 Tuesday and we're alive. Hope you guys can hear me because it was brought to my attention that there's kind of like some reverb or something in the last video. Hoping to avoid that today. It's Tuesday and I hope you guys are having an awesome, awesome one. You guys are new here. Hi, hello, what's up? I'm Erica and my husband usually with me without cutting some shapes for our clear posters and things. He even came out with a new one. It's a steam ring. I'm going to have it uploaded today. Very excited about it. What's up, Bruce? How you doing? Hey, Gail. So today is Tuesday, so we're going to refer to the box to choose our colors. Kind of nervous about it, but we'll see what happens. If you haven't seen this series before, this is a box of colors from Sarah Renee Clark. She came up with these color swatch sets and I'm going to pull a card at random, do a painting based on the colors that are in that card. And so I have to pick a card. So you guys are going to have to tell me when to stop. The first stop that I see, I will stop my this. But no one's telling you to stop. Gotcha, Bruce. Oh my goodness. What a beautiful palette you chose to put these away so I don't break them. This is a gorgeous palette. So we have a dark blue, a teal, a turquoise, a white, an apricot, and a chocolate. Those are some awesome colors. I'm going to go and pick some pigment chocolates based on the palette that they're going to leave. That's no fun. So I got a dark blue, a teal, and a turquoise, white, apricot, and chocolate. What big boy you want up on your table? Give me a big boy. Back to color choosing. Bowie, lighter. 19. Teal, turquoise, apricot, white, and chocolate. So I have my resin mixed. I may go ahead and mix it just a little bit more since we're not going to be using it quite yet. Oh, I almost spilled it. We're good though. I am using my Istoio stand mixer. I don't know if they have the stand part on the website yet, but this little bad boy saves me so much time because I can just set it and forget it. Do you guys remember those old, was it a rotisserie commercial where they were like, set it and forget it? Did I just age myself? Probably. OK. So the dark blue, I'm using a phthalo blue from just resin. The teal, I'm using the limited edition Midnight Blue, which now is called Dark Storm from just resin. The turquoise, I'm going to use Breakfast at Tiffany's. The white, I'm using Pearl White Luster from Color Passion Apricot. I'm going to use Peach. Even though this apricot looks beige, should I change it from apricot to beige? What do you guys think? And then the chocolate, I'm going to use the Illumilite dye because it's the only brown that I have open in this moment. Maybe I can just drop a bit of the brown into the apricot and make something that's more of a beige-y peach color. So that's my plan. So I want to do four of six colors. That is a full palette, you guys. I have a class coming up in what's that place, Sigeen, soon, that is on color theory and doing oceans. So if you're interested in that class, get with Rhonda at RK3. I have a class here in Dallas coming up where I will also go over some color theory. It's on May 13th. If you guys have time to join me here in Dallas, Texas, I had a couple people, I had to cancel last minute, so I have a couple seats still open if you're interested. And if you bring a buddy, you can discount. So Charlotte, if I mix this beige color and it doesn't really turn out like I want it to, then I'll just switch over to a copper. I'm trying to stay as true to the palette that I've pulled as possible, but I agree. With these colors, a copper would look super nice. What's up, what's up, you guys? Thank you for coming in and watching what I'm doing today. If you haven't subscribed, please do so. If you could, leave me a thumbs up. This is an 18-inch round and I made 10 ounces. Should be enough. I have an awesome day at work, Bruce. Right, I'm not exactly sure what application I'm gonna do, so I'm putting a lot of the colors, like even-ish and quantity of how much resin I'm dedicating to that color. It's probably a bad thing, so I'm gonna probably mix it around a little bit. So the white, I'm gonna have a fair amount of that. So this is one of the fuller cups. I'm gonna do whites with that one. And then there's a darker teal. Think the limited edition, I'm gonna have more of that one. Blue, I think the least color is gonna be the peachy apricot beige and the brown. So I'm going to add the kind of leftover amounts. To the other color, so I'm not mixing up more of a color than I really need. So the first color I'm mixing up is pearl white luster. It's by Color Passion. It's a really nice, slightly shimmery white color, but it's very slight shimmer. So it's not so much a sparkly color like most metallics. So it just looks mostly white, but with a very slight hint of a shimmer. It's like the difference in a gloss and a matte and somewhere in the middle is a satin. This would be the equivalent to that. It's not satin, but that's kind of where it would fall in the range. You can barely see any shimmer if at all, even in the camera. Next color I'm mixing up is the