 It's been great when he goes to Europe, it was fantastic. He played a really big gig in Berlin, and just the crowd seemed to dig it. It was great travelling through Europe, all you naughty brats it is. But it's great just to travel through the place and really love your fans and friends so much. Well it was kind of what are the specials supposed to write songs about, you know what I mean? Obviously because there we just sort of picked up on good contemporary issues. I personally become quite fascinated with guns, the Americans attitude to the gun culture. So this is why I introduced that, the Ballantynes cover, the Blam Blam film. But also I think this time we've addressed personal issues which I don't think we did in the past. So then Mark talks about his experience of being an immigrant twice. And Terry talks about his trials and tribulations with mental issues and depression and stuff. So it covers all the issues really. But I mean yes, it's weird that the same issues are still pressing 40 years later. I'm using an HT20 and also an Artist 30. They've just got a great tone, they've got a great, they're just breaking the right ways, they've got a great clean tone. They're the perfect amp for me. I've got a Unity 500 and a Unity 250, a low special sort of coming across like a reggae band. I have quite a middly sound on stage so that there's clarity. And it's quite compact as well. The days of huge cabinets I think are long gone. I mean the only people who use them are metal bands because it's just architecture, you know. So I think this is nice, it's compact and it's a pack of punch. The album came out, it went to number one that week and I was like wow, that's really cool. That's amazing. I thought we thought it would do pretty well but I never thought that it would go to number one. So I was in the record company that week doing interviews and stuff like that and I asked one of the guys that we'd be dealing with and I said how many copies has it actually sold? And he was just chasing me because well Boris, by this weekend we'd have done 40,000 copies. And I was really supposed to be impressed. I just thought hmm, you know what, back in 1980, 1979, we would have sold twice that on the day of release and it still would have only gotten to number 22. But that sort of really, for me, that sort of put how the industry had changed. Back then you went on tour to sell records now you've got a record out to promote the tour. So I mean we're very lucky that we've been able to do the both. Just reminding me how the industry had changed. There's absolutely no difference between playing on stage now and playing on stage in 1979 other than my body hurts a bit more. What is the Broomfield Tavern in Sponet Coventry? It's a room about this size and it's just fabulous. And I play there in like a blues band in a country and western band probably three times a year. It's the highlight of my musical career. It's great. But it puts playing with the Rolling Stones at the Rico Arena, which we did last year, into perspective. And that's great. That's sort of the year in and the year out. Just make sure you've got some foreclosure is my preparation for you. Try and meditate into the arena and what you're going to be doing then. Concentrate, dress well, smash it. I get nervous. I've always got nervous. I still get a bit nervous on bungees as well. So I will sort of take myself away from everybody and I will sit quietly about 15 minutes beforehand. I'll get my guitar and just go through the first couple of songs and just play some more stuff. Because I am of advanced years my left hand is starting to sort of seize up a little bit so I need to warm it up. Everyone's different, aren't they? They have different metabolisms. So people can drink seven pints of beer and go on and play a blinder. I drink a pint and a half and I can't mess, I can't do it. I think the young or so think the older but the foolish, which is the right way around, isn't it? I regret not learning to read music, which would have helped me enormously to get session work, I think, if I wanted to. It's all about people saying, well, Paul McCartney doesn't read music. Paul McCartney doesn't need to read music, to be honest. You wrote the bassline too, it doesn't make it alright, which is one of the most amazing basslines I can think of. Advice? I would encourage young musicians to buy a duffle coat because they're really good, you can wrap them up and you can put them inside the bass drum to baffle them of gigs and they come in really handy when the van breaks down at 3 o'clock in the morning 30 miles south of Carlisle in November because if you're in a van, a young van gets up.