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Wade and eliminating the constitutional right to an abortion justices Brett Kavanaugh and Clarence Thomas reportedly championed the better future they created for the next generation of rapists quote we did it my friend we've been waiting decades for this moment to visibly teary eyed Kavanaugh was overheard saying to Thomas as the two congratulated each other on their work to make the world a better and safer place for perpetrators of sexual assault today we celebrate those will come after us who will be able to rape to their hearts content no one will be able to stop them whether it's spousal sexual assault statutory rape or simply gang raping a stranger future generations will have the full backing over the law that's America real article I'm Brett Kavanaugh gross get out of my house and you can follow us on Instagram Twitter for more juicy content thanks on patreon subscribe if you haven't hit the like button sarcasm it's what's for breakfast today we got a we've seen it some of their stuff the corridor crew they break down VFX we've seen you I remember them but they are breaking down our our our our our yes okay so they break the VFX breakdown tollywood bad and great CGI so they watched our our and they're gonna break down cool our our our cool obviously and they're gonna know stuff we don't if you haven't seen our our our go watch our watch it but yeah they're background they do this oh yeah they'll see stuff that is their job we won't be able to see yeah they're really smart big YouTube channel always fun cool this is like a trademark bollywood and hollywood shot and any animals is probably one of the hardest things to do you don't have a reference of a tiger like you know it's ridiculous as certain scenes can get this one is actually pretty believable that was great oh the fire looks so smart this week something very special for you the worldwide phenomenon the global block buster from South Indian cinema that has swept the world yep our art for me it actually sums up and utilizes all these crazy things you see in bollywood and movies for the purpose of telling a better story like the action is crazy it is out of the world but also it's focused on storytelling it's entertaining because it makes the characters for the songs the dances they're not just random music videos dropped into the movie they are story beats and oh my god it synthesizes seriously all of the elements that you think about when you think about bollywood movies as they sort of that's not a bollywood movie but yeah but it's hyper focuses it I seen two films in theaters like so far into 2022 those two films are are are are our our are ours in Indian language just try to watch it shout out to you for knowing that and he said watch it in a theater in the original language yes yes yes yes you have to throw away the yes what you know about films pick that bag of Oscars throw in the dumpster yeah so with that let's dive into our interview they said 2,000 extras in this scene cool films have very good crowd work next to work yes they do it shows you just excellent use of crowds wow oh that's really cool wait so it's not even fully CG crowds we're talking about like plates of crowds yeah they really committed to like have some real stuff in there this is a blend of virtual yeah I mean against fences real because they're interacting with the real object but right behind them by about 10 people back you get to CG people and positive people so he's been ordered to arrest one guy yeah yeah I go through the crowd you're convinced that he's actually like controlling this what's great is also the shot design here let's you like you really even the wide you catch exactly where he is which is crazy to be able to pull it off yeah to be able to easily see it like notice how everybody yeah to easily wear except right there great cutaways here to emphasize what's happening right so this punch here boom a little bit of CG blood to just emphasize each of these single hits a tiny thing I noticed on my fourth rewatch of this to make the crowd feel bigger you have like varying heights it might be only like two three layers of people yes and even further I see the you get little bits of the flag even further yeah that's a really just a clever way of implying more depth right even though you won't visually see it by after stuff higher up you're right I mean really simply the committed to having really practical stuff in the foreground at almost all times yeah all the stuff that your eye is focusing on it's all about the particulate and the smoke in the air that really blends it out this movie so good slow mo here's very much you know reminiscent of I think what John Wood does so well which is using slow mo as a means to emphasize and draw out beats and it's like over and over again the gifts and does it too and speed ramping and rhythm to like we're slow slow he's hurt and then now that he's refreshed he gets one breath gentle push in getting that rhythm back and boom boom boom boom and the rhythm is fast again he's 100% ready to go yeah that's definitely a calm wait I've seen so many eyeball reflection shots or sunglass reflection shots in these types of films probably the best one because first off they're like distorting it it looks like it's reflecting on a curve yep lashes there's so much detail put in incredible words like is that 100% real it is I would have to be a chrome ball people would have to be a chrome ball to see a camera in the reflection too also you would you would you're right this single shot still telling the story of the scenes it is one person against a huge crowd and him intimidating right it's almost POV but you're seeing it through this nice one glance and that's all he needs to push him back yeah this is by the way maybe the two greatest character introduction dude this introduction is so dope and remember to the language of the movie they both represent the two elements right so wrong