 All righty, we are right about everybody. Sandy was happening. I am solo today. Well, Tudor might come and say hi. He's doing some orders. Actually, making some room over there. Erica is still over at Rhonda's, so if I'm away from the camera, I might not be able to hear me as well. I could try to put my headset in, but I don't know how well that works. Oh, these are on backwards. How's everybody Saturday? And if I don't see a comment, I apologize. I'm using my phone and it's above my head, so I will try to look on the computer every now and again, but hope everyone's doing awesome today. A lot of stuff today. Sorry about that. Probably need to raise that. No, y'all don't want to see the back of my head. All right, so what we're going to do here today is this is going to be a nice white and gold, very clean marble look. It'll just be lines, nothing too crazy, no sparkle, no. There will be two different kinds of gold. There will be a little bit, I guess you could say, like more of a desk gold, like not so bright, and they're going to take the bright gold and put that in the middle of some of the lines. They'll make it pop, make it float. I don't know all the terms, Erica. I feel so alone without Erica here. I think I'm going to make like 22 ounces because we have to make, what we're going to do is we're going to make like a very light white, like I'll put white in there, put a layer down, and then put a more white, like a more opaque white in the second, and just kind of whisk it around so it's kind of a marble effect, and then we'll do the gold after that. I hope that goes as planned. I'll try to log in and check out the comments. Sleepy Saturday, what's up, JJ? All right, so we've got a gold, gold, now I need some white. So put some of that in there. These are the golds that we're going to use. Yeah, we're going to use rich gold for the bigger lines and then in the middle of the gold, we're going to use color passions. I don't even know if they have old gold. We sell both of these. We sell all this up on our website if you guys are new to the channel, artistsofdeath.com. So if you have any questions about that, ask away. All right, so let's do, what do we say? We're going to do 10, let's just make 24 just to make sure. Oh, Tudor, were you giving me one of those sticks out of that box, that big box of sticks over there with the holes in them? Please and thank you. Is that a problem? Yeah. So we need to go to 24. Oh, that's some thin stuff. So you want paper on? Oh, yeah. I need to turn that, let me see it off. What's up, AT&T fam? What's going on? Tudes in the house. Tudes in the house and then the house. Yeah, just turn it up to like 75 so it doesn't come on. This is a little less stressful with the white because you don't see as much trash. We finally get to use our trial sticks. I haven't got a chance to use them. These are made way too big. We've heard about you from Tammy Anderson. I'm happy to be rolling with you. Oh, awesome. Thank you, Tammy Anderson. Sturgeon, I probably should have done this before because this is like the most boring. I really need to get one of those mixers like Rhonda has and Mike have and every person that mixes the large amounts of resin has. But I have holes in my stick so hopefully that helps. So the other one, this black and gold one that Erica did a couple of days ago, I just about ruined because I went back, I was just being over cautious. You know how we tell you guys to baby your pieces to make sure that there's no bubbles or trash or hair or whatever. And I think I just went back just a little bit too late to the point of where, and this is so thin, this layer is so thin, I think, that when I hit it with a torch, you could see every line of torch, like back and forth, back and forth, like, and I almost did it to the whole thing. But then again, it might've kind of settled down because the whole thing was heated. You know, it stayed that way. Like Erica was like, hey, wait a minute, where are you, you're using the torch and you're making lines in it. And I had no idea that I thought, well, it'll probably just go back because it normally does, but I think I just let it, we let it set for just a little bit too long. So luckily last night, put a flood coat over it and it took all those lines away. You could probably use another flood coat, but this is just for a background for photographs, so I don't think that it's gonna be necessary, but it looks good. I was happy with it. I was happy that all those lines went away. So don't do that. Sometimes our slogan is, we messed things up so you don't have to. This is just a piece of MDF, just I wanna say an eighth inch. I'm pretty sure that we were both kind of worried that it might work and it did not. Erica painted this white yesterday with just regular old flat white house paint and just let it set for a day just to kind of, I guess, off gas. She don't want this stuff to off gas underneath your resin because then you might get bubbles or you might even peel up. I don't know. That's never happened to us, so I don't, she just likes to be cautious so if you guys ever do like big projects like this, make sure you do that. You prep your surface, repaint it a color, let that set for a day, make sure it's all dry and off gas and all that fun stuff so you don't have any problems later on down the line. You got plans for your Sunday Funday. Are they working on any special projects? You got