other side. We started really getting into this production every year of calling in these kids. And they would bust them to our house. So when we moved to a bigger house, the reason at the house was because it had a great yard for a cemetery. She's not going to tell the owners of the house, because they're very religious. And they would freak out. Oh, my gosh. So I started creating this really big production. We had a wrap-around porch and a really huge yard. And what I would do is I would close off the porch. One side had curtains that were black. And the other side had curtains that were white. And we would do like a mad scientist type of thing. And in one part of the porch, and people would walk through the porch and go through different scenes. We'd had strobe lights. We had really scary music. And at that time, we were hosting exchange students. And so the exchange students would participate as actors. And since there were other exchange students in the district, we would invite them to be the actors also. So they were learning about Halloween and were participating as actors. And we would get hundreds and hundreds of kids coming to our house every Halloween. We had- That's crazy. We had costumes. We had real coffins. We had mannequins. We had- it was- I had a marionette ghost that is called a flying crank ghost. And we would put a black light on her. And it was just so amazing. That's what Halloween was like every year. And my husband's job was to put our sound system up in our second story. We would put these huge, huge speakers coming out of our windows in the second story. And we would run a soundtrack of Thunder. And we would start at 3 o'clock. We would start at 3 o'clock in the afternoon. We would start the Thunder soundtrack so that when the kids got off the bus, they would hear it. And we would- you could hear it like four blocks away. That was how loud it was because he had a great sound system. And then at 6 o'clock is when the official opening would start and then the scary music would come on with the screams and chains. It was just a production. And then at 10 o'clock, they took everything down. Alba, how many years did you do this? And then tell us a little bit about why you stopped doing it. Well, the reason I started, I guess in what year that- 1992 is when I started. My son was little. And I stopped in 2005. And the reason I did this Halloween was because it was such a great exercise in manifesting. That was what I loved most about it. I would sit in front of my yard in the dark, looking at my house, like maybe in September. And I would envision everything that would be put, every single prop, exactly where it would be. And I learned that not only did I manifest exactly what I wanted, but it was even better. So it became like an addiction as to how I could do it even better and better and better. But what happened was that after a while, it became an obligation. People wanted more and more. And after a while, I was just tired of it. It was too many years of it, and nobody helped me. It was really tiring. I did all by myself until the last day when my family would come in. But it was a lot of work. I had an entire storage unit just of crops and taking the cough in the back and forth to storage. It was just a big ordeal. And the reason I stopped was that one year, I overheard a little boy say, this isn't scary. She had the same stuff last year, right? And I realized he was right. I was no longer doing it for me. I was doing it for them. And I had gotten lazy. And I didn't want to do it anymore. But my son had told me, oh, come on, mom, this exchange student hasn't seen Halloween. Let's do this again. And I did it for them. I didn't do it for me. So it became an obligation. And when I heard that little boy say that, I said, oh my god, you can never do anything if your heart isn't into it. People know you can't. I forgot what I had said a quote. And I think you remember the quote that I had said. I had posted it that you can't hide from yourself. When you know you're doing a job that's not good enough, you know it and other people know it. You can't hide it. And that's when I stopped. That's when I stopped. And the last year that I did this, the Halloween, we actually had 3,000 trick-or-treaters come by our house. Wow. Yeah, 3,000. That's a lot of trick-or-treaters. And that's a lot of candy. That's a lot of candy. And I know it was 3,000 because that's how many pieces of candy I bought. And I would fill up an entire Rubbermaid bin with it. And I would give one piece of candy to each trick-or-treater. And at the end of the night, I'd had to turn him away because there was no more. So it was big. It was a big production. So I got burned out, basically. Yeah. And how about let's share with the listeners a little bit of the conversation that we had when we were talking about Robert Monroe's concept of lush and your production. Yeah. That is really important to understand. I didn't know what was happening at the time. When I was doing the Halloween, I would get such a high from it. When I would hear the people scream, I would actually get high as if I was on drugs. It was so exciting for me, the screaming. And the atmosphere was so charged. There was such a charge in the atmosphere. And I felt totally different when we were doing this. The whole yard felt different. And there was a charge in it. And whenever you would hear someone scream, I would just get so excited. It was amazing because, you know, first of all, we're doing a theatrical production. So you figure if you scream out of something, it's like getting an applause. You actually did your job. But then years later, I found out about this luge. And I think you could describe it better what it is. Yeah, so for those of our listeners who don't know about Robert Monroe or about luge, he was the first person. I believe he coined the term in his books. He wrote back, I believe, in the 70s, journeys out of the body and beyond the body, and I think, far journey. So this was a man, Robert Monroe. He has an institute now called the Monroe Institute. But he was kind of like the expert on out of body experiences. And he did all kinds of explorations in all