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Le Chant de Robin et Marion - Venes apres moi - Nota Domino quoniam

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Uploaded on Jan 25, 2011

Ensemble Anonymus, Claude Bernatchez, dir.: Le chant de Robin et Marion, Chansons et motets au temps de Adam de la Halle. The World of Robin & Marion, Songs and Motets from the time of Adam de la Halle.

http://www.anonymus.qc.ca/Le_Chant_de...
http://www.medieval.org/emfaq/cds/ana...

22a. Venes apres moi - Jeu de Robin et Marion, France, XIIIe siècle / 13th century, Claude Bernatchez, 2003, d'après Adam de la Halle. MM voix / voice et / and organetto / portative organ, MD voix / voice, cornemuse / bagpipe, luth / lute, vièle / medieval fiddle, PG voix / voice, RH voix / voice, CB voix / voice et / and tar
22b. Nota Domino quoniam - Claude Bernatchez, 2003, d'après le motet 221 du codex de Montpellier.
organetto / portative organ, cornemuse / bagpipe, luth / lute, vièle / medieval fiddle,

22a - Venes apres moi venes
Le sentele le sentele
Le sentele les le bos
----------------------------------------­--------
22a - Venez après moi, venez
La sentelle, la sentelle,
La sentelle près du bois.
----------------------------------------­-------
22a - Follow me, down the little path, The little path, the path along the woods.

Claude Bernatchez (zarb, tar, tambourine, Arabian-Persian lute, voice), Mélanie Demers (voice), Philippe Gagné (voice), Robert Huard (voice), David Jacques (Arabian-Persian lute, saz), Pierre Langevin (organetto, recorder, bagpipe, chalumeau), Michèle Motard (organetto, voice), Sylvain Neault (vielle).

1- Venes apres moi (5 voices, organetto, bagpipe, lute, vielle, tar)
2 - Bernatchez: Nota Domino quoniam (organetto, bagpipe, lute, vielle, tar)

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