 All right Let's do this a reframe of it so I checked your mail and You are not sure if you're gonna have him drop the ball Looking is looking is looking what I am number two Okay, let's see. Yeah, I think you could sorry I was I was Thinking about what could you do? Of course, you know, you could have like a couple kids here and it's just So if he goes here, he's super excited. I Think what I would do To push the feeling that he is super excited See right now This is it's kind of a regular running pose And I think from the very beginning you can bring up the nose and twist the head over that so whatever he is doing He's really trying to to see What the word of order isn't what's going on, you know, if there's anything you do So here doesn't look like he's looking at it like from the very beginning I'll personally have it where he's like he's looking and have his head twisted over a bit Just really going I only want to see really want to see from the very beginning that very first pose already This could be I'm late to class. I mean, and I think even in the first pose You can make this read like I really want to know I really want to know it's going on I Think it's cute. I like how he jumps and I wonder if here The thing is if I'm looking at this right and I'm scrubbing My thing is always when you scrub through what can you see I can see this Or this that's pretty much all he does There's nothing here here here that it's very very confined in this area And I think in order to push what's going on a I would bring him up Because you want to deal in thirds So it's good to have him slightly off-center since he is looking left to right I think I would just position him around here that height and With ever so slight looking over this way so off-centred to the right so you maintain that left to right thing Right, there's a thing here Right because he's doing left to right So we're keeping the left to right of it and the thing is you know if he jumps here See how he's up up up up up up up up Boom, so here he could go low like right from the you're doing the compression across the cut And then he does one more jump You could be further away one more jump towards camera, right? He's really excited and then imagine when that's the floor and you're on your feet imagine you When you go on your on your tippy toes in order to peek over imagine he's doing that a couple times He comes in it'll jump compression jump forward and then has a bit of a you know you could have a bit of a Lean over he's checking his ball He's checking over here something where you can use that space a bit more. I mean he looks looks looks so that way you go from big jump to You know it's for contrast you do base of compression one more jump Tippy toe tippy toe left right and then you go less and less and less and less and less and less so you have this Contrast where it's it's big big big smaller smaller smaller smaller and slower and slower the beats are slowing down Until you wait and you hold and you hold and then All right, you don't want this to go and that that that that that that that that so you don't want to have Jump and jump left right look look look look left right couple you know a couple Head darts left right is reading is finding is reading is finding a little bit of text there, and then he goes That's actually great. Yes. That's about the amount of part of it, too and Then you know can think about what would read the best if you like this and goes I Know like a slump first and then slow blink look down or like eyes down Body stays and eyes down and then head follows and then slump a couple ways you can play this but even on that You know you can have a slump down with the heads come back up maybe like a eye dart looking with this with a sad look and then go completely down with the head and start turning it over Little head turn that leads across the cut into that So that you finish that head turn he gets into this Then I'm thinking yeah, it's not too bad You can just drop the ball and the ball was boom boom boom as he walks this way So his path is this and his hoped future is this way. They're parting ways visually, you know I Hope you something throw it away Kick it away You could stop and go you know what I'm gonna do it anyway next time. It's gonna be better and it's going to do the pom-pom-pom-pom pretend is playing and doing something I don't know a couple ways depends how you want to finish it But I think it's not too bad slumped and you know like the defeated slump walk with the ball going the other way I kind of like the visuals of him going this way in a ball doing this way. That's just me Yeah, that's about it and you're very welcome for your workshop Thanks for writing that and you bought your CTN tickets. I wish I could come too busy Unfortunately, well not unfortunately fortunately. I'm busy. That means I have a job But yeah, I'm not sure I want to come back. I've been only once there and it's been great. Anyway, make hit pause and open your sailor shots All right, and then there's an email in between with an arm scramble when he is trying to catch his balance Uh, so do you mean that in the first shot when he's you know, jumping jumping? I guess So, I don't know Kind of like what you had, you know polish it out I'm not sure if it needs to be I mean you could and it all depends how you act it out. Why not? You can try you can do a rough version Uh pitch the idea Not sure if you need it Not sure if you gain too much out of it, but you can try why not? Uh, and then we have This guy's go back You know what I see I see a man without a country Not hard enough for this right here and maybe just maybe not smart enough for them out there All right, so I like this a lot. I would say Splendid this out, you know, look at the timing and offsets and you know Kind of go with your hand poses and potentially scale line at hand a huge massive hand Uh, but then I would definitely watch out for this And by that I mean Uh, there are a ton of accents you can put in there You know what I see I see a man You know what I see you can hear It's going to say you have a little wire rotation seat like a sideways thing But you don't want to make you don't make sure it's not too twins with this. Maybe maybe not What I see I see a man without a country Like man, you know, like a nice facial thing where you get the lips together with head up a bit I see a man without a country country. Definitely like a chin forward Move the head forward type of thing without a country not You have the country you can have a bit of a swing up or swing to the side or stay low Like you can country leads into a long move that bridges that Not hard enough for this Not hard enough for this right here and right here Could have right here like a little side maybe like a nod or something Not hard enough for this right here and maybe See maybe it's like a knot in between country Not hard enough for this right here and maybe Yeah, there's enough time like right here and right between right after says here with a nod down Enough for this right here and maybe And I think for that Like that I like for maybe but you could I would start this from A straight position Uh my tool sometimes is very interesting networks Now it's delayed it's kind of fun So it's straight that maybe on the maybe then you get into that So that way you have somewhere to go it was right now you're kind of stuck in that angle the head is in Right here and maybe just maybe would have that type twist and tilt Just maybe not smart enough for them out there and then on smart All right, so he's going left Maybe just maybe not smart enough and on smart he can whip that head around To then have that angle You know a little quick reversal For them out there And then that you know what I see when you are leaning That way right I tool again and then when he points That's when he can bring the head back into it. So he points and like you know in a way almost archers back Or arcs back the head or also points, you know, it doesn't have to be completely twinned with his hands But when you're doing it here But imagine he's also doing it not just in y but from ahead to this to that There you go that makes sense weird scribbles That's kind of it. That's kind of what I would do. Definitely, you know, you're in good position body wise Really think about how can you Make the head work so that you know the main thing for me with lip sync is always that You want to make sure that the words as they come out that the body is influenced by them And it's reacting by it. So you have a big strong whatever word Then it comes out of the chest if it's a big jaw move and you feel like You're like that jaw really shoots down But because the joy is so fast and strong it's going to pull the head down a bit It's gonna, you know, have a little accent because of the jaw So a lot of stuff where you can really tie the head To the audio and not just in broad accents to kind of mimic like a muppet type of thing But just making sure that if there is anything that the jaw is doing You know, it will affect the head even if it's a slight twist or a tilt or whatever All right, that's kind of it. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way the like and subscribe would be awesome. All right. Thank you