manner of reality, dimensions, et cetera. And in one particular experience that he had, he was high above the planet. And he somehow was able to notice or watch things like wars or conflicts, et cetera. And he saw what some of these big, giant fear-creating, mongering, fear-based things that humans would get involved in, how it would create this certain energy that would be released into the atmosphere. So he started paying attention to this. It was as if he was watching energy. And he would watch this energy go out. And he then realized that there were beings out there who were consuming it. They were absolutely eating it, living on it. And that term now is being used by any number of people who are looking into how reality is created and how the controllers or the Illuminati, et cetera, et cetera, et cetera. That is the thing that they're actually trying to create when they try to bring those kinds of things into our life. I would associate it, if you could do a visual, as like in Harry Potter, the Dementor, that feed off of people's fears, you're actually feeding these energies with the fear. And once I discovered that, I realized that I was a co-conspirator. I was actually feeding them around Halloween. I was feeding all of these dark beings that consumed it. And so obviously, now I have a totally different idea of Halloween. I don't want to participate in causing any fear. But it was a learning experience. Because I can tell you firsthand how it felt to conspire, to do this. And you know, Alba, that was it. The theatrical part of it is still amazing. And after we had the conversation, I started thinking about like the grand Mexican and South American traditions of the day of the dead and some of those things, those are a little different. I think you can celebrate the sinning of the veils. You can celebrate the turning of the cycles, and et cetera, et cetera, in a different way. But if you worry too much or you create too much energy around a dummy with an ax coming out of their head, that's something different, right? It's just different. When I was doing this, I didn't think of it as anything except theater, because I have never been one to watch scary movies. In our family, we didn't watch scary movies. My son didn't grow up with any scary movies, no horror movies. I have never seen one of those Halloween Freddy Kruger movies. I have no idea about any of that. So people would come to these productions, and they would hear music, like soundtrack from the movies. And they would get scared just hearing the soundtrack. And to me, it was funny, because I could not associate anything of what they were feeling with my production. I didn't have any association to it. So being that I was doing it just out of theater, it was mostly a cemetery. I didn't like to get into the gory stuff. I didn't get into the gory stuff until the last couple years. But I actually bought somebody else's Halloween Haunted House prop. I bought all of his props. And so he had a lot of body parts. So I said, well, since he has them, I might as well use them. But my entire time that I had been doing this, it had only been focused on the cemetery. And I didn't think cemeteries were scary, but other people did. So that was what the Halloween thing was all about. To me, it was a production. That's how my son looked at it. It was a theater production that mommy did every year. And it was fun for us. And it was an over time place for kids to go to. I'm with you. I've always liked cemeteries. I know people think about them as being scary or whatever. I always think of them as stories. There are so many stories. And I would look at headstones and I would think about the stories. Well, and speaking of stories, you've got a great session story that, in part, contains some information and an experience about a real haunted house. Would you tell us about that session, that QHT session? That was a QHT session. A woman came to me not too long ago telling me that she was concerned because she thought her house was haunted. And I had never had that request in a QHT session before. I said, well, but you know, let's find out. So when we get to the part of the higher self, I asked, you know, is her house haunted? And they said, yeah, it is. So I asked to speak with the spirit of the house because that's what I do. I don't just limit it to the higher self. I talk to whoever happens to be there. And this was a man who used to own the house and he had died. And I asked him what he was doing there. He said, well, it's my house. I said, well, yeah, but you're not there anymore. And the lady of the house would like you to leave. And they said, well, no, it's my house. I'm not leaving. So I asked him how it was that he had died. And he said, well, he had a heart attack. And I found out that this, I actually did kind of like a little regression on him, on his spirit, and found out that he had had an accident in the bathroom, which kept him in a wheelchair. And one of the things that my client had told me is that she had heard a metallic noise coming from her daughter's room one day, which scared her. And when he told me that he was in a wheelchair, that's when I put two and two together, it's like, oh, so you're the one in the wheelchair? He goes, yes. I said, well, why is it that you don't scare the daughter if you're living in her room? And he says, well, I like her. I like the daughter. If you don't like the lady of the house, she goes, no, because she wants me out of there. So what I had to do is a forgiveness exercise on him, which is I do role-playing. It's not role-playing, but I talk to him and to the client. And we come to an agreement that this man wants to now evolve. I talk him into going to the light, because that's where his family is. That's where he's going to evolve. And I ask him if he would like her to forgive him for causing her all that anguish and being scared. And then I ask her if she would forgive him for that. And once we come to an agreement that they've both forgiven each other for what they've caused, then I ask my angels to escort him into the light. And so we got rid of the haunted house. For those people who may not be really familiar about the