 All right, so you asked about that shot How close it was so let me just play that through You don't have any honor do you? You So the couple things on this here, I think there's like three major beats here Not beat. Sorry. There's like things that would tweak just for intensity So I obviously splined the first beginning up That gets kind of a weird long stare in a culture. What do you want to do during this section? You don't have any honor. Do you that that to me is the first thing when he just lifts that head here, so You don't have any honor. Do you and then down like it just feels like I can see those moves here You don't have any honor. I can I can buy all of that even though if I track the nose. It's it's a bit too Too curly like that, like that's I'll probably tone that down a bit But then you get the have any honor. Do you that feels very non-descript? It's very and down with a really Big arc like that again I always say our cars arcs, but this just feels a bit too Disconnected from the audio. You don't have any honor. Do you it could be that and then starting a bit here Hold and then on honor you would you would have that as honor Have any honor. Do you it was honor right now has no accent in the head any honor. Do you and then Hold this honor and then opens eyes and holds him in it. Do you Do undo you go down on how do you with a really strong? You know, it's right right now. I feel like your curve is like this versus do you like really a do has that very very noticeable dip Any honor do you? You Coward and then here's pretty cool honor. Do you watch out like there's some art arm stuff that feels very IK and stiff In an arc and it's timing. You don't have any honor. Do you that this was floaty compared to this? Do you And then how it comes back and down that I don't see any rotation in the wrist I kind of stay the same It's a big IK flag at this point same thing here they go up and there's no rotation There's no tensing in the fingers like through all of this here You know at this point the finger the wrist will be up and there and there will be no gap between the fingers It'll be all very very very tense And that gets better but again through here rotation kind of says the same as a lot of stuff going on in the wrists and the elbows So that's a big one here, but in terms of the face you Coward everything's great about when he goes into coward I will go here more towards us and Then over three four frames into this I Probably reduce the stretch on the head as well. It's a bit too visible But you want to have a slight rotation where the nose goes from here to here. Maybe a bit more rotation this way Over three or four frames But then you don't want to do the rotation in why where it's like this over three four frames You want to go fast and then you want to ease out and come back a bit So it's it's it's you know, it's not so super harsh on the stop you But you do want to feel the cow over there Coward and then I would reduce this This is super strong and it's so big in camera that it gets kind of jarring There's so much movement You can't have that in the body, but then I would drag And have that nose over here. So the heck and it drags boom and in here kind of settles over here That makes sense So little things the biggest thing from the terms of a technical thing is arms I key arms Spline that out to see what you want to do with the timing, but I kind of like how he tips over You don't have any honor. That's a bit too curly at the beginning. Oh, no. Do you honor? Do you do you down? You Coward and a coward just wants to be really explosive and cow and on this also bringing those arms down Faster, so it's really an explosion of coward All right, thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way and like and subscribe would be awesome. All right. Thank you