the fam in town or out of town, solo. I need me a drink. Oh yeah, I'm going to the Cowboys game tomorrow. I'm Corey. Did I just break that? I think it's been three minutes, right? I just want to make sure that this is all stirred because I don't want this thing being tacky. We're using some co-countertops, our coat, because this is the bomb diggity of all the resins. All right, find the white. Sorry, y'all, I'm looking for some white. Do we have white over there? I don't see any white over there. She probably took it. White? I need a white. White. Just a regular old white was like snow white over, because I don't see any over here. Where do you do it by yourself? Snow white. All right, so what I'm going to do, I'm going to pour a little bit in here for the golds. You don't need a lot. We're just going to be making those lines. And then I'm going to, here's the golds. And then I'm going to put this snow white. I'm just going to put just a little bit to tint it and then we'll add more. The one put more down. All right, or should I do those separate? I don't know. What's up, Judy? Oh yeah, I really want to do some, I want some Halloween ideas for you guys. For you guys and gals. So just do a really little bit of white at first so it can be just enough tint. Let's take this gold off here. You don't need anything messing this pure white table up. See, we're just doing it just enough. Just like just below, probably milk. No, it's not that. So then when we add a lot more white, there'll be a definite difference so it'll give it a nice depth to it. Put this down. I'm going to change my gloves because I have color on these and I don't want to do that. That's a little pro tip. If you're mixing white and you're going to put white down and you're going to use your hands, change your gloves if you've been touching other paints. But you don't want any color to be transferred from your glove to your surface or your painting on. And if you guys like these gloves, we sell these on our website, artisttilldeath.com as they say there. And these, we only have large but they do run kind of small, which you can see kind of tight on my hands. So they're not too bad. I'll add two here. I think I've got something where they're going to send you like koala. She doesn't want to do this. Koala? You know, like when they correct you instead of koala. Oh. All right, so we're going to put this down and spread this around. Ooh, this is going to be messy. Nice layer. There's some gold. See that? You guys want to watch out for that. Luckily that gold will cover that up. We're definitely going to have to mix more. What we've got here? Oh, there's gold again. Tip number two, don't mix your colors on your whiteboard. Luckily it's gold, so it would be A-okay. We might have to mix more resin. There are some thin spots. Now I'm going to put some more white in there to make it a lot more opaque. See, this is like way more opaque than the other one. So this will be real nice. And that's one thing you can use if you have like an off white and you're doing marble like this. If you use even maybe a really, really light gray as your base and then you put this color down and then even more whiter over that, it would really give it some nice depth. What resin would you recommend for your pyramid? You'd want to use casting, right? We haven't made a pyramid yet. But I'm pretty sure you definitely want to use casting. Stone color has a casting resin. What are you wearing? You're wearing a rainbow coin. Is it a tire or a top? I don't know. I have no idea. I have to work that out with my friend Corey. He's the, I think he's going to dress me. He's designed suits and he's a very stylish person. See, can you see that on there? Can you see the difference? All right, so I'm just, what I'm going to do is just kind of wipe this around and get it all in the spots that over the edge. I'm not trying to blend it in. I'm just trying to make it all, and you really can't tell, but there is some difference. But then you have to remember, I'm adding more resin as well to gold. That definitely adds. I think I want to make it just a little bit heavier white, some sun when I went on that cruise. So, yeah, this is not very, let's do that. I'm going to mix just a little bit more and make it just a little bit more opaque. Yeah. Yeah, I was like really surprised. I think Tuscany would really take a difference. Yeah, that's probably what we're going to use. We could have some wine some. Yeah, it just looks like you put clear on top of the wine. Yeah. The thing is, I think she took the white with her. I don't know, is that opaque? Yeah, use Angel White. Thanks, fam. Yeah, it'll probably be just a little bit brighter white as well, so that'll definitely show up. The Snow White is just pretty much the exact same color as that board. I'm surprised nobody's commented on my Brittany shirt. Man, I just watched that documentary on her. I think she should become her father's conservative, conservatory of whatever that. Man, she wasn't even, that's crazy that people can do that. It's pretty much a little crazy. Yeah. 13 years. I mean, and putting out albums and touring, that's working, right? And bringing up kids. Yeah. That's insane. I think I need one. Not that I have. I think we're good. Look how bright this is. This is definitely going to make a nice contrast. Erica will be proud. Oh, yeah. Can I get it on? Erica hates that. This thing is