mechanics of a session, so are you actually talking through your client to this spirit that is haunting the house? Yeah, yeah. Just like we talked to the higher self, the same as when we asked the higher self to come through and the higher self will come through, I ask for whoever it is that is there to come through, because it's like a phone call away, OK? You just call that person and you ask them for permission to talk to them and the person will come through. And you tell them that you ask them their name and you ask them any information that you want and they'll give it to you. So that's a real haunted house problem. Is that all her problem? You know, I haven't heard from her yet, but I would say it has. And that session was really interesting in a couple other ways as well, wasn't it? I mean, it was a great session. Yeah, they all get exciting. I guess the other thing that she had... This was the pirate, right? Is this the one we're talking about? Yes. Yeah. Another thing that she had is... See, in my sessions, for some reason, the higher self, as Dolores calls it, the subconscious gives me little clues that it would like for me to dig even deeper. We've come to an agreement like that. And the woman was experiencing some pain, some sensation. And so I asked what it was. And it happened to be another soul that was occupying space. It was renting space in her body. So I asked to speak with this other soul. And it was a man. And I asked him, well, how is it that you died? And he says, I was drowned. So, okay. Well, let me take you back. I did a little past life regression on the soul. Let me take you back and tell me what you did before you died. And he was a captain of a ship. And all of a sudden... Oh, he was carrying gold on the ship. So that put up a red flag to me. It's like, you know, how many people carry gold in their ship? So I took him to the last moment of his death. And they were shooting at him. And these were the angry people that he stole the gold from. He was a pirate. He had drowned in the water with his ship. So that was when I asked the soul again what it was doing there, if it would like to evolve into the light, because it had not evolved. And, again, I called my angels to accompany him after asking for forgiveness of causing harm to this woman. So, yeah, we find really interesting things going on. Well, you know what's so fascinating? I don't know if our listeners are aware of exactly how interesting this is that Alba's talking about. So in a QHHT session, the client lays down, they become very relaxed and they go into an altered state, a hypnotic state, and they have experiences. Well, what Alba's just finished telling us is within this state, she was able then to talk to other entities or spirits and then also with them, take them to their path to find out what was going on with them. So this is like a past life regression within a past life regression. Actually, two past life regressions within a past life regression. And it's quite astonishing and I'm not so sure that I have ever even heard of Dolores Cannon herself attempting or finding herself doing something like this, and it's quite astonishing and very amazing. Yeah, I had one recently which was very interesting. It was a woman whose past life was a prince. She was a prince and the prince was not very happy. We found him eating in a very ornate room with the king and his sisters, princesses and the queen, and he was not happy. The next scene we find him in the countryside looking at the castle, the castle is burning, and he realizes, oh my god, everybody died, I am now the king. Right? So I move him forward and now he is not a happy king because he didn't want to be a king. He was not king material and he ends up dying. He was reluctant king and he ends up dying in the hands of the soldiers because he was just very weak. So I actually... His own soldiers killed him. I remember reading that. Killed him. They didn't like him. They didn't like him because he was a very good king. So I said, okay, let me find out what's going on here. Why is this happening? So I took... So I said, let me find out more about the king. So I called forward the king and asked to speak to the king, which he came for. And I found out that the king had issues with the son. He really didn't like the son at all. That he preferred to have had another... Somebody else control the kingdom. So I did a past life regression on him. Another regression within a regression. Right. So I did a past life regression on the king. You're on a roll, Alba. Right. And the king... It ended up that the king had been married before and he had had a daughter, which he loved dearly, and he wanted the daughter to become queen and the daughter refused. And he ended up marrying another woman who had the son and then other girls. And the son was the next in line to be the king, but he had been so devastated by the fact that his daughter didn't become queen that he could care less about his other family, about the rest of the family. So we got a lot of information from the king about why he treated the son the way he did. So yeah, it gets really convoluted. How did that story pertain to your client's life and their issues? Well, I don't know enough just to remember about all the past lives. It had something to do with her self-esteem or wanting to take more control. She didn't have enough control. Oh, she didn't speak up. I remember that now. She didn't speak up. Exactly. That's it. Yeah. So it had to do with the king and how he treated the son and then it ended up being with her. So you're not just dealing with a past life regression of yourself. You're dealing with all the characters that are involved in your life and all the other lives. And you don't care that we're living all these lives right now. Sure. So that's why it affects everybody. It affects everybody. Everybody is part of it. We're just doing time traveling. We're not doing past life regression. We're doing time traveling. I just love that. I really truly love that. You know, one of the fun things that you and I get to do as practitioners is when we get together, we get to have our own session. And without revealing to our