supposed to be fire and water yeah he had the torch it's a gate before it reveals him yeah yeah it starts on a reflection before we turn around that's a fun shot so this blood looks perfectly real at first and then it gets a little CG at the end it's totally there's so much CG blood drips in this movie yeah it's true it's probably an element they poured down like something and copped it one of the things that's really interesting due to you know sort of the cultural sensitivities towards animals animals in these movies are all CG right they don't mess with like you know the possibility of harm animals they didn't used to he turned into a CG runner yeah that's real and then a CG run little Texas switch yep you double dude what what's great about slow mo by the way is in the world of slow mo we don't have any visual context for what should look right yeah you can get away with animation to just emphasize like the swipe or whatever even if you like play that back in normal speed it might look weird but it doesn't matter because it works in the slow mo context so something has looked really nice here but when they hit the ground there's a bunch of leaves boom right there oh yeah really sells the contact whoa yeah they put a lot of effort into these tiger shots and being animals is probably one of the hardest things to do like you're doing a human being is like oh I've even done dance and do this weird move it's like well I can look in a mirror or you don't have like reference of a tiger like you know what being from yeah yeah I did a semi-truck crash in the dark night so is this when he gets right up face to face set up for like a man versus a tiger he needs to stay calm yeah he's the roar back it never gets the tension of that shot is incredible too right because he's in full-flex but the whole theater is losing their minds yes yes this scratches all the itch that are like the best wwe matches scratch yeah yes yes I agree there's parts like this that are so well done they are easily on par with not better than that's right it's also shot choice too because there's an angle where that shot is almost impossible right like but then if you're coming behind and you're letting the foreground be the tiger you can get away with not necessarily being exactly where is his hand position into it because it's covered right I have to imagine one of the hardest things for the gfx team the director here in this scene was had it where it's like the tiger's falling asleep it's struggling but it's still scratching a little bit right it really hurts but not enough that it means that like you need to hit that story beat because it needs to communicate that it's still dangerous right because there's a movie where you it's like you go see boom hits a tranquilized dart and boom it's down right yeah it's like no the struggle continues still there is already a built-in suspension of disbelief whatever we choose to watch a movie if the purpose of the shot is like the tiger's chasing him and it's not selling a big story beat then it's like okay it it literally doesn't matter as much compared to the story beat here where he's going to cradle it that you can't be distracted by oh this looks bad you can forgive it because you're forgiving the movie because it's a movie I mean vfx is almost like a really abstracted version of acting where it's like when you're in the middle action the acting is not super important but when like an actor is like having a very intimate moment yes there's like you can't get distracted by bad acting right it's an incredible job of making sure to focus their strengths yes the points that they actually need yes they do that for over 2,800 vfx shots yeah oh my god that's why some of the spots where you notice something are completely forgiving because they're ancillary it's a nice train the cg 100 cg by the way oh yeah no that whole sequence that we just saw was 100 cg okay but like I saw they made miniatures for this whole train oh we'll get to that you only make miniatures and you want to blow them up ah classic gotta hit the sparks sparks from the brakes wait so the fire shots of the miniatures because obviously we got cg by up here cg fire yeah but then this next shot is quite a nice miniature that was great oh the fluff that fire looks dude that's so smart that's so smart all right we have a cg train for the close-ups and then we have a miniature for the destruction and the physics of it usually it's either backwards or like flipped or like completely one in the other yeah I've never seen the use of that where we're going to use cg for everything except for when physics takes over that's a real size right there full-size thing this is all wire work yeah yeah but this is all in camera here except in the background which is Compton and one of the tricks I always feel like that I see is that explosions are very bright and oftentimes real explosions will blow out like you got elements of pure white in there look at that but then cg explosions every vfx artist is like but put all this effort in these flames that's like the biggest gripe and you go mentions it all the time too it's like it's like the classic marvel movie explosion where you just have like a super detailed and flat explosion it's like just brown keep in mind if you're compositing that explosion that is exactly what you want to simulate to make it look real yeah yeah right when the flames are at his hands you get the proper halation oh yeah yeah yeah oh wow I did not notice that halation it's not called a light wrap or whatever I think halation is like be technical okay that's insane all right all right boom that attention to detail is amazing halation is when it hits your film and causes the silver crystals next to where the light is hitting to also change color and expose oh because it spills out on the sensor on the film on film save him yeah the movie gets me so pumped is game recognizing game yep two hand signals and like I'm just with you okay okay let's