covered down. Man, I'm really liking that a lot. Big minds to mimic some marble underneath. We need some more room, y'all. I threw a countertop. That's fun. I guess so we could see here what you're doing there. All right, I'm going to mix up some of this gold. We're going to use old gold. So we're going to say, what are those two dark spots in the middle? It's just gold. They'll just blend in. It's character, definitely. Yeah. That's an old gold, which is the brighter gold. And we're going to use Color Obsessions rich gold for the big. Oh, no. Where is it? I think these are going to be the big ones, right? We'll use this one for the big pieces. And then let's do that. Let's get the bubbles out of this first. We don't have to do that so much. Made a big difference? Maybe just on my rag. And we don't really have to be too picky with, that's crazy. This doesn't even look like. This is like the most bronze. But that's the same gold as she used over there. Or does it look gold? I think it's going to pop on this a little bit more. Is that the old gold? This is what the two that she had. Yeah, this is rich gold by Color Obsession. Doing these lines like this, I don't know how she did it without whites. Watch your, you might want to touch your shirt. You're going to use half the jar like normal. I'm not sure if she did. Is that Judy? Part by Emma Kay. Kate? Just going to do some small ones just to get the nerds out. Oh, this is going to be messy. You've got it. Just half the world is looking at you. I know, all right. She does. There's never any. She's sideways, all the way. I'll just go into the air. This right here, I've got that. And I'm like, I think they're all scared for me. Everyone's holding their breath. Everyone breath. It's OK to try, but we cannot hear it. Yes, I love this. Y'all, I was scared to death doing this. All right, now we're going to put this really bright old gold down the center. It should be nice if that thing goes all the way to it. Is it not on it? It is, but I think we can get more detail. This gold just really ties everything together. Would you ever do a hairline black in there, or would that just mess it up? What is that? That's this gold. I don't get it at all. Taking this, I'm excited about this. Are you excited to use this glove, and Jeff? I'm believing it. I believe it. I love it. He's not so rounded off. And there's wait till you see what Eric is working on over at Rhonda's. It's pretty amazing. All right, so I'm going to use the torch for this one so that I can kind of get a little marbley look. If I can find my torch. Ha. What I like to do is like go in the middle, and just kind of hit it to where it kind of, you could see it kind of awaken. And then when it cools down, it'll shift and move and make it real nice. And I think the fire makes that gold stand out more too, like it brings it to the surface more. Just don't use this an hour after you've, an hour after this is set up, because you will definitely ruin your piece. Unless you have enough resin to floodcoat it. Yeah, buddy. In this table, it's level, but there's some corners on here that I think stand up just a little bit. And you'll be able to tell, like if you watch this over, like start it right when I started doing these lines. And then when it ends, you'll be able to see it shift just a little bit. And I love that, because then it gives it that real ornate, you know, real depth to where it looks like it's coming from underneath, how marble looks. Oh yeah, I was going to tell you. So let's say you did notice a hair or a bug that flew in it an hour or two, maybe even three. I guess it would still be a little bit workable. I would use, definitely I'd use a heat gun. And what I would do is heat, I would say a good area around it, kind of just gradually heat it, and then go towards the subject. He's up a little bit. He's take out whatever you have, heat that up, and just let it be. And it should just go back down to normal. It should kind of go out, unless you've let it set too long. It's for a photographer, I believe. And that's the thing. If you do something this size, you should always budge it in for a flood coat. Just in case something happens, or especially with this, you definitely want to do a flood coat over this gold, because this gold is actually sitting on top. And don't sand it. If you need to, sand around all the big gold spots, because you'll sand that metallic right off of there. Good, y'all. I think Erica's going to be happy with that. Let me get some of this trash out of here. Don't talk about me like I'm not here. What line was that? That was a movie line. And she goes, don't talk about me like I'm not here. Good juice, Peter. Good juice. Good juice. And by no means am I making fun of that scene. It's just a very good, very heartfelt scene. I think that whole movie, everybody in that movie, probably won something. Can you guys type something? I don't know if my chat is working or not. Are you guys there? Can you guys, what's up, Shane? I think my chat just went down. I'm not sure. Thanks for the beer, too. Here's to a fun Saturday night. Tink, tink, tink. I love this. I hope Erica likes it. Did you guys guess the movie quote? All right, I'll do another line. Here, take a whack at Weezah. Weezah is my aunt Geneva. Like, two a T, like, that is my aunt. And I can say that because I was born on her birthday. So she's special to me. I'm really digging this. I'm