listeners what this session was about, there's an audio clip that I'd kind of like to play for everyone. It's just one minute long. And who facilitated this session for you, Alba? This is Jerry Johnson. Jerry Johnson is out of Asheville, North Carolina. He's a practitioner there. And he facilitated my first session. This is your very first QHT session? On myself. I had already been practicing for about six months. I had never had one on myself. Right. So this is the very first one that you had on yourself. And Jerry is such a great guy. But let me go over to the studio here. And what I want to do now is just one minute clip. This is a one minute clip that Alba sent to me where she is just discovering in her own past life regression who and what she is. So let's take a minute. It's a one minute clip. You ready, Alba? Okay. Here we go. So this is Alba's own past life regression. And this is what? About a year ago then, or a little more than a year ago. Yeah. A year and a half. Okay. So here's the clip. So for those of you who think a past life regression is always really quiet and to date, Alba will let you know that sometimes they can be kind of boisterous and loud like that. And you just thought it was absolutely hysterical that you were really, really big. And what were you? What kind of life were you experiencing? I was a Sasquatch. Anything about the Sasquatch people. And I was thinking, why would I be seeing something that is a mythical creature? You know, because I didn't know anything about Sasquatch. And then all of a sudden see myself as one. And it really changed my life. That session made me go down another path, you know, to discover more and more about the Sasquatch. But it was a crazy session. And you just, and you really felt being in the, I mean you can tell by your reaction, your genuine reaction. It's as if you just plucked yourself, you know, and put you right into this other body where you're looking at these big hairy feet and this great big body. And it's just so much different than your normal, you know, body that you're used to. And so that's what caused the reaction here. And this reaction, it's really interesting because you get a lot of different reactions from people when you practice this method. Sometimes people are in awe, you know, they're in complete awe. And other times people are, you know, sometimes they're a little trepidatious or other times they feel really, really strong or they feel very, very free or whatever it is. And for you, you were just great, big and hairy and you just found it so funny. Well, I'm only five. I'm only five too, you know. I wasn't used to seeing things from that site. Right, right. Oh, gosh, yeah. And so do you think about that a lot this session? I mean, are there times throughout the day and why did your SC show you a life as a Sasquatch? Well, it took me a long time to deal with that session. I think a lot of clients have the same problem in that, you know, you see something and you don't really want to deal with it. It's too shocking. It took me about six months to actually deal with it because I didn't understand why I was shown that life. It bothered me and I was embarrassed of it because I said, you know, Sasquatch, come on. You know, out of anything else, why a Sasquatch? You know, come on. I started doing the video because that was my first YouTube video that I put up on my channel because I wanted people to know that, you know, I had one too and mine was crazy. As I started watching the video over and over again or listening to the session over and over again, it started to make sense to me. There was a lot hidden in there that pertained to me, that was personal to me. And it had to do a lot with the way I am, the way I think. And once I started researching the Sasquatch people, it made total sense to me as to what they were trying to tell me. So not only was it a message about myself, but it was also a message about the Sasquatch people that, you know, I was connected to them. I don't see it as a past life. I see it as a parallel life. This is a parallel life that I was having. Okay? This is a Sasquatch that is out there right now, you know, or has been out there. I don't see it as something in the past. I saw it as modern day right now. Things that are happening right now. All the people were dressed modern. We were dealing with a modern time Sasquatch, not in the past. I see. Yeah, so once I started researching it, I said, oh, you know, there's a lot for me to do, and the Sasquatch are a connection to me. You know, I do have a connection with the Sasquatch people, and they are probably my guides also, you know, because that's what they do. You know, they're here to help the earth, and they are very wise, and they're very gentle, and, you know, beautiful things about the Sasquatch. So I could see that I had to go down this path with the Sasquatch people. So, yeah, you learn a lot about yourself, don't you? I remember a session that a fellow practitioner gave me as well, and I got to meet an aspect of myself, and that aspect of myself was huge, and that aspect then spoke through me, and it was really interesting because there's a part... I probably could find this tape and play it at some point, too. There's a part of this session where I am speaking as my aspect, talking about me, and I'm saying something completely different. I'm actually saying about me and my body saying, oh, my God, I knew she was there, but she's so little. She's just so little. Wow. That's amazing, isn't it? It was crazy. Because this aspect and I communicate kind of on a gut level and an intuitive level a little bit. Nothing very precise, more big picture kind of things, and this guy is a great, big kind of warrior dude, you know, very proud of his strengths and burly, you know, heft and all of that, and he had felt connected with me here and comparing notes about different things, about personalities and people and beings and relationships, et cetera, you know, how to deal with people, et cetera, and it was just interesting that he had a respect for me and I for him, but the parts that surprised him was just, oh, but she's so little. That's amazing, huh? Yeah, yeah, really