limited edition Midnight, which now on the website is called Dark Storm. This is a beautiful color. If you like a midnight blue color from Just Resin, then you'll really like this one. It's like a deep teally color. Very oceanic, which is probably why I like it, but that's just a delicious color. The next one is a phthalo blue or phthalo blue. I'm gonna do a little bit less of these two and then use the difference as like a skim coat. So phthalo blue is translucent. So you're gonna be able to slightly see through it. This one has no shimmer at all. So it's called a flat or a basic pigment paste. Really nice color. Now it makes me want to be doing a beach, I don't think that's possible with what we got going on here, but maybe I can turn it into a beach. I just don't know where I would add the brown and the peach if I did a beach. Okay, so let's do the brown. Then I'll use some of this to make my apricot color. It's probably gonna look almost black on camera, but you can see here on the sides, the good brown that it turns. Now then, this is peach from just resin. It's really nice for like Easter colors, spring colors. If you guys don't know, I also do custom colors for people. If you have a color that you can't find among my 800 other colors, then you can order a custom. Okay, so that was probably a bit too much brown, but we'll see, melted right in there. I don't want to use too much of my brown to make this color, so I may have to put some of the actual color in. My gloves are disgusting. I think I'm pretty close. Tell me what you guys think. What's up dances with Art Fartz, Gail, Ab Mac, Crystal Putty, I haven't seen you in a while. How are things? He found me the perfect color for our match just after. Yay, I'm so glad. I got close. So this beige I've made is still kind of warm. These are a bit more mauve-y. I think it's close, but really very, I'm not gonna spend too much time trying to color match this. It's gonna be a close enough count situation. Good, thank you for asking. And I'm glad things are better with you as well. It's always nice to hear the things are better than when they were at a difficult time. What's up Ellen, how are you doing? All right, that's the last bit of another color when I'm next into this, because I don't want to waste any time. And that's our palette. Pearl Luster from Color Passion, Dark Storm from Just Resin, Phthalo Blue from Just Resin, Breakfast Head Tivnase from Just Resin, A Beige Apricot, that's a combination of Illumina Light, Brown, Dye, and Just Resin, Peach, and then the Illumina Light, Brown, Dye, Solo. All these colors, I swear, all I want to do is an ocean. But what do you guys think I should do in terms of application for these colors? I know that a lot of people are gonna be like, why? Which I'll absolutely do. I just want to make sure that that's what we're all thinking here today. So I have some resin down here. I'm just gonna use it as kind of a skim coat. And doing a skim coat just means that the color resin that I'm gonna put on top of it is just gonna be able to move more easily on the surface. Ocean. I can see if I can do an ocean. I left my thumbs up. Please support the channel. Evelyn, I appreciate you saying that so much. Seascapes and oceans. I just don't know how I'm going to incorporate these browns and apricot colors. But I'm not afraid of doing a seascape. So let me just, the white that I mixed up is a base cell. So now it's gonna react, but let's do it. So we're gonna do an ocean. I'm not using the right colors for it, but what we're gonna do it. So I'm going to kind of, I think just dribble in some of the brown. And this is just for backgrounds. Because if you look in an ocean, there's rock formations and coral and kind of deep spots. So we're just gonna make that what this is. Just trust the process currently in this moment. This will be the first time I've done this, this way. So be patient. And if it doesn't turn out, then I'll just try it. That's such a kind thing to say. Thank you so much for the kind words. Make my day, you did. So if you look at an ocean, then the more shallow areas are gonna be where your lighter colors and your more green focused colors are. Because what's happening is your eyes being green because the blue from the water and the yellowish color from the sand are gonna make kind of a greener color. Here go. Your lighter colors are gonna be closer to the surface where the shallower areas are. I'm gonna pretend there's a shallow area right there and right here. I'm hoping some of the brown comes through because I only have one translucent color. I have no transparent colors. So that under painting may have been not so necessary. But if I had clear translucent colors, it would be very necessary to create depth in a piece. And I wouldn't have made so much white. We'll find out together. Y'all just have to trust me on this part. This is all background that I'm going to just lightly skim the top and blend together. Put a bit of motion into it. So it looks wavy. Okay, you guys in closer. That Tiffany popping through looks really good. I'm probably gonna add some more of that because at this point