rock and roll and now here's like all right yeah you can't start a horse without having to yes right the torque on that horse is so there's still more secrets left to this plan that we don't know yet see that that that is not style that is substance I love that they do it with such graceful positions country which obviously one leg bent forward yeah the whole time you're like what this seems excessive why is this the style with the flag any other bollywood title maybe wouldn't just be style at the flag you fool what's happening here you keep asking what is that with the white flag is wet why what would it there's only one answer and that's yep you tell me that there's not a greater wingman move than knowing exactly buddy is going to need to protect himself and he got it when first and then the bill it's the best here and then ah it's the best buddy action film ever 45 45 minutes yep and now the main title hits I pointed that out when we watched in theaters transitions into the logo of the film it's so good hey we acknowledge that what we just did was kind of ridiculous the greatest buddy film of all time and put them up there they didn't have to but they did wait are they actually heading down dude hold on stop please no they're they're holding hands they're oh yeah like maybe there could be a cable connecting them that's like either on the back of the wrists oh by the way that's the cg horse in that shot right there that's the cg horse has to stop has to stop and let them go off yeah but you're gonna cg horse rig yo look at this little bike trainer wheels thing a little heavy tire and yeah the actor is awesome there is an incredible scene dance number if you will it's the best not to however we can't include it on this episode on youtube or else we'll get flagged so yep welcome to our life to cordon digital dot com and watch the extended version it's the best it is the greatest dance sequence in cinematic history I won't argue greatest interval scene of all time look pretty good I don't know you tell me yes yes here we go the whole zoo makes his movie taxed the British and he does it with all the creatures he's been capturing in the forest so this is a very John Wu kind of Hong Kong cinema thing here where we're jumping through time right like this is out of time we're taking our beat here we're taking a long time here right and now we're coming back to it so all that stuff again is like the sort of the sort of cutting in the way that is emphasizing emotion over temporal logistics it's anime it's anime get off me yeah and then some guy just does the perfect perfect flip yeah that's called like a gator right yourself a header a header yeah like you can feel like the tension of the animation like almost breaking the header actually brings it around yeah and the animation of that leopard spinning around like it fits can we just pause for one second to just acknowledge and appreciate the filmmaking artistry that goes into deciding not to do this whole sequence as a stupid wonder the I'm tired of stupid wonders we're at a point where people know there are cuts in wonders like it's not cool it's not cool anymore stop with the useless boring wonders filmmakers I'm telling this right now you're not cool for doing a wonder and nobody likes it yeah because of that no one likes doing boring good wonder there's plenty of good wonders out there yeah but they're used to like bridge together and again they don't overstay their welcome right family man does it amazingly yeah to show the chaos and sort of the scope of what so did Merzapur right the purpose of this it's the range of animals even the horseback sort of folks can't even handle it and the punctuation mark fire we're starting a fire that's like a technical wonder but like they're cutting out of it by the certain point uh oh what do I mean here comes fire love the detail that like the power of these horses are going to even part like right that the two most dangerous animals that you've seen up until this point artificially keeping him very dark yeah the front right there's even this next shot here it's almost completely like that's that's completely ridiculous right that's almost 300 from city almost but like yeah but the purpose is the dark we're gonna flip this get a low angle of our guy walking yeah this is like a trademark hollywood and hollywood shot something flipping in slow motion above a cop this is a trademark shot and of course not wrong it's so satisfying one of the most sublime the water shot which is the key shot oh yeah falls out of his hand it was so close is literally in his grasp he's coming in and out of focus and then like you can track the moment it goes and then he's been coming to focus one more time and now his look is different right and now you know it's like no game on each other the water I love the water sequence oh it was a jump cut besides the speed of it is that Dragon Ball Z action now we're like very singular powerful strikes here good crisp choreo yeah emphasis on the his low angle but like just great choreo there and using smoke that's backlit behind them so you can silhouette them and read their body shapes oh clever good point yeah oh uh oh uh oh fire show me his water there it is yeah yeah who those are the VFX artists on that shot every single time I see it that little arc of the background rocket over ROM's head amazing yeah it's like sometimes you're just like you know what those Bezier curves just hit this is one of the shots where then Bezier curves just get different whoever was placing them newer menu exactly it's like a painting dude yeah we don't even have to decide where the they went they're like oh this is where they belong what that shot could be complete chaos if done incorrectly yeah like you're watching just like we should pause it here showing you the rest of this fight would be a disservice to you you should go watch the movie well done it's me Jake again here on a giant Bollywood film set doing things big time and