amazing. These sessions are so amazing. Everyone of them is so different. Yeah, they are really, really different. I'm looking here at a couple of my notes about some of your other sessions, and there's one that I wish you would tell our listeners about the one where you were talking with the cells, the cells of the person who has the cornea transplant, and you know, not to bring anyone down here, because as I recall this memory, it's not going to be sad, it's going to be kind of a joyous one, but my brother died in a motorcycle accident and he donated his eyes. So he did exactly this, he set his eyes on, but I think the outcome may have been a little different because I've been able to have some after-death communication with my brother, and all of that is fine and well, but your client had a different story. Would you tell our listeners about this story, this session? Yeah, the client came in saying that he had a cornea transplant and it had gone well, but he was still feeling a little fuzzy, so he wanted some healing. So when it came to the part where I asked the higher self to see what could be done, he said, no, we can't heal it because there's a lot of anger there. Okay? And I said in the cells and he goes, yeah. So I said, well, let me talk to the cells. Because you can talk to, everything has consciousness. You can talk to anything, everything has consciousness. It's just a telephone. It's just a telephone. That's why I'm in telecommunications. It's just a telephone. I tried. I love it. So I said, let me talk to the cells. So I asked the cells what was going on, what's the problem here? And he said, well, making it short, the recipient was very angry and they can't heal because there was a lot of anger involved in this person. So I said, okay, all right, let me put you on the side. Let me talk to the spirit of the recipient of the donor. Okay? So he came through. I asked him his name. I asked him for his age. And I asked him, how was it that he died? And he was a 20-year-old man who had died in a motorcycle accident. And he was very angry when he died because, well, his life was cut short at such a young age. And another motorcycle rider had done something and his wheel had malfunctioned and it killed him. So he was angry at this other guy for killing him, for causing his death. So, again, he couldn't evolve without forgiving this man for killing him. So I told him, listen, you know, you did a beautiful thing donating your eyes. I know that that's what you wanted to do, but unfortunately, you've given him a gift that's not going to work. The cells cannot do anything unless you let go of this anger and you forgive this person that killed you. And it took a little, you know, talking back and forth until finally he realized that, you know, he had to do it in order to help this man who was the recipient. And again, we went through the forgiveness exercise. I asked my angels to escort him to the light. And, you know, we got back to the cells and the cells said that now that that anger had been released that they could now heal. So that was a really beautiful session in that, you know, it did help this man. So, and he has gotten back to me and he says that, you know, his eyes, his eyesight is improving and it's working. So I'm very, very happy. That's amazing. That's amazing. Have you had any? Go ahead. No, what I was thinking about was the whole thing about that session that really had me thinking is, you know, we do so many transplants, you know, in hospitals and so many people donate, you know, their body and their organs and tissues and there's no blessing, no ritual when you put this in somebody's body. And, you know, it's something that you really should think about, you know, to bless them, if somebody has received a gift from someone to acknowledge it and thank that person for that gift. You know, it's not quite the same thing, but anything and everything that we put into our bodies has a story and has an energy. So, for example, you know, if you are still a person who still eats animal protein, for example, if you eat animal protein that's come from, you know, a factory farm, let's say chicken, that's lived in a tiny, tiny cage who had its beak cut off and has never seen sunlight in its life, you know, if you ingest the meat from that creature, you ingest that creature's story and you adapt and take in that energy. And that's why we pray over our food. That's where grace and blessing, you know, came from. So, when you do a transplant like that, it's even bigger because you put that body, that living story into your tissue. So, have you done any other sessions with people who've had transplants? No, I haven't. I mean, I've had, you know, surrogate sessions where you've had, you know, other people that we're dealing with, but not with transplants. I've talked to cells before. I mean, cells are kind of fun to talk to. I talked to anything. Because everything has consequences. You could actually zero in and say, you know, I had a woman who said, you know, she was overweight and she wanted to lose weight and so I asked her to speak with a fat cell. Oh, my gosh. And you can't ever tell a cell that you want to get rid of it because it's like telling that you're going to kill it. You know, you can never tell any part of your body to go away. It's not right. It's not logical. You know, they all have a piece of the puzzle. So you kind of have to negotiate with the fat cell and explain, you know, maybe you would like to, you know, visit someone who's starving. And do something for them, you know. But you could talk to any part of your body. Of course. And I think, you know, you make a great point there about the cells. I think a lot about how we as a society talk about how we need to fight diseases or fight things like cancer, you know, the battle with cancer. Well, cancer doesn't need to be fought. Cancer needs to be understood. It's just another story. It's another story that somebody's thought it's exactly right. It's exactly right. Yeah, all cells want to be loved. You know, that's why the way you talk to your body is really important. And, you know, we do that with a meditation that Dolores taught us, is that, you