just looks like waves, like undertow waves, very much here for undertow waves. So you don't want to do too much of this manipulating. You don't want to start mixing the colors fully together. You're just creating some motion in the ocean quite literally. Now, we can't see any of the brown anymore. So I'll have to figure out how to reincorporate those. Like I already have a painted look to it. It really does have a painted look to it, doesn't it? The next bit is typically where I would do the actual waves, the white. But with this I need to figure out how to put the brown in before I can worry about the white. The white really needs to be the last thing applied. So, let's see. So it wasn't heat, let's see what's happening. I want to thin it out too much right now because if I do like a torch and tilt or if I heat it and tilt it a lot, then I just get too hot and too thin. So, I mean, even if it's not presenting this brown, I'm using it in the piece, so. Let's just make the brown kind of more of the deep. The brown I'm using is translucent, so that's probably why it's not showing it's brown when I have it over all of these blues, because it's kind of giving not brown, that's okay with me. I'm just gonna keep this dark ocean motion down here. Yep. Very awesome girl, thank you so much. I'm digging the brown, especially, I don't know if I can get those up to you guys. Like it's creating some interesting color variations and secondary colors because it's playing with all those blues, very digging it. And in fact, I feel like where the brown goes over the breakfast at Tiffany's, it's where it's making some of the most awesome. Look, like I want to do this. Look how beautiful these colors are next to each other. How beautiful, don't know if it fits in my ocean, so I don't know if I'm gonna keep it, but how gorgeous. Y'all let me know if I need to let this live or not, if I need to put more of it or not. Live a little bit more, I agree, because very much into that look right there. Almost shows like as purple in some areas. Y'all remind me next time I try to do Avaloni to just you. Hi, Don, how are you doing? It's so difficult when you see something that you like in a piece and it doesn't really make sense for the piece itself, but you just like it enough to where you kind of just go with it. This is gonna be just a very abstract oceanic look and vibe, I think. I need to do a piece like with the browns and the Tiffany. I think I was gonna do a piece-piece just regular. I would take the brown, the Tiffany, and the dark storm. I think those together are what's giving me the look that I'm kind of talking about here. No idea what I'm gonna do with the peach. I have to show you guys again. It's almost like purple. Now that actually may be because of the phthalo that's in there, so that may be all right, I'm gonna do a little bit more of that over here. It's like a kelp forest, I can see that. Maybe I'll do a kelp forest. I'll have to do some research. So I'm just skimming along the top to kind of create this soft blend of colors. Way more action than I would usually do for an ocean. But while we're doing an ocean, it's not really an ocean. It's kind of like an ocean derivative. I might be able to do that, Clara. So thank you, Dawn. I appreciate that. And here I thought I was just making a mockery of it. You guys hear a whole bunch of ruckus in the background? My building's doing something and there's a massive crane. I would turn it to kelp forest, but I don't have enough of the base colors that I used to pull the sand area in. And maybe ultimately that's what I'll do with the beige. We'll see. I may just put it where the sand would usually be because I think that may be actually what the reference. That's a word. I think that's actually why the reference has that color. Which way I'm gonna go with these waves? Is I not using the proper resin? Or the proper pigments? Neither of those things. We'll see what happens. We'll see what happens in a second. I'm not expecting too many cells to pop up on this. And go, hey, hey, hey. And the reason why is because the white that I'm using is a base cell and not a top cell. It is currently going to be manipulated onto the top of everything else. And the resin I usually don't use for oceans. But we'll see. Let's preheat a little bit. I love how it's just moving everything back. Like I'm face tuning my ocean. It's taking all the lines of everything before it. With just a line of white and that white will kind of meld back into what we have here. It'll just self level into it. So I could use the last shade as sand. The white and the light tones look like sky now. Yeah, it's very not ocean. So I may change it up. I may just turn it into a sideways piece. And if I may, I mean I'm about to change it into just a sideways piece. Maybe a kelp piece like you guys were talking about. Because I don't think I'm gonna get the waves I need with these specific pigments that I mixed up. So we're gonna turn this into possibly kelp force. Like you guys mentioned, if I can make it work with the resin I have left. And then also possibly something else, who knows. Depends on