uh if there's one thing that everyone keeps telling me around here it's uh that credit on a film set is important you know and uh come to think of it courtesy of today's sponsor extra you can start building credit with Devin today great video great video great video they're uh they're very knowledgeable and it's great to see people that are just like it's great to see directors break down a scene blah blah blah it's great to see people that know what they're doing break down great stuff or stuff that that they deem that we you didn't catch that they need not so great yeah it's wonderful to see also uh we know about this movie like two years ago so yeah but get on the average american i know doesn't even know that indian cinema exists i know i know but it's quite it's kind of crazy though because obviously the rest of america or the west in general right it's just now figuring out about this film i know we'd been anticipating this film for the past i'd say two years since that the um the first reveal poster reveal yeah it was a poster reveal reveal or something yeah and we had been anticipating it and right when it came out we were championing it like crazy uh and how great this film is and every all all you see now is just the amount of praise anybody that sees it now is everybody and do not be shocked if can't well how does it work so if the idiots who are in india that pick for the oscars don't pick it right and i'm gonna that might be a better film that comes out i don't know right we're not there yet they can still submit themselves can they not like parasite did for best picture or no uh yeah what happened they can submit themselves for anything they want to submit themselves for so for foreign for well no they that has to be submitted through the country through the country correct got you um that would be my only hurdle currently yeah um and and i i said it on twitter was like i don't see how you can't nominate this film currently no we're halfway through the year and it's the best film of the year in terms of just the totality of and how good it is you can argue whether it's the oscar type worthy movie whatever but i will if there's something that the oscars have been accused of and for the most part rightfully so is that they haven't given enough attention other than in the visual effects and and you know editing things sound is action films when many people have thought for a while that there's a lot it started with dark night and it's it's been continuing there's been some great performances there's been some great stories and they're by far the more popular films that people go to see it would be very cool and i mean it was it's what i'm rooting for unless another film comes out that i see that i think is a better candidate i would love to see this be the entry there has not been a um sardu uddam great indian kitchen this year may the closest i would say well that was last year i know i'm saying the for that would replace this for india oh uh this year there has an outside of maybe the last farmers the closest i would consider to something that would be an oscar type film type film even though obviously this is a very different type film but i think in terms if if your job is that the oscar nominating committee for india is to get the nomination correct the west is already crazy about it why not just send it i just sincerely the only reason they wouldn't is because and sadly this is the case throughout all industries of all countries is too often decisions are made about money or political power and and i don't mean that in terms of politics of a country i mean the politics of the industry yeah and and sadly some things get chosen that shouldn't have been chosen and some things get specifically ignored having nothing to do with artistry i think i think you could get a lot of people on board with being excited you would rr nominated for best foreign film i mean you could even argue that could be best picture it might it might if it were nominated there would be so many people here it might be the single most excited americans have been for the nomination of an international film that i could ever remember because so many i can't remember an international film being seen way before oscars that so many people are excited about people got excited about parasite because they got worried about the film festivals and then they got worried about all the nominations and then they went and saw it even post oscars yeah this is six months before nominations come out yeah this is different people are going crazy because it's not the festival type is different correct getting how good and fun this film is and that a film that has made for entertainment value yeah has just as much merit as a film that is made for oscar artistic value it's one of the reasons i think another candidate in just the best picture sequence especially since you have a 10 picture category is it's an action film there's probably no oscar nominations but it doesn't matter maverick is going to be one of the best films of the year not just the most successful it's going to be one of the best films of the year so if you could nominate it'd be really cool to see maverick and then see this it would be a nice turning point of the academy and you know us our creme de la creme is going to be the artsy films but there's a place for movies like this the place for this in the awards conversations absolutely and i just i just hate that also the one that every sing is on netflix and hindi i know and i love that they mentioned about that because i don't understand why you're staying other than the original language at the lemelay theater here which plays a lot of international films on their billboard and on their website it says underneath not afraid of subtitles and i wish everybody felt that way anyways great video great video please let us know what the videos we can react to and uh what should we eat the next of their videos we should watch down and up