know, you love your body. The way you talk to it is very important. And every cell is alive. And we are the gods and goddesses of our bodies. And the way we talk to our bodies, the way they react. So you talk bad about your body, it's going to feel depressed and sad because you are its god and goddess. And so when you take good care of it, you give it good food and you talk to it and tell it what you want, and you'll be happy to take care of it because, you know, that's what they're there for. They live for you. It's kind of cool talking to the cells. It's cool talking to all kinds of things. I mean, you can be a molecule, you can have, you know, life as... I would remember one of the strangest ones that I ever had was we discovered that this woman was a piece of gravity on the moon. Oh, my gosh. I mean, not, you know, like, not all of gravity. Yeah. I mean, it's a very strange thing. I mean, her experience, how odd is that that she transported her consciousness to the moon, a tiny little patch, you know, a few square inches on the surface of the moon that was gravity there, the energy of gravity a few square inches on the moon. Now, who would have ever thought that your consciousness could describe that and that we could have a discussion about what that was, what it was like, and why she was experiencing that? I mean, how crazy is that? Yeah. That reminded me of a really strange session that I had that was very similar to that, that this man had a session where he was some sort of vapor. It was vapor. It was like oxygen or something. He was not... He didn't have a body, and he was actually living on a... some sort of like an asteroid or some sort of a body of rock floating through space that actually had some sort of a humanoid powering it. And the whole place was very futuristic looking. It had a lot of pipes and very strange stuff. And it ended up, you know, being like a future life in the future. So he was also just consciousness on there. So, Alba, you said that this whole asteroid was being propelled by a human. Is that what you said? Humanoid, yeah, like a humanoid. Very strange. Yeah, it was very strange. He described all these tubes and the engine, how it propelled itself. It was a different type of engine that we know. But yeah, it was a humanoid that was actually driving this thing. Very strange. Like driving an asteroid. Yeah. Wow. Very interesting. Yeah, it may not have been natural. It was a rock. It was a rock formation that floated through space. You know? Yeah, you got a lot of strange things that you hear about. Well, I'm looking at my notes. You've done some really great surrogate sessions, too. Would you tell our listeners a little bit about what a QHT surrogate session even is and then maybe tell us about a couple of interesting ones that you've had. Well, my first one was really interesting. It was a woman who had schizophrenia. And we cannot do sessions with people with schizophrenia. So someone had called me and said, listen, you know, there's this young woman who I know there's something else going on with this woman. Can you do a session on her? No, absolutely not, but I can do a session on somebody else and have them connect with the higher self. So we had a session with him, with his past life and everything. And then later we connected with his higher self and then I asked for permission to speak with her higher self. And what it ended up being was that this woman, this young woman, had been raped when she was a little girl, like four years old, okay? And they described what the person looked like, everything. The higher self told me exactly what had happened. And when she had been raped, it allowed another soul her body. And when that other soul entered her body, it was the soul of an Arabic rich woman who had lived many, many years ago, centuries ago. And this Arabic woman, when she was alive, had dancing girls who were in the palace. And she favored one dancing girl who happened to be this schizophrenic woman. So she never wanted to not have a body. So when this little girl was raped, it gave her the opportunity to take over and inhabit her body. She was a disembodied soul. And so this little girl grew up talking like she was a rich woman, ordering people around, talking in tongues, talking in a different language that no one understood. And that's when we found out that it was the soul of this woman who they had known each other before. So in that session, the higher self actually gave three messages. It gave a message first to the schizophrenic girl's mother on how she should treat her daughter. It gave a message to the daughter, and it gave a message to the soul of the rich woman. And it told the rich woman to leave, and that it was time for her to go. And it was a jaw-dropper. It was wild. How about this? It was your very first one. Yeah, it was amazing to me that this is why this girl was talking in tongues. Did you ask or come to discuss with the higher self how another soul comes in anyway? For those who would say that that can only happen with permission. On some level, the higher self gave permission for that. Did you discuss that at all? I was kind of in shock because it was my first one, and I really had no idea what this was all. I didn't expect that. I just didn't expect it. Now I would get into that conversation, but I think that it was giving me clues by telling me how she got there, because when you go through some sort of trauma like that, it lowers your vibration. And once you lower your vibration, you're a match to other lower vibrational forms. And I think it was giving me clues that that's what it was, that that's when this little girl kind of gave up and allowed this to happen, allowed somebody else who was stronger. When you think about it, this rich woman was a very strong person. So if the little girl was feeling disempowered, who else would help her? She was someone who maybe the little girl recognized the soul from another life and allowed her to take over. It was her boss before. So was there improvement then in this woman's life, the schizophrenic woman's life? The man did call me later and said that there had been great improvement. I don't keep track after that. I