 Andara, a site covered in the past, yet for an entirely different reason. Our experience along this path of discovery, now allowing one a window, a glimpse, into a deeper, more compounding layer of evidential detail, unraveling a tangled web of lies weaved over generations of regurgitated fiction, accompanied by supportive evidence to again reinforce the original instinctual hypothesis created some 10 years ago now. In particular, in regard to who could have, in reality, possibly created these mind-blowing or gargantuan ancient megalithic ruins. Sites we have touched upon or researched in the past, however from a less experienced evidential angle, thus we feel they are justified a refined revisit. But I digress. Andara is a claimed iron age settlement, yet what I am about to demonstrate is that not only is this yet another lie, but that the evidence be overwhelming to support this claim. The choice of stone used in these once exquisitely finished ruins decoration, for example, not only reminiscent of Persepolis, but due to its clearly much greater level of erosion, they would also, as the art would suggest, far predate Persepolis itself. Yet the belief structure, the artistic evolution, and by default, the same civilization responsible for both and indeed the mythological depictions are undeniably linked, A. Andara being located in Syria and claimed as dating as far back as the Iron Age. We have covered the magnificent Lamas soon, found within Persepolis, within a two-part special previously. This extraordinary, seemingly superhumanly precise stone carved sanctuary, however, although clearly possessing a more advanced depiction of the same creatures found at an apparent Iron Age basalt site, which is actually geographically over 1500 kilometers away and dated to a completely different era. Regardless of academic opinion, sheer unarguable evidential similarity and due to erosion levels can be correlated with the evolution of the depictions, along with the civilization responsible's past yet now lost abilities. From A. Andara to the Lamasu of Persepolis is clearly an artistic evolution of the mythical creatures depicted on the basalt stones claimed as Iron Age within A. Andara. Furthermore, although only a suspiciously tiny portion remains of the basalt floor, a quietly guarded area found at the foot of Kyops upon the Giza Plateau, or more accurately Foundation, although only a remnant of what once was probably one of the most significant parts of the ancient ruins themselves, it still holds countless undeniable curious tool marks, each of which clearly made with a tool unarguably tremendously more powerful and capable than that of what academics claim the builders of the pyramids and their constructors wielded that of copper tools. It all but now seems an insult to one's intelligence. We clearly find A. Andara highly compelling.