loving how this white is going over these gold parts. It really makes it look like it's really down in there. Put your wand into it. You can do it. Put your light into it. Still magnolia, yeah. So with that said, if you Google that, Sally Fields, I say all-time best grieving mother. I know there was like a piece of paper that stuck to it. So what I'm going to do is just pray that goes down. What did you just pull it up? Well, it is. It was just being like that. I think the flood coat won't. So what causes this like that? Because it's a little off. Or the gold is sinking and the white is just creeping over it. I love it like that. Yeah, it gives it a lot of depth, which is pretty sweet. What I like doing is putting white over gold just to kind of break it up. We're going to do those lines like that. Then I have to do it to all of it. I'd say maybe probably break this up. Let's try this here. Do you want to do this little one right here? Right next to it. I don't hate it. The only thing I worry about, I should have done these white lines first so that they'll stay. We can just do. Is that's going to go down right into the gold? Yeah. Well, and it also does this. It separates us a line. Look at me. Look at what I can do. That goes, I'll be Weezer in a few years. I don't know if that's going to happen. Here and it was timed out by two to 30 seconds. It was timed out? It was timed out by two to 30 seconds. You might have touched something. Sorry, it's not going to be. It's going to be like, I want to get down. All right, so let's do this. We're going to make a couple of white lines on here. I'm going to break this up a little bit, too. I had a little detail. So those white lines always look good. Oh, yeah. Look at that. That looks great. And you can take your stir stick and add some resin on it and just kind of twist it and make your own type of lines. And it's just enough to where you can see it. And see it up, it also gives it a little bit more detail without making it too messy, too busy. Sometimes you want to put more lines because you think maybe an area needs it. White is the perfect solution for that. I love it. I was going to keep the cats from over here. Beautiful. I'm not going to mess with it anymore. Yeah, no, start. Jeff, remember, airbrush question. Can I say remember? When airbrushing on a denim jacket, do you have to do anything before airbrushing? Can it be washed? Lisa, what I would suggest, I guess it depends on what you're painting, but you're definitely going to have to put a white base down unless it's a white jean jacket or a very light jean jacket. If you have a heat press or an access, I would definitely heat press that thing after, right after. Because you want that set. You're not going to want to just wash that right after. I mean, I guess if you have an iron, just make sure that you press that every inch of it, the same amount of pressure and time for each time you move that thing. Did you hear me all right? I keep forgetting I need to be over my phone to say that. Remember, you guys, whenever you put any new resin down, you're introducing bubbles. So definitely go over those lines that you put down. And it's funny because you can see them pop. We'll have to put a flood coat over this because these edges, if it's a little off too, it'll kind of slide to a side. And you'll definitely have a drier edge, but I think it'll be all right. But I think we're good. All right, now I need to put my walls up so the cats don't get to it and pray that they're good kitties. That makes me nervous. So I think that's it, y'all. I love it. It's done. We're good. I like it. Let me take these gloves off. Well, let me throw this stuff away first. And then I'm going to take you guys for a little bit of a close ride. This place needs to be deep cleaned. It's like we need a vacation just to clean stuff. It's just hard to not do something. I'm going to take you guys for a little ride here. Look how much fun that is. See, you can see that gold is peeking out in the white. You guys see those white lines? You see them a little bit. It gives it that natural look. I love it. What do you guys think? Look at how that goes under there. Like it really gives it like the gold is deep in there. I really like it. I'm digging it. All right, I'm done. I'm going to put these. I got these big old cardboard boxes here to put up on the side so that boy cat doesn't come cruising through here. So with that said, do we have any more questions? Let me look over here. Let's put this back so we can, I guess I need this right. All right, well, I'm done with this. I don't want to mess with it anymore. I don't want to put any more heat on it. I'll come back in 30 minutes and check if there's any hairs or anything else landed in this. Thank you all for hanging out with me on Saturday night. Hope you guys have an awesome rest of your evening. I don't think I'll be going live tomorrow. I'm going to a Cowboys game and probably won't have any business going live after said Cowboys game. You guys are awesome. Thank you so much. I always remember here at ATD Studios. We do the tests. So you don't have to. There you go. You guys have awesome night. Be kind to one another. You never know what somebody's going through. And we'll probably see you on Monday. Maybe Erica will post a video tomorrow what she's doing. So we'll see. You guys are awesome. Thank you so much, much, much, much. Bye. Let's say bye.