don't call them unless they call me. Most people don't like to be contested after a session, unless they want to tell you. That was my very first surrogate, and it was the first one that I had seen another soul. So I guess my higher self was kind of introducing me to something that I would be getting more involved with later. But that was good. Another surrogate session that I had was with Sparky the Dog. Let's hear about Sparky. This is a session that I actually have on YouTube. It's towards the end. It's called a universal message. This was an amazing QHHT session. Before we started, we had been discussing my dog, because my dog is very old. She said, oh yeah, I have a dog too. I said, you know, you can talk to your dog. We can do a surrogate session on your dog. She said, yeah, really? I said, yeah. Towards the end, I asked to speak to Sparky. And if you see the YouTube video, you can see that she totally changes. I felt as if she was wagging her tail when I was talking to her. And I just was interviewing Sparky, and Sparky told me that he was very happy that they had rescued him, because I guess he didn't want to die at such a young age. He was at the shelter. And I asked him what he liked, and he liked biscuits. It was just really fun to speak with the dog. And the client was really happy too, because she actually felt what Sparky felt like to speak as Sparky. There was some sort of message? It was just a nice message that, you know, it was very, very happy that they had rescued him. The dog was very grateful for the love. It loved to be hugged. And it was just a very, you know, thank you. The dog wanted to just say thank you for being my family. So it was very nice. That was really nice. And another surrogate session that I had, which I didn't even expect it to be a surrogate session, was another one that I have on YouTube that was my cousin, wanted to find out more for our family tree. And she wanted to get some information about our ancestors. And the higher self said, well, go to the pier. You know, and I figured it was talking about maybe some sort of registry that was there. The higher self said, go to the pier. And I went, okay. And then all of a sudden, my cousin is living the life of my grandmother. She actually did a surrogate for my grandmother. So talk about convoluted. She found herself on the ship going from Spain to Cuba. I had the higher self look for her. And they found her on the ship, very nauseated, making the long trip across. And then my cousin went through the excitement of meeting her husband in Cuba. And how she felt being in love, and how she felt in a new country, and then her husband dying. And then her death scene. And then after she passed what she was seeing and experiencing after she passed. So that was convoluted too. And that was kind of like an impromptu surrogate session. That's really interesting. So it makes me wonder, so many questions like, were you close with your grandmother? Did you know about her? Did your cousin, was there some mystery that was solved, or what? My grandmother died when I was six, and my cousin was two when she died. So she really didn't know my grandmother. She knew her up until she was two years old. So she didn't really have too much interaction with my grandmother. And we did... You know what I think that we got out of that session was just a visit from my grandmother. It was good. We didn't really learn anything new, except her feelings. I learned where my mother got some of her fears from, which then she passed on to me. So when I heard my grandmother talking, I went, oh my God, that's where it came from. Kind of like the DNA, kind of you learn things from your grandparents. I was listening to my grandmother and I was saying, oh my God, that's where I learned from, this is where it came from. And my cousin, of course, is the opposite. So she didn't really get any of that from my grandmother. But it was just nice being able to visit with my grandmother. You know, it was just really nice. And how surprising for your cousin, who was just two when she died. So Alba, did you all do that in English or in Spanish? Well, it was both. It was both. We kind of flip-flop every once in a while. Sometimes it would be in Spanish and sometimes it would be in English. In the video, I actually put the subtitles in whenever it was in Spanish. You know, I've had clients before that flip-flop and for me it's like breathing. So it doesn't matter what language they're talking in. I'll just jump in to whichever one they want to talk in. But with my cousin, every time an ancestor would come through, they would start speaking in Spanish. And I've done the same thing. When I've had QHHT sessions and the practitioner has asked to speak with my father, for example, has come through and he'll speak in Spanish. You know, he'll start talking in Spanish. But yeah, it was a really nice visit with her. Since we didn't spend any time with her growing up, it was just nice to have a nice visit and get to know her life a little bit more. So it was unusual. So you do sessions in English and in Spanish and they differ at all? The two languages or the two cultures, how are they different? What's the same if you're not mixing them up like you are with your cousins? Well, the first session that I had in Spanish was my hardest one because the SC wouldn't come through. The subconscious wouldn't come through. And I kept begging, please just throw me a bell here. Let me hear you in Spanish. And the SC, it sounds exactly the same to me. They have the same tonality. They have the same way of talking. It's amazing when you hear them but it's almost, it's exactly the same. And you know what I'm talking about. You just know. As a practitioner, you just know when it's the higher self. And in Spanish it's exactly the same. The only thing that it differs in my sessions is that the Hispanic community is more open to other realms. They grew up with more spirituality, more things that are no-brainers for them. They'll come to me and they'll say, listen, I'm a real devout follower of this ascended master and this is who I want to talk to. And you know, okay. Or I know that I have to forgive for things that