what I can make happen with wire I left. So let's just cover all of the sand or the board itself. Make sure there's no raw board showing. Then we're gonna tilt this back this way because we tilted it some in the other direction. It's gonna hit it with some heat and let it come back down to this side. So we need to pull the white into this side. Not gonna do a bunch of the thing yet. I need to add some of this color down here, some of the Tiffany, put some back in this bit over here. Doesn't look like amazing as right now, but just give me a second, trust the process. Trust the process. I'm gonna make some white into our ruckus at Tiffany's. Nocally made a little bit more Tiffany without having to make more Tiffany. So it's a little bit more mint now, but I think it'll still work for what we're trying to do. It would make a good snow top mountain. I'm gonna keep the browns kind of on the outside just like I did before. And then we're just gonna swipe with my hand into it. Oh my goodness. Okay, I'm gonna try putting just a little bit of peach right here and just see what happens if I kind of bring it in. Doesn't look that bad. So I'm just gonna add just dots of peach in some areas. I was using my hand, but I think I'm gonna use some swiping paper so that we get kind of a more consistent fellow. If we don't like it with the swiping paper, then I'll just go back to using my hand and take my time pulling. So it looks fun, but you guys tell me if you think I should go back to using just the hand flow. Do we like this look or do we like the hand motion better? Y'all tell me. Hand, I think so too. So this beige you look doesn't look actually that bad. I think I really keep it till middle now. I like the loops of white that's kind of in there. And I think adding a little bit more white will brighten it up because it is kind of dark. I'm just kind of alternating the direction that I'm swiping in with my hand. You don't wanna do this too much because then you're gonna just start mixing these colors together. Which if that's what you're trying to do, go for it. But if you're trying to just do a soft blend of the colors, don't add a lot of pressure and try to keep the number of times you go over it too minimum. A lot of this looks like an abalone shell to me. I feel like it needs more white but I'm open to what you guys suggest. It's almost like if you had a lot of salt water in your eyes for a long time and you couldn't really see very well and you were looking at a picture of an ocean. Is it weird that I like this like look? It's very busy for my taste. But I'm still not mad at it. Like definitely more into the less busy area up here than back here but I don't wanna do too much to it. That it makes it busy. And so I also left patches where the first application was because I kind of like what it looks like when it is just looped around. I agree, the peach did bring out a little bit of green. To be quite honest, I didn't think that the peach would play well with the rest of it. I've never really had good luck with the peach or any sort of beige brown tan anything. Oh, let me show you what's happening. So that's been happening since six o'clock. It's exciting, it's fun. Who needs sleep? What is sleep? It does look starry night-ish, which was suggested back in the beginning. Surprise, I was gonna do this the whole time, JK. So even flaking white at it just to make it look more starry night-ish, but those blacks aren't gonna get smirled in like they are in starry night for real. But I'm open to leaving it alone if that's what y'all think is best. I wish you guys could see it in person. It looks more like this in person, like the colors are brighter than what the first view was. So you guys just, what do you think? Do more to it or let it live? Come on, this is just your dad. I want that on my floor and my counters. Evelyn, let's do it. Let it live. Sounds like the lives have it. I'll tell you what, I was very excited when I saw the palette. Very concerned when I had to put in the brown and the apricot, but I'll tell you what, it surprised me how it turned out. Applications busy for my taste, but I still think it works. Love, love, love the movement. Ooh Kim, that's a good idea. We can definitely use this as a background for like a painted, hand-painted art piece, which is probably what I'm gonna ultimately end up doing with it because I don't wanna waste what's happening and I think the ombre-ish from like darker to lighter will work really well for a hand-painted piece or even a stencil piece. Clara is currently listing all the colors that I used so that you guys can just click the link in the live chat if you would like to eat your hands on some, but just to refresh, if you can't see the live chat or if this is later or whatever, I'll just tell you what I used. Pearl white luster from Color Passion. This was not in this palette. Dark storm from Just Resin, peach from Just Resin, phthalo blue from Just Resin, illuminate brown dye, Just Resin breakfast at Tiffany's. And that gives you oceanic abalone. But what other kind of abalone would it be if it's not ocean? Anyways, coasters. Was this a pick