 Oh boy, what do we have here? What is this Black Star St. James? Okay, first thing I'm noticing, this is gonna look amazing on stage. That lit up Black Star logo. I love that. Okay, let's see what's going on this pattern. This is so old school and I love that. My signature was that British Racing Green. That was cool. This is really cool. That's really cool. Okay, enough chatting. Let's hear what this thing sounds like. Let me see. Oh, right away, it's got the anger factor. So that's the clean channel. That sounds awesome. Okay, I'm gonna turn this down just a hair. See how it cleans up. We've got some reverb. It's got some wolf, baby. This thing sounds badass, dude. This sounds so good. He rubbed up all the way up. Awesome. I'm gonna turn it all the way up again. This amp has enough push where usually, I'm searching for that extra edge. This has the extra edge. And I'm not blowing smoke, I seriously mean it. It has that extra punch and it's loud. It sounds awesome, dude. Seriously. Like that tone right there is like so good. Sounds awesome. They react really, really well. And if anyone knows me, they know I'm more of like a P90 reaction. But playing this Les Paul like, it already has that breath to it. It has a little bit more of an openness. And when I hit the notes, it's instant. And they bloom really nice. There's something about the bloom, especially on this, it's like the more you push it, it doesn't kind of feed into itself. It actually blooms out, which is really sick. Usually an amp like this, you'd think it would just collapse. You know, you'd hit it and it just kind of dump in. But this is a bad ass amp. Let's see what this baby does. We're gonna do just like we did on this eel. It's got a nice smoothness and nice almost clean crispness to it. Especially at that lower volume. All right, let's turn that up. A little bit more of a modern clean, I think. Super woofy. That's awesome. Okay, hold on, let's turn that a little bit down. It's really nice. It's really cool. I'd love to hear this on a big stage and just get that. It's got all that vintage woof that I love, but it's super clear. It's got a lot of clarity. It's sick. Okay, we're moving on. Go to channel two. Let's see what channel two sounds like. Bites. It's got a bite, man. Yeah, a lot of sustain. I'm turning the gain all the way up. Yeah. And then there's a boost too. That's almost so crazy that there's even more than that. Yeah. For one thing's for sure, you don't need any more overdrive with these amps. They pump, man. Yeah, straight into the amp using just the channel selector and the voice. It's beautiful. These things kick ass. I think they each would have their own kind of voice in different applications, right? This amp feels really, really, really good if I was playing things that needed to have that more modern edge to it and more of a cut, but where my heart lies and that whole vintage-y kind of that old-school vibe. All day. I feel like I could probably take that thing and go play any gig anywhere right now. It's that good. All right, check this out. Hold on. We're doing the test of all tests. Yeah. Yeah, this thing weighs nothing. Literally nothing. This is lighter than the JJN20. Oh my goodness. I could put that in a backpack. It's that light. That's insane. Geez. Is this legal? This is cool, man. That's fucking light.