I did. And these people are just more in tune with their spirituality. They grew up with it. There's a lot more religions that are based on other things than what we know are just basic religions. So yeah, I have people who are a lot more open to what's just happened to them. They expect it. They almost expect weird stuff to happen. So they're very open. Yeah, actually, Alba, we've got a lady in the chat room named Alicia who she wants to know why she has the feeling that she's meant to do magic for real. And I have a thought about that. What do you think of that question? Why would somebody feel like they are meant to do magic for real? Does that bring up anything for you? We always do magic. We're all doing magic, all of us. We just don't know that we can. We do magic every day, but we don't pay attention. I think it depends on what magic she's talking about, but we create our own reality. I think actually, I have a thought about that. And my thought is this. There's the idea of stage magicians. And even as a child, I didn't like them for some reason. The basics, the guy with the coins or the hat or the rabbit. I never liked them. And I didn't know why, because all of my friends were very excited when it would be a magic show. And there was something about it that just bothered me. And I didn't know what that was until starting to do this work. And it occurred to me that the reason that I don't like stage magicians is because think about what it is that a stage magician is doing with their audience. They are standing up on stage, and the audience is sitting before him or her. And he is saying, okay, I'm going to be doing some things up here that pretend magic. And you're going to pretend to believe it. But we all know there's no such a thing as magic. And it took me a really long time to figure out the fact that I knew that magic was real. And it pissed me off to watch a stage musician stand up there and kind of commandeer everyone's attention and make it sound like magic wasn't real. Because I knew magic was really real. And so to me, a stage magician just helps the farce of us being powerless and not able to tap into real magic perpetuates that idea. So that's my take on magic. What do you think of that, Alicia? Coming down towards the end of our time together, is there any more sessions you'd like to tell us about before we say good night for the evening? I think I've said so many already. Tell us a little bit about your YouTube channel and maybe how people can watch some of those sessions there and some of the other things that you offer. And we'll just call it a night then. The YouTube channel can just be reached by just typing in my name, Alba Weinman, that's the channel name. And on there I have QHT sessions. I don't have the whole session. I don't like to put entire sessions because people have private information that I don't like to divulge. But you'll see partials. And I also have other types of sessions which are not QHT sessions. There are more hypnotherapy because I do have almost 400 hours of hypnotherapy training. So I do other types of hypnotherapy also which is not QHT. And those I call the spiritual journey of forgiveness. And I also show some of those. Those are for different cases where we do different things. But I love the QHT sessions. They're amazing. And for anybody who's thinking of getting one, I know Candice that you agree with me, I would have people contact a practitioner near them and see who resonates best with them. There is no competition in practitioners. Everybody is attracted to the practitioner that will be the best for them. And that's how I feel with my clients that the ones who will come to me are the ones who are meant to come to me. And you can look at the YouTube channel and see kind of like what a session would be like but not really. They're all different. Your session is not going to be like any session there. It just makes you see how people can go into trance and see different things and how real it is for them. And do you still do your coaching work? I do very little of it. I still do some coaching. I do that over the phone during the week. But I like to get into people's souls. I think that that's the most fun of it. I did coaching for many, many years and I loved it. We got a lot of success out of it. But now, why spend so much time on somebody when I can just get right to them and get to the issue right away? And again, you do sessions in English and in Spanish. Yes. My sessions are either English or Spanish. In Miami, we have a lot of people who speak Spanish and they're very open to it. I would say more of my clients are in Spanish now than they are in English. Word does get around. I do either one. I've been doing group regressions. It's just a nice thing to do. I really love doing this. I really love doing this work, too, Alba. Well, thank you so much for taking the time out to spend part of your Friday evening with us. What are you doing for Halloween tomorrow? I'm having a session. Oh, I bet it'll be a good one. I can't wait. I think it's going to be great. I don't know the client yet, but I just have a feeling it's going to be... I always say that with every client. I think it's going to be a really great session. So I'm looking forward to it. So that's how my Halloween will be. I will be doing what I do with the sessions. I'll be time traveling with them. Oh, that's great. Well, again, thank you so much for joining me and the rest of our listeners tonight. And would you come back again and talk to us when you have some more sessions under your belt? Sure. It's been so much fun. You're very welcome. It's been a lot of fun. So I'd like to remind those of you, again, looking for a practitioner of Dolores's Method that you can find them at DoloresCannonQHT.com. That's DoloresCannonQHT.com. And you can find out more about my own practice of QHT at NewEarthJourney.com. I practice right smack dab in the middle of the country here in Kansas. And I'd like to ask you all to join us again next Friday. Well, we'll have another amazing show lined up for you. So good night, all, and happy Halloween. Good night, Alvin. Happy Halloween. Good night. Thank you. Bye. Bye-bye.