of color day? I have enough of these two for a coaster. I can probably use some of the fallout for a coaster. I'm transferring our dust-free zone to not where it was to where it is. And so I don't have a dust-free zone to put this in. So we're gonna do it. Just base it in white. I'm gonna base two of them in white and we're gonna do a sun mush. Let me turn that so you guys can see what's happening. So I put some white in between here just for kind of a base of color. Whoops. Sorry. No. I'm gonna smush this into my fallout. Oh, girl. Is that a war? Ooh, so Calico. I realized smushes are acquired. I'll fill in these lighter bits, but... I don't know. I'm so into smushes. Just me. Cool. Oh, it's not just me? I feel like I would have been cool, but... I like the streaks. Some people, isn't their jam. What do you guys think? Sorry about all of that. More coasters. Put out the rest of this white just in this. It'll just fill in the other bits. A bit of breakfast at Tiffany's left. Trying not to put too much motion in this. I don't want the colors mixing together. All right. Let's do it. That's an interesting concept. Quad smush. So all the colors are kind of coming in on different angles. So I did a smush on each side, and that's how it turned out. Oh my goodness. Any more times? That's an idea. I'm gonna see what all I can do to make a note of those. Just to test the theory that is a cool idea. Because I could be wrong. I've done wrong like twice. Could be wrong about that too. Okay. So we're going to smush the whole thing so that there's something in the middle. It looks like this. We're gonna do the other side. Now it looks like this. But now I still have this area that's not right and then a patch down here as well. So we need to do something like that. I think it's really neat because you can see like this line here that's from a different angle of smush. And so ultimately I would love to do like all four ways, something different. And so it looks kind of like a patchwork piece of art. If that makes any sense at all. New T-shirt, quad smash. Agreed. Let's get the center in there. Beautiful browns popping through right there. Not mad at it at all. I love this like flipping fade right here and where this bit right here is kind of translucent. So you can see the movement of the white under the movement of the blue. It's not gonna focus now cause I'm talking about it. There it goes. I do have some brown left. I thought I would be like, do we have any more brown to add in color palette? Stranger things though. That brown just makes a great dark color without having to commit to black. You know, sometimes using a black is kind of just too abrasive for a piece. So having a nice deep brown as long as it fits with your going form. I would use these colors again. I am pleasantly surprised. I'm gonna leave out the peach, beige, aqua, aqua. Nope, apricot. Digging it. Even this secondary yellowy greeny color that I would not want to use ever in anything ever seems to work in this. You know, Namin, I'm saying. Feel oddly guilty leaving any of this color. I mean, how fun. Took a second, one second to do. I'm gonna drill a hole in this. Sell it as a Christmas ornament with a year, vinyled on it, $5. All with something I was gonna throw away anyways. I'll show you what the final everything looks like. Coasters. Actually, I'm gonna go ahead and double dip these edges because it's much better. Take these gloves off. Give you guys some close up action of the everything. Let's go on an adventure. Okay. So the piece hasn't really changed that much. There are some cells coming up in some strange areas, but not mad at them, not mad at any of the action. I'm so glad Evelyn, thank you, thank you. Have a great day, Gail. I appreciate your donation super much. Some of our coasters. I also wanna do one with the breakfast at Tiffany's dark storm and white because I think that alone looks really nice. I wanna do more stuff with this brown. I think I may have one in stock, but I'll start carrying more of it because I am now realizing that it's amazing. So the reason why I'm getting cells now is because of the base tints being on the bottom ultimately at this point. All right, you guys, I gotta go. I got a case of Resonart in. I'm gonna post it on the channel. If you wanna join our class, it's May 13th here in Dallas and we're gonna do oceans for real and geodes like this one. If you wanna know in person how to do a geoid like this send it from the class. I have all these pigments for sale on my website. If I run out of the Illumin light brown you can get it from RK3designs and something. We'll be back tomorrow at 6 p.m. Central. I do have a sale going on, I believe today, either today or tomorrow is the last day for the code restock on the website for 15% off. I have to go put Resonart into inventory. So be kind to one another because you never know what someone's going through. And always remember, we do the tests so Bobo's don't have to. All right, well, just show your booty. That's fine, whatever. Y'all have an awesome day and we'll see you guys tomorrow at 6 p.m. Central. Bye. Stay by. You stay by. I know it.