 Hey, it's Anfa and this is day five of my making-off for the FM challenge. Now, let's listen what we have so far. All right, so this is a common problem where the first bar, the first clip disappears, so I'm gonna go Ctrl-MiddleClick Ctrl-RightClick, actually. I'm gonna just append a little better Change the name. I think we need more distortion in this To be honest with you very much more We really need to distort the shit out of it. No, that's nice I think we have too much of a decay, so I'm going to use a gate. I also want to add a Sightchain compressor with the kick. I'm not sure. Oh, yeah, we have a sidechain bus So no no no no need for Sightchain compressor. It's already there Yeah, it's there, it's doing its job. I think we need to add some automated effects on this bass Let's play around with a comp filter, maybe. However, I would like to use it inside of this basically within A split signal, so we are just Two instances, please Let's bypass the lows and Just two not three and the highs will go here Go back. Yep. Now let's automate the comp filter band separation Just basically the cutoff frequency, but yeah to play well shift Z. I pressed F to maximize the See what can do. Oh Yeah pretty radical Bit too much. I would say let's try maybe. Oh, yeah. Oh, yeah, that's lovely. Let's repeat that and go up Whoa Nope and just dive on this note. See what was gonna happen. Could be weird. Yeah Yeah, this is very low. So it's gonna sound like a delay. I'll just go pretty high with this That's pretty sweet Let's play with everything else Yeah, very very nice. Okay Let's save this as a new Snapshot. How about if we Rump up Excellent, this makes me wanna. I don't know what to do. I have some idea. I want to put a filter there, too Or maybe a band pass Yes, a band pass manual config one instance again bypassing the bass frequencies Just operating on the mids and highs and One media output need more Okay, this is gonna be good. Oh There I should wolf shape this before I think I should wolf shape it before and after See, yeah, definitely Two wolf shapers are better than one. Yeah, pretty harsh pretty aggressive. I Think we can back off the feedback a little bit because Okay, I think I want the filter actually after No more manual config. Yeah, let's just use it here. No now we have my multiple outputs Should be an easy way to undo that somehow without having to go here and remove We also need to think There might be some DC offset Let's put it before The gate. What is this sound? Why is there? Oh, yeah, she's in fuel of shapers here. Oh Yeah, we're just starting this quite a lot. I Think the yeah, I think we're having too much processing happening. I Hope it's not gonna crush anything. So I'm gonna save the session. Hello. It should be good All right, let's make this a band pass Yeah, we need another crossover. All right, let's just copy this I know let's just go copy this and this Copy paste Right now put the filter here and I'll just play with the routing Oh One instance One media output bypassing the lows Doing things to the mids and highs Okay, right and the mixer me to swap these That should be good and again we have this I've been fixing this once I have to fix it twice. All right Yeah, that's a great because now whatever we do We have this low Low frequency sub bass basically there Because without it this doesn't doesn't work. So yeah, now I can automate the call filter Frequency and we have a band pass Wow, whatever that is Now let's make it play Oh, let's see how that sounds. Oh, yeah, let's just make a bigger ramp from lower to higher and just slowly following the dial And it's going up again. Oh, yeah, just Just getting back up and just getting again Do like a ramping logarithmically That's too high And this is ramping even more Logarithmically and this slowly fall Actually, no, I should be ramping down logarithmically too This oh, that's nice. I like let's save it and now Let's play the whole part In the end we need to add some multi band compression to even out to kind of crush the Is this thing is just to crush the input Now that's pretty sweet, let's add an equalizer at the end or maybe a compressor just to even out everything Even after the multi-band compression And yeah, the EQ is mandatory. I think yeah, I should probably put the EQ before the compressor because you know fitting an unbalanced Sound to a compressor will give you an unbalanced compression basically if you know I Wait a minute we have a flanger also here that doesn't isn't automated. We should fix that. I think I forgot about it Yeah, and that was that was messing up our sound No, it's something else Something else something It's not electric bass something is not perfectly fine with this I'm gonna see maybe if I said to master I Think still doesn't sound very nice Is there some reverb Because that would explain everything. Oh, no, there's Something is the heck something's not right something weird is happening something very weird. I didn't actually Want let's disable all the Modulation effects and see Yeah, it sounds doubled here. What the heck is that because of the Calm filter, but it's not it's turned off. I think it's just a patch Oh I think we need more DC offset removers because something is not right And I think it's because of DC offset After every wolf shaper, let there be a DC offset remover And maybe it's gonna That's not perfect now is better. Well, yeah, it's weird very weird This isn't to the both Sounds I think that doubled sound is actually because of I'm overloading DSP load I think the doubled sound is actually because I'm overloading DSP load. Yeah Wow, I have too much effects man, but you know what? They said it's okay to bounce if you want to save Processing powers, so I think I'm gonna do that. I'm gonna make myself a couple of audio tracks free cold and freezer And I'm gonna freeze the first base. Okay, so I'm gonna go Get input from Base one base one left right. Yep I'm just gonna record this My goodness. I'm overloading my system so hard. Okay, let's disable the electric base track Yep Now the DSP load should go down. Oh, yeah. Oh, yeah, it went down significantly. I can sample this record this track Nice now I can just disable this one Which is gonna save me CPU time, I actually need to freeze this base too Because this is the problem the biggest offender the worst offender I have actually oh My goodness, I have actually managed to to tank To kill my rising 71700 CPU with DSP load with Track well that didn't happen to me Freezer out. Oh, this is out. I need I should configure in Hello I'm I'm a bit afraid that the recording could be a bit corrupted because of this Thing hanging me a bit Okay, so it's all electric base. It's not really electric basis electronic base Ideas change. Okay. Let's let's just past my goodness. Let's just bounce it and Holy crap, I Can't bounce it right this You know, I need to stop the recording for a little while. Okay, the whole Hang on stay there. Okay. I have bounced it in I Have bounced it in a freewheeling mode. So I have no extras now. We have it on that on another track. So Okay, fine, we have a fucking stuck note there. I need to redo this hold on a second All right, it should be it should be okay now Let's disable this track. So we have DSP load again at reasonable levels. Nice. Let's let's see if it works I think it sounds decent Okay, I'm not touching that because I'm basically not allowed to Okay, let's let's work on different things Or maybe Maybe I'm gonna finish this for now because it's actually kind of late. I need to go to sleep Tomorrow is Monday. I gotta gotta go Gotta go work my work my job Okay. Yeah, thanks for watching. I hope that it was useful. I'll see you in the next day of this making off Yeah Bye